It is with the reading of books the same as with looking at pictures; one must, without doubt, without hesitations, with assurance, admire what is beautiful.”
– Vincent Van Gogh
What to do while the paint is drying? If I have a comfy spot, I’ll grab a book and catch up on some reading.
As I’m daydreaming (a lot these days) about what my permanent studio will look like, I’m definitely conjuring up a cozy reading nook tucked in amongst the paint and canvas.
After painting for a few hours, as I wait for the paintings to dry, I make a cup of coffee and curl up in my reading nook with a book. Maybe an artist biography (this Joan Mitchell bio is so good) or maybe I’ll just flip through a book of work by a favorite painter, like this book of Georgia O’Keeffe watercolors.
Of course, I dream about what that cozy little space will look like!
Light walls, wooden floors, fresh, cozy, textured, warm. A place with plenty of natural light (good for reading and painting!) and an atmosphere of sweet calm.
Since I’m daydreaming, why not be specific? So I spent a little time on the Arhaus website and put together the elements of my dream studio nook! PS- Make sure to check out all their lighting options— so important for good reading! AND during their storewide sale this month 10% of the purchase price of all lighting and accessory mirrors will go to Global Dental Relief.
I think if you can’t go just a bit funky in an art studio, well, where can you? And a few of these may be a bit too nice for studio life, but a girl can dream right?!
Painting, Shadow On the Wall by Lesley Frenz. Must make sure furniture matches the artwork!
Sofa, Fiona 97″ Upholstered Tufted Sofa in Brussels Rosewood by Arhaus. I dream of velvet tufted sofas!
Chest, Teal Ming Cabinet by Arhaus. For book & blanket storage, obvi.
Ottoman, Gentry 50″ Upholstered Bench in Aliz Indigo by Arhaus. Somewhere soft for the tired footsies.
Mug, Black & White Tumbler by Studio Joo. Coffee tastes better when sipped out of something beautiful.
Throw, Faux Fur Brown Feather Throw by Arhaus. Something extra cozy for cold days in the PNW!
Pillow, Stone Washed Velvet Rectangular Pillow in Stone by Arhaus. Never enough pillows in my world.
Just thinking about this space and doing this exercise has me so very excited to settle into a permanent studio next year! I have no idea what it will look like or where it will be, but there will be books and coffee and pillows. Oh yes, there will most definitely be!
Every artist has their own style, not just in the work itself, but in the way they work. What we wear in the studio has as much to do with our personal style as it does with our working style. Messy painters and sculptors probably don’t wear precious clothing or jewelry in the studio!
My own personal studio style is an extension of what I like to wear every day. I don’t like changing clothes throughout the day and since I work freelance from home, I can pretty much wear whatever I like. I do, however, like to feel “ready” to work– I never roll out of bed in my pjs and get to work. Putting on my studio clothes is as much a signal to get down to painting as putting on my favorite music.
So what do I wear in the studio? Comfy clothes and shoes for a start.
My favorites are a t-shirt or tank under an oversized flannel or chambray with stretchy leggings.
I layer up because mornings here in the PNW are usually chilly but if I’m working hard, I’ll soon need to strip off that top layer. Fashion faux pas or not, leggings let me move easily and comfortably and they are my fave. I buy the cheapies from Target so I don’t feel guilty when they end up with paint on them.
Since living in the PNW, I can wear my most comfy old boots in the studio for most of the year.
In the warmer summer months, I opt for cheap flip flops I don’t mind getting paint and medium all over. Although, this year I’ve noticed a difference in the way my legs feel after wearing the flip flops in the studio all day so think I need to find a more orthopedically friendly choice.. ugh. Getting old is for the birds, ya’ll.
I always wear an apron in the studio– since we’re traveling light, my clothes need to be able to do double duty, so I can’t really have a set of clothes just for the studio. A sturdier apron works best for me, since I tend to use a lot of glazing medium, which has a heavy, glue like consistency and will go right through thinner aprons (which I discovered the hard way).
I rarely remember to remove my rings and watch before I start working, but find that acrylics clean up off them easily enough if I get super messy.
How about you? What’s your best get down to work wear?
Side note: All those artists I see on Instagram painting in bikinis or cute dresses and heels? No way you’re actually painting in that. Let’s be real with ourselves and each other.
Subtle. Melodic. Mellow. A few of the keywords describing one of my favorite songs to listen to when painting my ECHOES series.
Music plays an important role in my creative process. Putting on my favorite Pandora station triggers my brain that it’s time to paint. Listening to music that suits the feeling of the work I’m creating helps me get lost in the act of creating, to find that state of flow.
