Very often, negative space is just as important to our understanding of form as the form itself. Think about clouds– their beauty is most apparent when surrounded by bright blue sky. In Portuguese artist Cristina Troufa’s work, the painter uses simple lines and negative space to punctuate her compositions, choosing to highlight the flesh which makes her figures essentially human.
Her concentration of color and light on the exposed flesh of her subjects speaks to our tendency to judge on appearance, often unable to look past the person we think we see and notice each other for who we really are.
Her compositions are simple, the backgrounds stark, only a detail left to us here or there.
What do we see when we fill in the blanks? Who are these women, this boy? What is this moment we’ve caught them in? Have we been there before?
To see more of Cristina Troufa’s work, please visit her website and her page on Meseon.
Featured image is Salto. All images are via Cristina Troufa’s page on Meseon.
artepad
June 18, 2012 at 9:55 AMlove thisssss, nice artwork
belopotosky
June 18, 2012 at 11:03 AMWow- thank you for sharing!!
Lesley
June 18, 2012 at 12:12 PMGlad you enjoyed Cristina’s work!
Cheers,
Lesley
thesculptorswife
June 18, 2012 at 12:36 PMReally like these, such clever use of colour.
Lauren I. Ruiz
June 18, 2012 at 5:16 PMYour analysis of how the negative space in these serves to highlight the flesh which makes the subjects especially human was dead on!
I enjoyed viewing these with that thought in mind. 🙂
Glad you’re promoting these artists!
Lesley
June 18, 2012 at 7:11 PMThanks, Lauren! For me, her use of negative space is the stand-out element of her work– I love it!
Cheers!
Lesley
francifularts
June 18, 2012 at 11:04 PMI love the juxtaposition between the unusually colored three dimensional feet, hands, and faces, and the flat, simply outlined bodies! Great to see someone pushing the boundaries with composition and style!