Tag: Artists

  • Lucky Spasms and Other Art Walk Goodness

    Beauty was abounding in Jacksonville last night and I’m not just talking about the perfect weather.  My sister-in-law and I attended the monthly Downtown Art Walk and were treated to not just the usual visual stimulation but mental and emotional engagement, as well.  Now, I had a list about a mile long of the spots I wanted to hit, but we arrived late and spent quite a bit of time at each one, so.. yeah, we only made it to a few.

    But we began the night with a bang at The VAULT Gallery, Willliams-Cornelius’ space in a former bank vault ( yes, you read that right! ) on Forsyth Street.   Greeted by the Mr. Williams & Ms. Cornelius themselves, and intern Adam, we set off to see what artist Jeff Whipple had in store for us.   Whipple has been working on this “Spasm” series for more than thirty years.  What began as a painterly device to fill negative pace, the three-barred icon has grown from an element in the background to become the object of an entire series of work.

    The three bars that comprise a “spasm” serve to symbolize life, lifetime or a lifestyle.  The artwork is open to interpretation, based on the viewer’s own experience– how you see it may not be the way I see it and that’s OK.  All of our lives are different and it is in this difference that we each find meaning in the spasms.  This is work that truly that makes you stop and think– what does this mean?  To the artist?  To me?

    In conjunction with the showing of Jeff Whipple’s work, Williams-Cornelius also presented a performance piece by self-proclaimed “deformance artist”, Liz Gibson.  Gibson was born with a birth defect causing her to have only seven fingers– five on one hand and only two on the other.   The performance last night was a character of Gibson’s own creation “Ben Wa Betty”.  Betty appears as part archetypal Asian lady, but in a hip and provocative way.  Gibson tells stories of how at times she felt lucky or unlucky to have been born with a deformity, all while pouring wax over her deformed hand, proving how you can take something that seems unlucky and make something beautiful out of it.

    The overaching theme is one of contentment– be happy with who you are and how you were made.   At times you may feel unlucky, but there will always be a reminder of just how lucky we all are.

     Our next stop was Southlight Gallery, where there is always a display of exceptional art by some of the most well-known artists in Jacksonville, right along side with talented emerging artists.  The featured artist last night was wood sculptor, Grant Ward.

    I’m a sucker for any burl or wood sculpture and have been a fan of Ward’s pieces for a long time.  There is something about an artist that looks at a log or a tree stump, sees the potential for creating something unique AND possesses the craftsmanship to create something polished and beautiful out of such rough raw materials.

    I have always especially loved Ward’s pieces that combine burl wood with spun metal.  These pieces take on, for me an other worldly space-like quality.  It is as if the wood is a planetary surface and the metal pieces are alien pods making their home there.

    After leaving Southlight, we made our way toward the river to the Suntrust Tower, new home of Town Editions, Thomas Hager’s new line of accessibly affordable limited editions– making this artist’s beautiful work available to even a young collector.

    These hand-crafted, signed and numbered editions are created using vintage photographic processes, which give the simple subject matter an elegance and sophistication lacking in much of today’s photographic prints.  Also on view are some of Hager’s paintings ( He paints, too!  I know! ).

     

    Filled with texture and a pastel & neutral palette, these pieces are reminiscent of sand or rock.  They have an organic feeling to them that such completely non-representational work rarely possesses.   I’m looking forward to seeing Tom’s paintings evolve just as his photography continues to do so.

    I wish I could tell you more about all the places we visited and amazing art we saw, but alas, that was the end of our night.  I can tell you that I will be back downtown soon to visit the exhibits and studios I missed.  I’m not sure how anyone could see it all in ArtWalk’s four hours.. but what an awesome problem to have!

    May’s Downtown ArtWalk will be May 4, 2011.  More information available here.  Hope to see you there!

