Being a bit of a vagabond makes me appreciate more than ever the idea of a home to call one’s own. Not owning a house of my own at the moment, I am drawn to artists’ work of dwellings. Take a peek at these homey pieces!
Pitch Perfect by Richard Sedivy, oil, acrylic and mixed media on wood, 28.5x23.5
White Horizon by Sandra Pratt, 24x18
Broken House, digital pigment print, 36x30 cm
Anchored by Amy Casey, painting on paper
Yellow Hut #3 by Siddath Parasnis, oil on panel, 18x12
To see more of these artists’ work, please visit their websites below. Happy weekend, Artsies!
Art and textiles have enjoyed a long and happy partnership. Every art student has known the joy of capturing supple folds of fabric in charcoal. As we explored duringartsyF A S H I O NWeek, many artists have been captivated by the beauty of intricately crafted garments. In her work, Massachusetts photographer Carin Ingalsbe celebrates the remarkable colors, textures and patterns of clothing and costume.
New York City Ballet, Ballet Imperial Yellow
Carin’s latest series focuses concentration on fashion normally admired from afar– ballet costumes.
Boston Ballet, Boston Bluebird
Inherently, these opulent pieces are designed to be beautiful while in movement. But in her closely cropped still lifes, Carin captures their quiet beauty and we are treated to a look at the intricacies of each individual garment.
New York City Ballet, Sugarplum Fairy
New York City Ballet, Ballet Imperial
If you are anything like me, you’re now dreaming of floating across the stage in one of these numbers. To see more of Carin Ingalsbe’s stunning photographs, please visit her website. Make sure you read the history of each garment– fascinating stuff!
You can also check out Carin’s work in person at Lanoue Fine Art in Boston.
Featured image is The Royal Swedish Ballet, Metallic Skirt c. 1790-1830. All images are via the artist’s website.
There is something so poetic about the restoration of an object that has been destroyed. A beauty in the scars, a rejuvenation in the renewal. It is this juxtaposition that Asheville, NC artist Nava Lubelski seeks to explore in her work. Seeking to “explore the contradictions between the impulse to destroy and the compulsion to mend,” she first destroys in order to resurrect.
Sweet Chewy, thread on stained canvas, 12x12
Her initial damages to the surface, through ripping, cutting, spilling of paint/stain are then painstakingly “repaired” by hand-stitching embroidery over and around the holes.
The Sum of Parts, thread on stained canvas, 12x12
Just as when people’s souls, minds, bodies are wounded, the healing process is slow and not always complete, so are the stitched “repairs” in Nava’s work. The initial destruction has been stopped, but the material can never fully be restored. What she leaves us with instead, is a new surface, still showing signs of mutilation yet renewed.
003, thread on stained canvas, 24x24
Like Those Monsters, thread on stained canvas, 12x12
To see more of Nava Lubelski’s work, please visit her website. She is currently showing in NYC, Asheville, Shelbourne, VT and Sydney, Australia.
Featured image is A Story About Frogs, thread on stained muslin, 26×20. All images are via the artist’s website.
As the hubby and I travel, we love to explore and see what the surrounding area has to offer. While living in Grants Pass, Oregon, we’ve come to love the nearby artsy town of Ashland. While other galleries in Ashland cater more to local work, Davis & Cline Gallery, in the Railroad District, carries a variety of exceptional work by both emerging and established artists recognized both regionally and nationally.
Davis & Cline, exterior
As we walked in the front doors of the gallery, I immediately fell in love with the current show, Out of the Woods, featuring work by Christian Burchard and Haley Farthing. Burchard’s madrone wood sculptures are stunning in their simplicity and texture, full of organic elegance. A perfect complement to the rich, milky warmth of Burchard’s sculptures are Farthing’s subtle pastel and ink wood panel paintings. Look for more on these two artists soon!
Out of the Woods, Christian Burchard & Haley Farthing
Throughout the gallery, the space is well lit and the placement of the work a well-designed mixture of two-dimensional work and sculpture.
Davis & Cline, interior
Davis & Cline has a world class collection of glass work and it is showcased beautifully, both in naturally lit and a specifically designed “dark room”. It is a space worthy of exhibiting the prismatic beauty of world renown artists like Dale Chihuly ( check out some of Chihuly’s 2-d work hanging above! )
Davis & Cline, glass gallery
The gallerist was friendly yet, unobtrusive– exactly the feeling I like to get in a gallery. Once we started talking, he was eager to tell me more about the artists and the gallery but never with a “salesman”-like attitude. This is a gallery where both a serious collector and student would feel welcome and appreciated.
Check out the Davis & Cline website to see more of the artists they represent. If you’re ever in Ashland, be sure to make a personal visit!
You will never catch me watching a gory horror movie, so I’m not usually drawn to truly gruesome imagery. But I do love a good spooky mystery, so just in time for Halloween, today’s round-up features some of my favorite frightful art!
