After three months in the cultural dead-zone that is Aberdeen, WA, it feels good to be living in a town with an active arts community. Grants Pass, OR isn’t exactly Portland or Seattle, but it is a welcome change. Last weekend, I was delighted to tour the current show at the Grants Pass Museum of Art , Vibrant Earth, featuring the glass sculptures and tapestries of California artist Deanna Marsh.
Gone Rogue, kiln-formed glass and steel, 36×36
It is really no surprise for artists to be inspired by the Western landscape in all it’s dynamic diversity. Deanna Marsh’s fused glass and metal sculptures capture the essence of the rushing rivers and steep mountain slopes. Recalling the wild spirit that still resides throughout so much of this landscape.
Golden Geodesy, brazilian geode, kiln-formed glass, copper and steel, 48x18x3
Deanna’s work is beautifully wrought and large in size, making her ideal for corporate & healthcare placement ( *hint, hint, to all my art consultant & designer readers!! ).
Accommodating Land by Deanna Marsh, kiln-formed glass and steel, 64×30
So if you happen to be anywhere near Grants Pass, Oregon, A) Let’s have coffee! and B) visit the Grants Pass Museum of Art before September 30th to see the work of this talented artist in person. If you can’t see it in person, please make sure you visit the artist’s website to view more of her work.
Featured image is Choose Your Path by Deanna Marsh. All images are courtesy of the artist’s website.
It seems that the art world is embracing fashion and its cultural influence. The Metropolitan Museum of Art’s recent Alexander McQueen exhibit, Savage Beauty, broke attendance records for fashion exhibits at the institution. Designers, especially ones specializing in couture fashion, seem to have more freedom than ever to create uniquely artistic forms. We see designers such as the late McQueen taking inspiration from the art world and creating masterpieces in their own way.
Dress, VOSS, Alexander McQueen, razor clam shells stripped and varnished
Are these practical clothes? No. But then, art isn’t created for practicality’s sake. It is created to be an outlet and a source of inspiration. McQueen and other designers like him have taken inspiration from the forms and textures of ancient and modern sculpture to develop glorious garments that inspire.
Jean Paul GaultierMary KatrantzouStephane RollandManish Arora, Autumn/Winter 2011-2012
On a simple dressmaker’s form, these could be mistaken for museum-worthy sculptures, but when worn, they become a moving work of art.
Sometimes a princess has to do what a princess has to do. Like kiss a frog, get a horrible night’s sleep with a pea stuffed under the mattress or maybe just open her eyes and wake up. Seattle artist Deborah Scott has created an intriguing new series, Waiting For Prince Charming, which explores how traditional fairy tale themes would be translated in our modern world.
Snow White, oil and mixed media on canvas
For instance, how would Snow White’s modis operandi of relying on her beauty and reputation as “the fairest in the land” work to secure her prince in today’s world? Mass media advertising, of course. Scott depicts her, perhaps this most vapid of the fairy tale princesses, as a purely passive participant in her own fairy tale. Her happy ending isn’t a result of anything she does or who she is, but merely because of her famous looks. Sound familiar?
The Girl Would Believe Anything, oil and mixed media on canvas
And then there’s the chick from The Princess & The Frog. How many women have been deceived into thinking that warty, nasty toad would one day magically turn into a prince? He may seem debonair and sophisticated, but he is a frog all the same. And once we realize how duped we were.. we are horrified at our own stupidity.
A Social Climber's Romance, oil and mixed media on canvas
In A Social Climber’s Romance, we see a well rested young woman and a pea peeking out from under the mattresses– she obviously hasn’t passed the real princess test, but is oblivious to the meaning of her sweet slumber. In this series, Deborah continues to hone her classical, figure-focused narrative style, which works tremendously well to carry out the themes in each work.
Waiting For Prince Charming opens at All City Coffee in Seattle September 10th and will be on exhibit there until November 5th. If you’re in the Seattle area, please check it out! Better still, there will be an artist’s reception on October 21st, Deborah is a delight in person and meeting her will give you such deeper appreciation for her work.
In the meantime, stop by Deborah’s website to see more of her work and check out her introduction on Artsy Forager here.
Featured image is Princess And The Pea. All images are courtesy of Deborah Scott.
Special thanks to Deborah for giving me a studio tour and a sneak peek at this new work when George & I were in Seattle last week! Look for features on some of her talented studio mates on the blog soon!
