If you’ve been following Artsy Forager for a while, you may have noticed a few recurring themes in some of the work I write about– man’s relationship with nature, fashion industry and its psychology of influence, and art historical themes being a few. When I first wrote about the work Toronto based artist Amanda Clyne , she was drawing reference from and making connections between historical portraiture and high fashion photography. In her latest series, she continues the fasciation and the lines become even more blurred ( pun intended ).
In this work, she begins with a photograph of a painting. The photograph is then printed onto paper to which it doesn’t stick, creating a wet, workable surface. She then “paints” the photograph, then once the residue dries, the surface is scanned and the painting then once again becomes a photograph of a painting.
The resulting image is ghostly, with an x-ray-ish quality. A nod to the illusory nature of the original portrait? An attempt to find the real person beneath the layers of fashion and facade? In style and palette, these are much softer than Clyne’s previous series. Yet they are still asking the same questions and it seems we, as a society tend to continue to give the same answers.
If you’d like to see more of Amanda Clyne‘s work, please visit her website.
All images are via the artist’s website.