  • Loss of a Legend: Hamish MacEwan

    Loss of a Legend: Hamish MacEwan

    Yesterday I learned of the passing of one of the great leaders of the art community in Jacksonville, Hamish MacEwan.  Hamish was born in Scotland, eventually coming to the US and earning a Masters of Art degree from Harvard University.  His career brought him to Jacksonville and though he gained notoriety as the head of the arts department at Episcopal High School in Jacksonville and producer of cultural programs for Jacksonville’s local PBS Station.  It is in his paintings and personal relationships that Hamish’s real legacy is found.

    Vertical Interior Exterior I by Hamish MacEwan

     I can still vividly remember my first encounter with Hamish.  I had only been working at Fogle Fine Art for a short time, when Hamish came into the gallery on Beach Boulevard in Jacksonville.  I had, of course, already been familiar with his work from living in Jacksonville and working for SuperStock, who handled the licensing of much of his artwork.

    Vertical Horizontal Break I by Hamish MacEwan

    He came into the gallery looking like a character from a Rosamunde Pilcher novel, dressed in cordoruoys, tweed jacket ( complete with elbow patches! ) and hat.   His voice had that beautiful Scottish lilt and he was the epitome of a Scottish gentleman.  I always remember his hankerchiefs, because they reminded me of my own grandfather, also an old-school hankerchief user.

    Vertical Interior I by Hamish MacEwan

    Hamish was a prolific artist, painting every day even into his 90’s.  In 2009, Fogle joined forces with MOCA Jax to do a retrospective of his work the year Hamish turned 90 years old, “90 in “09” showcased the artistic journey of this remarkable artist.  I was fortunate to give Hamish a ride home after the opening at the gallery.  He was blown away by all the attention and so appreciative and humbled by this celebration of his life of work.

    Vertical Interior II by Hamish MacEwan

    After I dropped Hamish off that night, I watched him amble along the sidewalk to his apartment, leaning on his cane.  I pictured him the next day, same as always, painting in his studio.  I like to think that he is still painting.

    Goodbye, Hamish.  Thank you for the creative legacy you have left us all.

    All images via Fogle Fine Art.

  • ART NEWS: Appropriation Artist Richard Prince Liable for Infringement, Court Rules

    Have you heard about this?  Really interesting happening in the art world, especially considering today’s rampantly open internet.  The article does a great job of outline exactly what Fair Use is and why Prince’s work didn’t meet those standards and is therefore, considered copyright infringement.

    What do you think?

    Appropriation Artist Richard Prince Liable for Infringement, Court Rules.

  • Masterworks Monday: The Cubists

    Sorry for the late post today– we’ve had some big things happening, so I’ve been a bit preoccupied.  More on that later!  For this week’s Masters Monday, we’re going a little more modern– enter Pablo Picasso and cubism.  Cubism is an early 20th century art movement that was begun by Picasso and Georges Braques in which objects were depicted from a multitude of viewpoints in a seemingly random fashion.

    Juan Gris. Breakfast. (1914)

    Breakfast by Juan Gris

    For me, cubism was a quite a breakthrough while taking figure drawing classes in college.  Once figure drawing started clicking for me, ( it was horribly frustrating at first, but my professor at UNF, Paul Ladnier, told me that one day it would just “click” and it would be smooth sailing– I didn’t believe him until it actually happened that way! ) it was then that Paul suggested I try a little cubism.  That’s when things REALLY started to get more fun and interesting!  I loved exaggerating the planes and forms.

    Pablo Picasso. Girl with a Mandolin (Fanny Tellier). Paris, late spring 1910

    Girl With a Mandolin ( Fanny Tellier ) by Pablo Picasso

    I realize Cubism isn’t everyone’s cup of tea, but for me, it was the introduction into a different way of seeing, a new perspective on how we look at the things we see.

    Images via http://www.moma.org

    Read more about Cubism on MOMA’s website!

  • Seedling Saturdays:  Kendall Hamilton

    Seedling Saturdays: Kendall Hamilton

    Today we’re continuing our Seedling Saturdays, featuring artwork created by children.  Today’s artist is Kendall Renee Hamilton, age 5, almost 6.  In addition to sharing a love of hot dogs, cake and the color turquoise with her aunt ( that would be me! ), Kendall also loves to draw and do anything crafty.  Since learning how to write, she often includes text in her drawings– maybe a future graphic designer?

