Hiya Artsies! Today I’m doing a little guest foraging over on the UGallery blog for my Curated Persona series. I’ve put together a collection of UGallery artwork perfect for Your Favorite Hipster. You know you have one. Check it out here!
Category: Galleries
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Friday Finds: Galleries to Love
This whole economic mess has contributed to the loss of countless galleries around the US. I know first hand what it is like to put blood, sweat and tears into one. OK, maybe not blood, but plenty of sweat and tears, I assure you! 😉 I’ve heard some folks say that the old gallery model is a thing of the past, gasping for air, dead in the water. But I believe in galleries! And today, I’m featuring some brick & mortar galleries that are out there, doing it right. These folks are hustling, marketing, selling and making magic happen for their artists and communities. Put ’em on your list to check out, whether you can do so in person or online!
Diehl Gallery, Jackson Hole, Wyoming 
Florida Mining Gallery, Jacksonville, Florida 
Foster/White Gallery, Seattle, WA 
Gallery Orange, New Orleans, Louisiana 
Taylor de Cordoba, Culver City, California **I’m so excited to finally get a chance to visit Taylor de Cordoba and all the other LA area galleries when Mr. Forager & I hit SoCal in October! Can’t wait to drag him all over Los Angeles.
Diehl Gallery | Florida Mining | Foster/White | Gallery Orange | Taylor de Cordoba
I hope you’ll check out these galleries when you’re in their respective cities– well worth the trip! You can see more of my favorite artsy spots on my Pinterest board, Artsy’s Guide to Galleries. Do you have a favorite gallery? Let me know in the comments below!
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Slow Build: Mel McCuddin at Art Spirit Gallery
I can only imagine the courage it takes for an artist to create in front of a group of people. Heck, even one other person would terrify me. But at The Art Spirit Gallery in Coeur d’Alene, ID ( our hometown for just another 6 weeks ), their new featured artist for the month gives a demo on the Saturday following their opening. It is a fantastic way to gain a real “behind the art” glimpse into the creative process! I can’t believe it took me this long to attend one, but I’m so glad I did. The work of Spokane artist Mel McCuddin is striking online, luminous up close, but to see it in progress was truly inspiring.
Matchmaker, oil on canvas, 52×48 
Reveries, oil on canvas, 48×44 Each canvas begins as an exercise in Abstract Expressionism– it is all about the paint, texture and color. Slowly, as formations evolve in clouds, a figure emerges on the surface.
The Old Dog, oil on canvas, 36×40 
Black Dirt Farmer, oil on canvas, 48×48 McCuddin thoughtfully builds his layers, alternating patches of light and dark. Deliberate smudging of large swaths of canvas give way to areas of delicate and careful application.
The Late Bus, oil on canvas, 52×48 His finished works are often left with an eerie glow, giving them a slightly alien quality yet they are approachable and likable. His subjects stare back at us with curious wisdom. You can see a slideshow of images of Mel McCuddin in action here ( Artsy Forager now has a YouTube channel! ). His solo show can be seen at The Art Spirit Gallery in Coeur d’Alene until August 4, 2012. I highly recommend a visit if you’re in the area!
Featured image is Three in a Tub, oil on canvas, 48×52. All images are via The Art Spirit Gallery website.
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Emotional Pop: Mark George
Advertising imagery has become such an integral part of our cultural landscape that products are often instantly recognizable simply by their logos. Like his Pop Art predecessors before him, Jacksonville, FL artist Mark George takes inspiration from the inescapable world of advertising, putting his own spin on the Mad Men era.
Of course, there are obvious parallels between George’s work and that of Pop Art icon, Roy Lichtenstein. Yes, the imagery also takes its cues from advertising imagery and comic books. But where as Lichtenstein enlarged his imagery to the point of replicating in paint the Ben-Day dots that comprised printed materials of the day, George chooses to flatten out the imagery even further.
The lack of visible brushstrokes and use of smooth, reflective surfaces emphasizes the slick nature of the mid-centuray imagery. While the severely cropped faces and “torn” edges of his panel suggest that these are relics abandoned to a different kind of future.
But what interest me most is the emotionality to be found in the faces of George’s subjects. There is a sad, melancholia about the imagery, bordering on the disturbing. In this respect, his work could be seen as our past looking back upon itself with current eyes, shocked and saddened by what is seen in hindsight.