I wanted my ECHOES work to be peaceful but luscious, deep and mysterious. The music I listen to has a lot to do with how those pieces come to be. Here are a few of my favorites that help me realize just the right atmosphere to create an ECHOES painting–
Being an artist, especially a painter, requires a lot of alone time in the studio. Solitude can be blissfully peaceful and lovely but it can also be a bit lonely. To stave off that feeling ( and to get the creative juices flowing ), I like to choose a studio soundtrack that fits the mood of my work for the day.
My work often begins with the inspiring wild places Mr. F and I visit. Eddie Vedder‘s Into the Wild soundtrack captures the haunting majesty of big mountains and vast landscapes. I even created a Pandora* station based on the soundtrack, filled with wilderness-evoking music by Nirvana, Iron & Wine, Nick Drake, etc. It’s my favorite music for working on large canvases– mellow but full of energy.
*side note– is Pandora still a thing? There is probably a better source for online listening, but I’m still using Pandora. I’m uncool like that.
When working on smaller pieces, I bring the energy down a notch or two. The Innocence Mission provides a dreamy, misty atmosphere that gets me in the mood to settle in and lose myself in creating small beauties.
And then there are times when music just doesn’t fit. Usually when I’m gessoing or at the very beginning of new work, I find myself craving conversation and podcasts fill the bill. My favorite these days is Danielle Krysa‘s ( aka The Jealous Curator ) Art for Your Ear.
Danielle has a relaxed, easy interview style that makes it feel like you’re chatting with friends over cocktails. Seriously fun and such good information. Artists getting real.
I’ve also recently started listening to Cheryl Strayed‘s Dear Sugar Radio. I connected deeply with Strayed’s book, Wildand the ways our journeys parallel– the loss of a beloved mother to cancer, the love of hiking, how we’ve both found ourselves literally and figuratively in the Pacific Northwest.
Fresh Air is also a favorite, along with John Dalton‘s interviews with artists. I like to concentrate visually on the work, so I try not to watch videos in the studio while I paint but during breaks I love the Art Documentaries You Tube channel, especially the What Do Artists Do All Day series– the Tracy Emin episodes are especially wonderful.
What are you listening to these days? Any inspiring podcasts I should know about? Beautiful and beauty-filled music to inspire?
Last week, as I was finishing up a painting a little gift for my niece, I got to thinking about what we tend to listen to while creating. For me, my studio soundtrack depends on what I’m working on– for instance, when I work on one of my Feminine Wiles pieces, I tend to prefer classic female voices like Billie Holiday or Edith Piaf. But if I want to just let loose and experiment, I like to listen to maybe something a little energetic and soulful like Florence + The Machine or Motown.
So tell me, Artsies– what’s your studio soundtrack?
pump up the jams | Are you a high energy creator? Maybe you like to blast the beats or turn it up to 11? Rockin’ it old school with some classic rock, 80’s rap or modern girl power totally gets my energy pumping!
slow ride, take it easy | Maybe you like a more peaceful soundtrack for your studio? I know I’ve occasionally asked Mr. F to change the tunes when they’re just a bit too raucous for the mood of what I’m painting. Classical, slow blues, maybe even just something soft and acoustic help keep the mellow flowing.
voices carry | So maybe music isn’t your thing. Some artists fancy a spoken word soundtrack like audio books or talk radio. If I choose to nix the music, This American Life or artist interviews on YouTube inspire and keep my interest without being too distracting.
sounds of silence | Some artists prefer a more quiet creative space, preferring to work with no sound at all. Especially if you’re working on something highly intensive, sound can be a little distracting. So maybe your soundtrack is simple silence.
Which type of studio soundtrack do you prefer? Any specific musical artists, types of music or non-music you always have on your studio playlist? Let’s all share in the comments!
Thanks to Jessica Brilli for providing the beautiful artwork for this post! My first radio may or may not have been similar to one of these.. See more of Jessica’s work on her website!
You are some lucky Artsies this week! Not only were you treated to a peek inside the studio of this month’s Featured Artist, Peri Schwartz, today you get to see inside the studio of one of our City Mouse|Country Mouse artists, Christina Baker! Christina was kind enough to give us a little glimpse inside her home studio, which just happens to be conveniently located in the kitchen– where the coffee is!– and takes the time to chat a bit about her work.
Give a warm Artsy welcome to Christina Baker!
Artsy | Hi, C! Thanks so much for opening up your studio to us and taking a few minutes to chat. I’ll dive right in.. Every artist has such a different way of working. Can you tell us about your painting process?