Edison's Parable by Jamie Baldridge
Chair With Hand by Kim Kamens, thread, nails and wood, 48x72
Dolly Madison Zebra Stripe Death by Dirk Westphal, limited edition print, 11x14, 16x20 or 24x30
Phones by Melanie Pullen
To see more of these artists awesomely creepy work, please visit their websites listed below. Happy Halloween!
Pottery is one of my favorite sculptural mediums. Now, I’ve never personally done anything beyond elementary school-level pottery, but I have a deep appreciation for beautiful earthen forms. Sculptor Diana Kersey’s vessels are a wonderful modern homage to folk-art pottery from around the world.
Untitled by Diana Kersey
Her basic forms are classical in shape, but her use of organic surface forms, such as the fish on the piece above, add a modern, whimsical quality to her work.
Untitled by Diana Kersey
And her use of repetition recalls ancient Greek pottery, but the texture and high-relief reminds us that this work is completely contemporary. Her rich, warm glazes create really stunning silhouettes.
Untitled by Diana Kersey
Pierced Fish Pot by Diana Kersey
Please check out Diana’s website for more images of her work. If you’re in San Antonio, you can see her work on the Millrace & Mullberry Bridges!
Featured image is Bird Jar ( detail ). All images are courtesy of the artist’s website.
There’s something you should know about me, Artsies. I grew up completely immersed in the styles of past eras. My dad loves “classic Chevy’s“, that’s 1955, ’56 & ’57 Chevrolets, for those not in the know, and a lot of our family time revolved around my parents’ involvement in a local classic car club. The adults I grew up around reveled in the cars, clothes and music of the past. So I kind of automatically have love for anything with a retro-ish vibe. Enter Anna Magruder’s artwork.
Amphibious, oil on canvas, 16x16
This Portland artist looks back at the people and images of the past, re-imagining their lives and stories. These re-imaginings have a dreamlike quality to them, like old photos you’ve found in the family photo box, yet know one knows who they are or the stories behind them.
Book Of Poems, oil on canvas, 16x16
Her muted color palette further reinforces the vintage feel of her work, so that they read almost like the faded Kodachrome images of the past.
Cheer, oil on canvas, 12x12
Big Wheel, oil on canvas, 16x12
To see more of Anna Magruder’s work, please visit her website.
Featured image is Observer ( Mediator ), oil on canvas, 16×16.
As promised, here’s our 2nd Christina Baker feature of the day. The fabulous Mrs. Baker has four (!) pieces of artwork featured in the Nashville Southern Living Showcase Home. So I thought it would be fun to give you a peek at her work in this beautifully designed space.
Commissioned work for master bedroom, Twinkle Twinkle Little Star, acrylic on canvas, 48x48
Master bedroom, Lazy Day, acrylic on canvas, 30x40
Master Bedroom Inspiration Board, Southern Living Showcase Home
I have a confession to make, Artsies. I have been remiss. Since the beginning of Artsy Forager, I’ve had Christina Baker listed as a Pick of the Crop artist, and save for a few mentions in Friday Faves and The Artsy Home, I have yet to feature her! Shame, shame, shame!! So to make it up to the lovely and always supportive, Christina, today you’re getting a two-fer!! One now and watch for a special The Artsy Home feature later.
This self-taught artist’s work is ever-evolving and intuitive. One of my favorite games to play with Christina’s abstract work is “What Do You See?”. In every piece, there is something that is familiar, yet fresh. In one instance, I may think I see a representation of one thing, but then I go back, take a second look and see something completely different.
Her use of color and light creates soft, yet powerful imagery, the kind of work that translates easily between contemporary and more traditional aesthetics.
I hope you loved Christina’s work as much as I obviously do. To see more, please visit her website! In Nashville, her work can be seen at York & Friends and at the Southern Living Showcase Home until November 6th ( more on that later!! ). For Atlanta folks, check her out at Gregg Irby Fine Art.
Birds have a long history of symbolism in art. Their meanings through the years have been as varied as their colors. Oregon artist Laurel Bustamante has taken the symbolism a step further, creating imaginary birds that represent what it may feel like to be a bird.
The Pearlfisher #2, gouache and acrylic on clayboard, 5x7
But these are not expressionistic paintings in that typically wild, emotive kind of way. Instead, they are thoughtful studies of mystery and coquettishness of small birds.
Nigthbird in Pompeii, acrylic and gouache on panel, 8x10
These diminutive paintings have an old world, ancient quality to them, but feel modern in their isolated composition.
Bluebird, acrylic and gouache on panel, 8x10
Nocturne in Brazil, acrylic and gouache on panel, 8x10
You can find more of Laurel Bustamante’s work on her ArtSlant profile ( I was unable to locate a website for her ), or on the websites of a number of galleries in which her work is featured: Augen Gallery, Davis & Cline, Lora Schlesinger and REM Gallery just to name a few. Flit like a little bird and visit them all!
Featured image is Nightwatch #1, gouache and acrylic on clayboard, 5×7, via REM Gallery.