What do you make of the faces of Mark George’s subjects? Please visit his website to see more of his work. If you’re in South Florida, he will be participating in a show, Jet Set Glamour at Harold Golen Gallery in Miami, opening tonight!
All images are via the artist’s website.
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The Wild Selves: Anne Siems
As I mentioned before, there were certain shows I knew I wanted to see while we were in Seattle last weekend. I’ve loved the work of Seattle artist Anne Siems since first seeing it online and was excited to get my chance to see her work up close and personal. Her solo show, Guidance is showing at Grover Thurston Gallery, just up ( or down? Still don’t have my Seattle geography down pat ) the street from Foster/White, so away we went.
Wolf Girl, acrylic on panel, 48×48 Siems’ inspiration behind the show was the evolution of her daughter from childhood into adolescence and the idea that wild animal spirits may help children navigate their way through this transition. In each of us there is a wild, animalistic-like spirit that, as we grow up and grow older gets buried under years of suppression and training in proper behavior.
Antler Girl, acrylic on panel, 40×52 In Siems’ work, we see children taking on historically grim expression and formal, constricting garb, reminding us of centuries of children whose innocence is lost all too soon. Children whose natural wild spirits may fight against the constraints of social tradition and custom.
Bison Boy Drawing, mixed media on paper, 38×50 I was particularly drawn to Bison Boy ( above ), perhaps for the way the figure is isolated starkly against the white paper background. He has been taken out of his environment, out of his element. His garments are in the somewhat effeminate style of his era, yet his bison head & skin seem to be reminding us to not forget the wildness within.
George’s favorite work in the show was Lynx Cap ( below ), as this figure retains a sprightly, little girl expression in contrast to the other figures’ more suppressed, even haughty countenances. She is still an innocent.
Lynx Cap, mixed media on paper with embroidery, 22×30 
Guidance Tree, mixed media on panel, 48×48 I could go on and on about these and talk about every one– they are so interesting, visually and spiritually. If you’d like to see more of Anne Siems’ work, please visit her website. If you’re in Seattle, I highly recommend a visit to Grover Thurston to see these in person, a truly stunning show.
Featured image is Heart Branches, mixed media on panel, 30×30. All images are via the artist’s website.
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Artsy Spot: Gallery Orange
In the heart of the New Orleans French Quarter, housed in a 200+ year old classic Creole building lives Gallery Orange, a contemporary fine art gallery whose vibe and vision match the freshness of its signature color.
Gallery Orange, New Orleans, exterior If you’re a regular Artsy Forager reader, you’ve heard of Gallery Orange before. I first found GO when I discovered the work of Sarah Ashley Longshore, which then led me to Gallery Orange, her exclusive representation in New Orleans. I found gallery owner Tracy Geilbert’s aesthetic and taste to be quite similar to my own and have been happily watching her list of artists grow and work by those artists flying off the walls! Tracy’s love of art and enthusiasm for original work is infectious, I’ve never seen a gallery promote their artists harder than she does!
Gallery Orange, New Orleans, interior with works by Sarah Ashley Longshore Owner Tracy Geilbert was already selling art at a young age, making sketches of Duran Duran, photocopying them and selling the “prints” to her classmates. ( Ah, a fellow 80’s girl! ) Part Dutch and part British, Geilbert studied art and eventually graduated from the Royal Academy of the Arts at The Hague. Life would eventually take her to post-Katrina New Orleans and, after working for another high-end New Orleans gallery, heeded the call of her heart to open a space of her own.
Gallery Orange, interior, works by Guus Kemp 
Gallery Orange, New Orleans, interior, works by Gigi Mills, Carlos Lopez and Jill Ricci Starting in a tiny 600 square foot space, with only two artists on her roster, Tracy’s hard work and eye for unique talent led to the gallery’s current space on Royal Street where boutique galleries are springing up and blazing new trails on the New Orleans art scene. Tracy brings her Dutch artistic sensibilities to the gallery, offering only exceptional original work ( no giclees here! ), creative energy galore and a bit of good humor thrown in. Gallery Orange is all about serious art that doesn’t take itself too seriously.
Gallery Orange, New Orleans, exterior If you are in New Orleans or planning a visit, do not miss a trip to Gallery Orange! Delightful, deliciousness awaits you! You can see a list of upcoming shows at GO on their website— which is newly redesigned, make sure you check it out!