Christina | Well, for starters I am used to working in an open studio outside of my house. I’ve been working in that environment for almost 10 years now. Last fall I began working at home. Our kitchen is my favorite room in the house. I love to cook and I love to paint so we decided to turn the kitchen into a working studio from 8am till about 4pm each day. It’s actually really worked for me. There is plenty of light and the best part about it is that I am accessible to my family at any time. I’m also self taught and though I feel it has helped me maintain some originality, it has definitely kept me back a lot. I’ve always had a natural eye for color and composition but what I am still to this day learning is technique– trying to get the paint to do what I want it to do! This has by far been my biggest challenge. I paint in acrylics, although at times use both an oil as well as a watercolor format. My grandmother was a watercolor artist, so watercolor was the first medium, aside from Crayola, that I ever tried. I also like to keep my brushes and paint wet. It not only helps me with movement, but slowly builds a transition for additional, thicker paint with less use of water. I tend to use my fingernails in most every painting I do. It is an impulse as well as habit. Some people have called it a signature of sorts.. I’ll scratch free flowing lines or shapes through some of the thicker painted area. It sort of loosens up the area as well as adds depth and texture. The bad side of this is, it doesn’t always work.
[ pup Java likes to “help” ]
AF | You paint some landscapes in addition to your very successful abstract series. How is your process different when painting abstracts versus landscapes?
CB | Oh boy….This question opens a big can of worms! Just ask my husband. Landscapes, florals, as well as most anything with a subject matter, is so much easier for me to paint. I can usually do a landscape in a day or two. Though my heart is mostly in abstract painting, it carries with it a great deal of discipline and focus. The best way I can describe it is like writing a song. The first few sections are actually rather easy, but the more elements added, the harder it is to glue it all together. Sometimes you start off with one idea, you add your next idea, shape color, composition or contrast and it changes the entire dynamic of the piece. The next thing you know, you have something completely different than what you even remotely thought you would end up with! Another way to describe it is like putting together a jigsaw puzzle. Well, maybe putting together a puzzle is a lot easier. Anyway, the reason I love doing abstracts so much is that when I am in the groove I truly do get lost in the painting. It’s that certain “zone” where you’re not really thinking anymore, you’re just painting, where all the magic happens. If I am singing out loud ( aka annoying the family ), I am in the zone. This is when I do my very best work.
AF | Where do you find your inspiration?
CB | It’s absolutely everywhere! Aside from friends and family, which are always such an inspiration, I would say that color in general is something that has always sparked that feeling of “I can not wait to try this!” sort of thing. I remember back in the 90’s when films were using this sort of orange and green tint and I just loved it. The basic simple composition of every day visuals is also very inspiring to me. It could be something as simple as a bottle cap laying on the sidewalk but just shy of the grass line, a photograph, the way the street lights sort of trickle down our beveled window at night. Sometimes it is a current event which could be personal or universal. Other obvious forms of inspiration for me come from the work of other artists which include, photographers, writers as well as painters.
AF | Do you have a finished composition in mind when you begin or do you just feel your way through?
CB | I wish I were able to plan out my work but I can’t. Usually the only thing I can control is the colors I have chosen to use for a specific piece. Even that can and will change as I go! There are countless times when I am “seeing” the outcome in advance but usually the finished piece never matches that vision.
AF | How has your work changed since moving from Florida to Tennessee?
CB | I haven’t seen much change inspired from my move to another state but what I have seen and felt is change inspired by my life here in Tennessee. I have finally met my soul mate, another long but very beautiful story! He has brought so much joy and happiness to my family and my life that it has definitely shown up in my work.
My husband collects comic books, bear with me as I’m going somewhere with this, and though it may seem unrelated to painting I feel it is relevant to the direction my art has taken. Learning more about the culture behind comics, and it goes so much deeper than Spider-Man, I have learned how wonderful it is to become open minded to so many areas in life some may have never thought to explore. Simon Pegg could not have said it better with this quote:
Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.
How does this fit into me being an artist? It’s becuase I am living my life and expressing myself via my work with the most liberating mindset that I have ever had. I am trying so many new things and have so much yet to discover that there is just not enough time in the day to do it all!
AF | I asked Deann this question, so I just have to ask you, too. If you weren’t an artist, what would your dream job be?
CB | An interior designer! I love interior design and Pinterest has totally been heaven for me in this department. Though my taste leans more contemporary, I have always had great appreciation for antiques. My mom owned an antique shop when I was a child, so for obvious reasons my love for antiques will always stay with me. As I grew older, I realized my eye was more drawn to simple clean lines, the less is more sort of thing, but over all, I honestly just appreciate all interior design. Especially when the two words, old and new are combined. In other words, eclectic.
AF | Thanks so much for chatting, Christina and a special thanks to your hubby, Jeremy Baker for taking such lovely photographs!
CB | Thank you for this really fun interview, Lesley!
If you’d like to see results of Christina’s studio work, please check out her work in the City Mouse | Country Mouse show and sale currently up in Found Gallery, as well as on her website.
When we get a glimpse inside the studio of this month’s Featured Artist, Peri Schwartz, we not only see into gain insight into where she works, but in this video, we are also given the privilege of seeing how she works. I promise you will never look at one of her paintings the same way again.
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I think if you can’t go just a bit funky in an art studio, well, where can you? And a few of these may be a bit too nice for studio life, but a girl can dream right?!