Please enjoy this oldie by goodie while I spend the next two weeks camping, packing, visiting with the mom-in-law and moving from WA to OR. See you in September!
The affordable artfest continues today! In case you missed it, you can catch Part 1 here. Here are a few more suggestions for purchasing affordable artwork:
Art festivals– Just about every community at one point of another puts on some kind of arts festival or at the very least, there are a few within easy driving distance of where you live. Festivals are a great place to check out ( usually ) a wide variety of artwork. And with individual artists manning their own booths, it’s also a great opportunity to chat with them about their work. Plus, you can usually score some funnel cake. Win-win!!
ArtWalks— Many communities are also getting on the ArtWalk bandwagon, which I am all for! ArtWalks customarily take place once a month, usually the same evening every month such as the First Friday or Second Saturday. While the ArtWalks usually involve visiting local galleries, which we’ll touch base on below, many of them set up tents in a local park or closed-off street where local artists can display their wares.
Arts Markets– A growing trend is a local “arts market”, which is a weekly market, combination farmer’s market, street fair and arts market. A wonderful way to spend a Saturday morning, grab some fresh ingredients for dinner, listen to local music and discover new artists.
Local Galleries– You may think this one is obvious, but in many communities, brick & mortar art galleries are rapidly disappearing, thanks in no small part to the recession. If you are lucky enough to have some local galleries in your area, do what you can to support them. Don’t just go to the free events– actually buy something, even if it small. Many galleries today offer payment plans for larger purchases, don’t be afraid to ask. Galleries are in the business of supporting artists and selling their work. While it’s nice to browse, browsers don’t pay the rent. Most art galleries are run by average folks who love art or are artists themselves and are an important feature of any thriving community. Please patronize local galleries– your community will thank you.
Art by Students– Chances are, you have a community college or university of some kind in or near where you live. These institutions are often filled with budding artists. Check the colleges’ websites to find out more about their art programs, exhibitions, etc. Purchasing student work is a wonderful, economical way to start a collection AND help give emerging young artists a boost of confidence. Even if they don’t make a career out of being an artist, that student will always know someone loved their work enough to buy it and they will cherish that knowledge. ( I speak from personal experience! )
Artists Themselves– OK, so this suggestion may call for a huge, UMM..DUH, LESLEY!!, but it’s definitely an option, especially today when many artists are foregoing traditional gallery representation, choosing instead to market their work on their own. There are certain advantages to dealing directly with an artist, such as they may have more room to negotiate on price or payment terms without a middle man, as a direct “patron”, the artist may notify you first of new works you may be interested in and best of all, you can get to know the artist personally, which often makes the work you love that much more significant. In addition, many artists are now offering “budget” limited editions of their work, which make it all the more affordable. ( Check out Town Editions, a limited edition collection offered by Pick of the Crop artist, Thomas Hager ). A word of caution though, on a somewhat touchy aspect of buying directly from artists which goes back to my point of supporting local galleries– if you see a piece in a gallery that you love PLEASE do not try to circumvent the gallery and purchase from the artist directly. It’s dishonest and well, just a crappy thing to do. Most artists value their relationships with galleries or have a contract with the gallery and would not sell such a work to you in any case, but I’ve seen it happen.
I hope you find these suggestions helpful. It can be intimidating to buy artwork, but buy what you love and you’ll never be sorry.
Please enjoy this oldie by goodie while I spend the next two weeks camping, packing, visiting with the mom-in-law and moving from WA to OR. See you in September!
It is a huge misnomer that only the rich can afford to be art collectors or even to purchase original work. When most of us think of an “art collector”, we tend to think of the stereotype of the wealthy patron, attending auctions at Christie’s, buying artwork for more than many of us make in a year, heck, in a lifetime. Or maybe you’ve gone into a higher end gallery and seen a price and thought to yourself, “Self, no way you’ll ever be able to afford that.”
Well, I’m here to tell you, the times they are a changin’. It has never been easier or more affordable to purchase original artwork and/or high quality limited editions. No, I’m not talking about the kind of “original art” you buy at the fleamarket or from a sale in a hotel ballroom. I’m referring to original, gallery worthy fine art. The kind you can be proud to hang on your wall.