All images are courtesy of Gallery Orange.
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Desires Confronted: Hooper Turner
Confession: I love fashion magazines. The beautiful imagery of gorgeous people wearing couture, sporting watches and handbags that cost as much as a car, is like crack to me. Maybe in the intellectual artsy realm I am not supposed to taken with such trivial and superficial fluff, but I just can’t help it. Nor can NYC artist Hooper Turner.
High Noon, oil on canvas, 18×24 ( via Skidmore Contemporary ) Turner, whose latest exhibition, Glamorama, opens at Skidmore Contemporary in Santa Montica, CA this Saturday, chooses to focus his fascination and truly study these portraits of consumerism, painting them and in turn, seeing them with new eyes.
The Crusaders, oil on canvas, 30×40 Turner doesn’t take the imagery out of context, like many might, instead the images are unabashedly commercial, some complete with the text juxtaposed over the image, just as it would be in a magazine. It is in this honest confrontation of our voluntary manipulation by advertisers, creative directors, etc., that his work finds its most poignant power.
Solstice 2005, oil on canvas, 30×36 ( via Skidmore Contemporary ) 
Spiced Egg Nog Cardigan, oil on canvas, 20×24 ( via Skidmore Contemporary ) Be sure to check out Hooper Turner’s website to see more images of his work. If you’re in Southern California, make plans to see his show in up close & personal at Skidmore Contemporary Art.
Featured image is Calvin Klein Underwear, oil on canvas, 51×36. All images are via Skidmore Contemporary’s website.
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Artsy Spot: Florida Mining
Ninety-nine percent of the time I completely love my life in the Pacific Northwest. But occasionally, there is that nagging little 1% that longs to be back in my hometown of Jacksonville, Florida, just so that I can be in the thick of the exciting artistic resurgence happening there. Though the arts in Jax were hit hard by the recession, artists and art supporters are determined to make Jacksonville a cultural destination. Among them, artist Steve Williams is bringing home forward-thinking, atypical art with his new gallery, Florida Mining.
CPHACE by Laird, inaugural exhibition at Florida Mining Williams is no stranger to playing gallerist. He’s been at the heart of several successful galleries in Jacksonville over the years. As an artist, he thrives on being involved with other artists and their creative processes. And, being the generous soul that he is, wants to help them succeed and in the process, is bringing his unique vision for the arts to his hometown.
Florida Mining Florida Mining’s mission? To present emerging to mid career artists who are thought provoking and fresh with a mix of medium and perspective. And they were off to a slammin’ start with their first show featuring a new series of work by Northeast Florida photographer Laird, a series infared photographs which begin with organic surroundings and are composited and mirrored so that the resulting image becomes almost hauntingly alien, yet familiar.
CPHACE series by Laird Florida Mining’s sleek, contemporary space, designed by the brilliant team at Designmind, Larry Wilson and Rebecca Davisson ( both artists in their own right ) is the perfect showcase for making avant-garde work accessible to North Florida.
Florida Mining Up next for Florida Mining is a new show, Tonya Lee: All Smiles, a new series from the Jacksonville-native, current Philadelphian featuring paintings and wallpaper ( yes, you read that right! ), embracing Lee’s fascination with alternative materials.
Tonya Lee: All Smiles Tonya Lee: All Smiles opens at Florida Mining this coming Friday, 11/11/11. If you are anywhere nearby, you will not want to miss it! Big things are in store for this new venture. Go and experience it for yourself.
If you’re not in Florida, be sure to check out Florida Mining on their website, Facebook and Twitter. Always interesting and cheeky fun to be had.
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Artsy Spot: Davis & Cline
As the hubby and I travel, we love to explore and see what the surrounding area has to offer. While living in Grants Pass, Oregon, we’ve come to love the nearby artsy town of Ashland. While other galleries in Ashland cater more to local work, Davis & Cline Gallery, in the Railroad District, carries a variety of exceptional work by both emerging and established artists recognized both regionally and nationally.
Davis & Cline, exterior As we walked in the front doors of the gallery, I immediately fell in love with the current show, Out of the Woods, featuring work by Christian Burchard and Haley Farthing. Burchard’s madrone wood sculptures are stunning in their simplicity and texture, full of organic elegance. A perfect complement to the rich, milky warmth of Burchard’s sculptures are Farthing’s subtle pastel and ink wood panel paintings. Look for more on these two artists soon!