Here are some suggestions for finding the artwork of your dreams and getting your collection started:
Online galleries/exhibition websites– These are popping up all over the place and many of them represent some very talented artists and you can usually find wonderful work in every price point.
Etsy— Possibly the largest online art & handmade marketplace, complete with a powerful search engine, you’ll find a wide range of artwork available. Many artists are using Etsy to reach a wider audience and as a way to sell their work independantly. ( Note that many of the artists with shops on the “exhibition sites” will have their links on those sites connecting back to their Etsy shops. )
Into the Mystic, photgraphic print, 8″x8″ $30
20×200— this New York City based website works with artists to offer limited editions of original work. Starting at just $20 for the smallest size, 20×200 offers affordable, quality work for newbie collectors.
Well-Being I, limited edition on archival paper, 8″x10″, edition of $200, $20
Papernstitch— I must admit, I’m a little biased toward this one, as it is run by my friend ( and fabulous artist in her own right ), Brittni Wood. Started as a blog, Papernstitch is a growing online exhibition site, curated monthly by Brittni and features handpicked, talented artists, designers and craftspeople. The Papernstitch blog is still going full force and features daily posts from Brittni and a handful of other talented contributors. Papernstitch is definitely worth a look when you are searching for something special.
Open Space by Rachel Austin, original mixed media on canvas, 8″ x 8″, $85
Artwelove— Founded in 2008, ArtWeLove “offers exclusive, museum-quality art editions by today’s inspiring artists”. A big difference with this site is it focuses on offerings from artists whose work is found in top galleries, museums and exhibitions throughout the world. The work is curated and commissioned directly from the artist to ArtWeLove exclusively– you won’t see these prints anywhere else. The site has a “learning engine” similar to Amazon.com, which tracks your artwork preferences over time and makes recommendations for you.
Petal, Pixel and Stain by Nina Tichava, limited edition on archival paper, starting at $50
PoppyTalk Handmade–Founded in 2008 by a Canadian husband and wife team, PoppyTalk Handmade is a monthly curated and “themed” marketplace showcasing artwork, handmade and vintage goods from around the world. Sort of an online street fair/festival, PoppyTalk provides an online marketplace to emerging and indie artists and craftspeople.
Pillow Land, sewn print by Clare Elsaesser of Tastes Orangey, 4.75″ x 4.75″, $20
Stay tuned over the next few days for more suggestions on ways to buy original art on any budget!
I admit, I’m not always up on the very latest trends, I am in my 30’s after all. I knew all about the “Put a Bird On It” trend, but had no idea that art featuring chickens had become such a big deal. Chicken art makes me think back to my grandma’s house and her Americana farm scene prints featuring chickens. And her ceramic chicken collection. Needless to say, chickens aren’t the first subject that jumps to mind when I think of the latest in the art world. But for whatever reason, these birds are fowls are ruling the roost.
Roost by Brian McGuffey
Seattle area artist, Brian McGuffey draws from childhood experiences in his creative process. In “Roost”, pictured above, he elevates the rooster from lowly barnyard animal to a dignified, full-plumed specimen. Just look at that profile. You know all the hens would be clucking all over him.
King of the Hill by Sydney McKenna
Why did the chicken cross the road? To attend a chicken-only art show, apparently! St. Augustine, Florida artist, Sydney McKenna painted “King of the Hill” specifically for a show at the W.B. Tatter Studio & Gallery celebrating not just chickens, but also the gallery’s sixth year anniversary. I hope they served a vegetarian menu for the opening. 🙂
But the Tatter who is by no means the only chicken show I’ve covered in recent months. Remember Yvonne Lozano’sWhat Happened to the Chickensshow? Yvonne created an entire series of painting centered around a family trip to Colombia and a few friendly chickens she met there as a child.
Here, Chicky Chicky by Yvonne LozanoOut and About by Hilary Williams
But chickens in art aren’t just reserved for the barnyard.. In “Out and About”, San Francisco based artist Hilary Williams depicts a little hen who seems to have escaped and is enjoying a lovely day on the town. This chick is ready for a ladies lunch and some retail therapy.
Speaking of plucky adventurers ( pun intended ), Dolan Geiman’sBlue Highway also shows how chickens in art aren’t just for grandma’s kitchen anymore. Geiman’s graphic, mixed media approach results in work that is more contemporary than kitsch.