Out of the Woods, Christian Burchard & Haley Farthing Throughout the gallery, the space is well lit and the placement of the work a well-designed mixture of two-dimensional work and sculpture.
Davis & Cline, interior Davis & Cline has a world class collection of glass work and it is showcased beautifully, both in naturally lit and a specifically designed “dark room”. It is a space worthy of exhibiting the prismatic beauty of world renown artists like Dale Chihuly ( check out some of Chihuly’s 2-d work hanging above! )
Davis & Cline, glass gallery The gallerist was friendly yet, unobtrusive– exactly the feeling I like to get in a gallery. Once we started talking, he was eager to tell me more about the artists and the gallery but never with a “salesman”-like attitude. This is a gallery where both a serious collector and student would feel welcome and appreciated.
Check out the Davis & Cline website to see more of the artists they represent. If you’re ever in Ashland, be sure to make a personal visit!
All images are via the Davis & Cline website.
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Yes, Virginia, You CAN Afford to Buy Artwork! ( Part 2 )
Please enjoy this oldie by goodie while I spend the next two weeks camping, packing, visiting with the mom-in-law and moving from WA to OR. See you in September!
The affordable artfest continues today! In case you missed it, you can catch Part 1 here. Here are a few more suggestions for purchasing affordable artwork:
- Art festivals– Just about every community at one point of another puts on some kind of arts festival or at the very least, there are a few within easy driving distance of where you live. Festivals are a great place to check out ( usually ) a wide variety of artwork. And with individual artists manning their own booths, it’s also a great opportunity to chat with them about their work. Plus, you can usually score some funnel cake. Win-win!!
- ArtWalks— Many communities are also getting on the ArtWalk bandwagon, which I am all for! ArtWalks customarily take place once a month, usually the same evening every month such as the First Friday or Second Saturday. While the ArtWalks usually involve visiting local galleries, which we’ll touch base on below, many of them set up tents in a local park or closed-off street where local artists can display their wares.
- Arts Markets– A growing trend is a local “arts market”, which is a weekly market, combination farmer’s market, street fair and arts market. A wonderful way to spend a Saturday morning, grab some fresh ingredients for dinner, listen to local music and discover new artists.
- Local Galleries– You may think this one is obvious, but in many communities, brick & mortar art galleries are rapidly disappearing, thanks in no small part to the recession. If you are lucky enough to have some local galleries in your area, do what you can to support them. Don’t just go to the free events– actually buy something, even if it small. Many galleries today offer payment plans for larger purchases, don’t be afraid to ask. Galleries are in the business of supporting artists and selling their work. While it’s nice to browse, browsers don’t pay the rent. Most art galleries are run by average folks who love art or are artists themselves and are an important feature of any thriving community. Please patronize local galleries– your community will thank you.
- Art by Students– Chances are, you have a community college or university of some kind in or near where you live. These institutions are often filled with budding artists. Check the colleges’ websites to find out more about their art programs, exhibitions, etc. Purchasing student work is a wonderful, economical way to start a collection AND help give emerging young artists a boost of confidence. Even if they don’t make a career out of being an artist, that student will always know someone loved their work enough to buy it and they will cherish that knowledge. ( I speak from personal experience! )
- Artists Themselves– OK, so this suggestion may call for a huge, UMM..DUH, LESLEY!!, but it’s definitely an option, especially today when many artists are foregoing traditional gallery representation, choosing instead to market their work on their own. There are certain advantages to dealing directly with an artist, such as they may have more room to negotiate on price or payment terms without a middle man, as a direct “patron”, the artist may notify you first of new works you may be interested in and best of all, you can get to know the artist personally, which often makes the work you love that much more significant. In addition, many artists are now offering “budget” limited editions of their work, which make it all the more affordable. ( Check out Town Editions, a limited edition collection offered by Pick of the Crop artist, Thomas Hager ). A word of caution though, on a somewhat touchy aspect of buying directly from artists which goes back to my point of supporting local galleries– if you see a piece in a gallery that you love PLEASE do not try to circumvent the gallery and purchase from the artist directly. It’s dishonest and well, just a crappy thing to do. Most artists value their relationships with galleries or have a contract with the gallery and would not sell such a work to you in any case, but I’ve seen it happen.
I hope you find these suggestions helpful. It can be intimidating to buy artwork, but buy what you love and you’ll never be sorry.