Blue Highway by Dolan Geiman
Where is this upsurge in chicken art leading? Only the chickens know for sure. The banty in Jim Draper’sCross Creek seems ready to take the road less traveled. And maybe that’s what the chicken art movement is all about.
Cross Creek by Jim Draper
The featured images is Laughing About This Life by Hilary Williams. All images are courtesy of the individual artist’s websites.
PS– I restrained myself from finding a Road Crossing Chicken joke to go with each piece of artwork. You’re welcome.
Do you remember the days when we didn’t carry our phones around with us, but had to actually seek out that communication tool known as a phone booth? That small, 37″x37″ box where you could look up a number, dial and have a conversation all for just a 25 cents? OK, a dime if you’re really old experienced.
Seattle photographer Todd Jannausch saw in an old phone booth, not a relic of the past, but the blank walls of a would-be gallery.
Gallery ( 206 ), Occidental Park, Seattle, WA
Gallery ( 206 ) in Seattle’s Occidental Park, contains artwork by over 206 Seattle area artists, 18 artists are represented on the “walls” of the booth by original works on plexiglass. This littlest gallery is part public art installation, part exposure vehicle for artists not represented in area galleries. ( 206 is the area code for the Greater Seattle area ). It provides not just an artwork display but an entire experience for anyone willing to step inside for a more private conversation.
Inside Gallery ( 206 )
Inside, lighting is provided by a solar-powered installation overhead and yes, there is still a telephone inside. If you pick up the receiver, you won’t be able to make a call, but you will be rewarded by the music of Dave Abramson.
When is the last time you actually used a phonebook?
Taking a peek inside the Gallery ( 206 ) “phonebook” and you’ll find more 206-area artists, showing examples of their work and contact information. Not since the days of Superman has entering & exiting a phone booth been so much fun.
Addendum to the original post! Thank you to artist Troy Gua for sending me a photo of his ceiling installation in Gallery ( 206 ). The overcast weather that day ( in Seattle, imagine that! ) didn’t allow me to get a decent shot myself. So here it be! Truly cool. Check out Troy’s website and Facebook page for more of his work.
Troy Gua installation
To find out more information, visit the Gallery ( 206 ) website. If you’re in the Seattle area, stop by Occidental Park and see it for yourself!
PDX is slang for Portland, apparently. I kept seeing it everywhere in Portland this weekend and being from Florida, of course had no idea what it meant. Was it some sort of secret code? Some inside joke only super-hip Portlandians knew about? Nope, just Portland’s airport code, which has become short for Portland, just like JAX is short for my hometown of Jacksonville. I must admit, I was a bit disappointed that there wasn’t some sort of subversive meaning to PDX, at least not one I could find on Google.
After a month in the Northwest, George & I finally made the 2 1/2 hour drive from Aberdeen, WA to Portland last Saturday. We’ve already hit a couple of smaller artsy destinations nearby ( Olympia, WA & Astoria, OR ), but finally worked our way up to the mac-daddy of them all, Portland. The home of hip. We were only in Portland for the day, so decided it would be best to limit ourselves to one section of the city. So we chose The Pearl District, for its galleries for me and its proximity to Powell’s Books, Stumptown Coffee & Rogue Brewery for George. I try to make sure that when I drag him gallery-hopping, there is always the promise of beer. This makes for a much happier husband.
Work by David Slader at Gallery 903
Gallery 903 was filled with contemporary painting, sculpture and mixed-media work. I can usually tell the minute I walk into a gallery whether or not I’m going to enjoy my visit and find artists to blog about. As soon as I saw wonderfully textured abstracts and thoughtfully placed sculpture, I knew Gallery 903 was a good stop. The work of the artist above, David Slader, got George’s attention before than mine. Slader is a former high-powered attorney turned artist and after reading his tongue-in-cheek artist statement, I had a better appreciation for him. His work has deep texture , a powerful palette and expression. Here’s an even better shot of “You Want to Dance”, that gallerist Herschel was nice enough to email me..
You Want to Dance, Oil on canvas, 24×24
This was just the first of the delights to be found at 903. While George continued to admire the Sladers, I rounded the corner and happily came across a little niche and what was to be found there? Some thrilling little Salvador Dali prints!
Salvador Dali prints at Gallery 903
Complimenting the Dalis in the same little space were two epoxy-resing pieces by Alan Fulle. One of my favorite things about working in a gallery was designing & creating tableaus of artwork that coordinate together in unexpected ways. Virtual congrats to whomever hung the work in this gallery.
I absolutely loved this bronze geese sculpture! George wasn’t quite as enamored. What’s not to love about lovey-dovey, fat bronze geese? I mean, really, how could you not love them?! Oh well, moving on..
Augen Gallery had two interesting exhibitions showing, the first, work by Wendy Franklund Miller– I am a sucker for encaustics. There is just something about that waxy texture that I adore.
Artist: Wendy Franklund Miller, Augen Gallery
The kind-of cosmic feel to Franklund Miller’s work was a great complement to their other exhibition, Light Drawings by James Minden.
Artist: James Minden, Augen Gallery
These “light drawings” are scratched/etched PETG ( plastic ) reflecting light. They are totally trippy in the best sense. We had so much fun looking at these from all different angles. Check out this slide show to see better photos than I could have taken: James Minden on Vimeo.
Continuing the equestrian kick I seem to be on lately, Froelick Gallery happened to be showing Equine, a juried group exhibition showcasing the horse. A diverse showing of work centered around our four-legged friends, it was fun to see the variety of interpretations, including a plate from the famous MuybridgeAnimal Locomotion series. George was drawn to the work of Miles Cleveland Goodwin, which while beautifully rendered, was a bit on the dark side for my tastes. I love how the differences in our tastes spark lively discussion!
Artist: Miles Cleveland Goodwin, Froelick Gallery
I, on the other hand, fell in love with the giant below. White Shadow by Rick Barstow is pastel on paper, 74″ long and it is fabulous. I’m not sure what I love more, the lovely layering of the pastel, the unfinished, sketchy-quality or the scribbled “HORSES” at the bottom. It’s all workin’ for me. Or maybe it is that the straight-on gaze of the horse reminds me of an illustration of a story my grandmother used to read me as a little girl, The Goose Girl.
Artist: Rick Barstow, Froelick Gallery
Our next stop, Bullseye Gallery has a kick-a$$ space. Two levels, full of exposed brick and metal work, rustic wood and these amazing little installation rooms. I got so caught up in admiring my surroundings that I failed to take many pictures. I know, bad little blogger. The gallery is part of Bullseye Glass Company, maker of colored glass for art & architecture. Oh, that explains why there was so much incredible art glass!
Our final destination was Butters Gallery. Are ya’ll tired yet? Because I sure was by this point in the day. ( We’d also hit the Saturday Market, Stumptown Coffee, Powell’s Books and Rogue, in addition to all the galleries. ) Butters reminded me of some of the Chelsea galleries in NYC, as it was kind of hidden away, on the 2nd floor of a walk-up building.
Artist: Susan Hall, Butters Gallery
Butters had some really interesting work on display, I hope to bring you more on those artists very soon, especially the one whose work is pictured above, Susan Hall. I fell head over heads for her work– my crappy picture doesn’t even begin to do it justice. I’ll feature her more in depth in a separate post in the next few weeks.
So ends our little jaunt through Portland’s Pearl District galleries. I can’t wait to go back to PDX and explore the other art districts. This weekend we’re headed North!
Last night, as my hubby was catching up on my blog posts ( he reads them all, even if he has to sit and catch up on a week’s worth at a time, such a good hubby! ), over his shoulder I re-read my In Search Of post from last week and man, what a whiney little whiner! To save you all from more self-pity-filled posts from me, sweet George took me on a day trip to Astoria, OR on Saturday, in the hopes of helping me feel a bit more connected to the 3-dimensional art world. You know, the one that doesn’t live inside my laptop.
Astoria, Oregon
Despite the gray day, my spirits were sunny. Astoria’s main claim to fame is the movie, The Goonies, which was filmed here way back in 1985 ( yes, we made a children of the 80’s pilgrimage to The Goonies House ). But movie history isn’t the only draw to Astoria. Its downtown area is super charming, filled with a mix of restaurants, coffee houses, shops and YES, some very interesting and diverse galleries.
Our first stop was Lightbox Photographic, a wonderful little gallery dedicated to the photographic arts. Their current show, Plastic Fantastic II, features images created using plastic toy cameras. Absolutely beautiful, emotion-filled images. Be sure to check out their website to see images created their member photographers.
Inside Lightbox Photographic
Astoria was definitely starting out with a bang! We continued our walking tour of downtown, stopping for coffee and treats along the way. Right across from the Astoria Coffeehouse, was Lunar Boy Gallery, whose quirky-look caught my eye. And LunarBoy definitely brought the quirk. June 7th was Astoria’s Official Goonies Day, so Lunar Boy was exhibiting a special show of Goonies-related work. Fun!
This Is Our Time Now! Goonies Show at Lunar BoyLandscapes by Nicholas Knapton at Lunar Boy
After lots of cool art & laughs at Lunar Boy, we perused a few bookstores & other shops ( it can’t be ALL about me ) before finding RiverSea Gallery. This contemporary gallery features a wide variety of work by artists from the Northwest and beyond. I was thrilled to find that their current show, The Fabled Landscape, featured the work of Marla Baggetta.
Artist, Marla Baggetta
Since my days of specifying art for the corporate & healthcare industries, I’ve been a fan of Baggetta, her landscapes bring that perfect combination of happy color and peace, perfect especially for healthcare. Her work is even more lush and gorgeous in it’s original state than her reproductions even begin to show. I was in awe.
Artist, Marla BaggettaArtist, Marla Baggetta
Though seeing Baggetta’s original work was a highlight for me, RiverSea had many other artists whose work caught my eye. Like…
Maple wood sculpture by Michael HampelEncaustics by Paula BlackwellFigurative work by Shannon RichardsonWonderful urban landscapes by Brin Levinson
George had his favorites, too– like the work of abstract mixed-media artist, Charles Schweigert ( told you he was loving abstracts now! ) and kooky sculptures by Pamela Mummy.
Namikaze by Charles SchweigertA Lot on His Mind by Pamela Mummy
Our little day trip to Astoria was just what the art doctor ordered. I was able to peruse some lovely, unique galleries and found some really interesting artists to share with you. We even spotted a couple of empty storefronts that would make great galleries.. you know, just in case.
My hubby is a very intelligent and creative person in his own way– the stories he concocts and “sketches” he comes up with are Saturday Night Live-worthy and he reads books like A People’s History of the United States for fun. But when we started dating, he was definitely an art-world novice. Questions like, “But what exactly is wrong with Thomas Kinkade?” made my head want to explode. But maybe the biggest struggle was trying to explain what I loved so much about abstract painting and why no, honey, a 3rd grader could NOT have done that.
George checking out Rauschenberg
Part of what I love about George is how much he appreciates my creative side and artsiness. Makes me more interesting than the average-gal, I suppose. And, like all lovey-dovey types, I wanted to be able to share that part of myself with him. We went to art festivals, galleries and openings, all in pursuit of awakening his mind to a world of art he may have never experienced before. He became a fan of Christina Foard, following the opening of her Williams-Cornelius show, admiring her use of color and texture.
Moonlight Solitude by Christina Foard
We also discovered that he doesn’t always care for abstract expressionist-type work, i.e., seemingly random slashes of paint across a canvas, which will more than likely elicit a shoulder-shrug and a “eh” from him. He does, however, appreciate light and texture, as he surprised me by totally digging these pieces we saw recently in a gallery in Hood River, Oregon.
Artist: Barry MackArtist: Barry Mack
Surprisingly, his tastes have emerged as running a bit more deep & avant-garde than mine.. where I get drawn in by beautiful color, texture and form, what may draw him to a particular work is the narrative of the story it is telling. For instance, he was very interested in investigating the details of the Rauschenberg prints we saw in Tulsa. He also tends to lean more toward multi-media work, such as this kind of creepy haunted-house-like part sculpture-part installation at the Denver Art Museum held his interest far longer than it held mine.
Installation at the Denver Art Museum
But what really keeps me on my toes is how inquisitive he is about what he is seeing– the process, the motivation, background story, etc. He asks questions that I don’t always have the answers to, which results in us making discoveries together. ( Who could ask for better? ) It is that inquisitive & curious nature that I think finally led him to the realization of just what it is about abstract art that makes it so interesting and provocative.
Admiring the work of Hilary Williams
As we were leaving the art gallery at The Pines in Hood River, George said to me, “I think I understand why you like abstract art so much. When you see another realistic painting of a tree or landscape, it’s usually just another painting of a tree. But abstract art draws you in, makes you think.” YES! Here’s to more discoveries with you, my love.