    Enjoy Kendall’s work and be sure to email artwork by your own creative kids to artsyforager@att.net.  Have a fabulous weekend!

    Driving Her Car by Kendall Hamilton, age 5

    Stamp Art by Kendall Hamilton, age 5

    Watercolor Words by Kendall Hamilton, age 5

  • Friday Forager Faves

    Friday Forager Faves

    Happy Friday everyone!  If you’re in North Florida, no, that light coming through your windows is not an April Fool’s Day joke– the sun is finally shining!  If you haven’t made it to the beach yet,  here are a few of my favorite beachy pieces to get your through until then..  each one brings a little somethin’ different, dontcha think?

     

     

    1.  Oceanic 29 by Thomas Hager

    2.  Day Dreamin’ by Mary St. Germain

    3.  Spontaneous Simplicity by Theresa Daily

    4.  Seaside Reflections by Christina Foard

  • New American Paintings: Interview with Claire Cowie

    Oh how I wish we were already on the West Coast!  Claire Cowie’s work is intriguing and this exhibition is hanging in Seattle only for a few more days.  The article goes into the importance of placement and hanging for the exhibition, something many gallerists overlook, but is often so important to the artist’s vision of how the work is to be viewed.

    Read on!

    A Colossal Place of Being: A Q&A with Claire Cowie.

  • Springing Forth

    Springing Forth

    WINTER TRANSITIONS;  SPRING STORMS is R. Roberts Gallery’s celebration of the transition from the grey, dreary days of winter into the fresh bloom of spring.  The show features the work of three very different artists, mixed media artist Madeline Peck-Wagner, sculptor James Oleson and encaustic painter Kathleen Wobie.

    As you enter the gallery, you may almost miss James Oleson’s tiny bust sculpture.  This diminutive piece, made of repurposed metal, will definitely make you stop and take the time to really check it out.  I couldn’t believe I walked right by it when I first came in!  Beyond the bust is one of Oleson’s horse sculptures.  With its stilt-like legs and flowing tail, this equine could be right out of a Tim Burton movie.  Oleson also has some much larger scale sculptures that are interesting in their own right.

    Speaking of equines, Madeline Peck-Wagner’s mixed media works were defnitely, for me, the star of this show.  She takes subject matter that could be trite and cringe-worthy ( think cheesy Southwestern art ), but treats it in a unique, contemporary and elegant way.

    These are delicate line drawings possessing an intense presence and power, much like the impressive animals depicted.  The cross-hatching & precision of the lines are reminiscent of architectural drafting, giving the figures depicted a strutctural, landscaped quality.  Conversely, blots and washes of brightly colored paints call to the spiritual significance such animals, both living and decayed possess.

    Just as the delicate, bare branches of winter transition into the full, heady blooms of spring, so we move from Madeline Peck-Wagner’s graceful lines into Kathleen Wobie’s encaustics, thick with wax, paint & color.   Kathleen’s pieces, in the context of this show, seem to depict spring at its height– full of pastel tones and sunshiney warmth.

     

    For me personally, I found the larger, abstract piece below to be Wobie’s most successful of this show.  This piece, rather than being the literal translation of winter to spring that the piece above is, instead represents more the feeling of spring– of rebirth, renewal and the joy of being alive.

    As we in North Florida transition into spring ( though some days lately, it feels as if summer is already upon us! ), take the time to drop by R. Roberts to see how these artists make the switch and enjoy this last show in the gallery’s current space.  R. Roberts is doing some transitioning of their own, can’t wait to see the bountiful blooming that is sure to be in store!

    R. Roberts Gallery is located at 3606 St. Johns Ave in historic Avondale, in Jacksonville.

    Winter Transitions; Spring Storms will be on display through April 23rd, the gallery is open Tuesday-Saturday 11am-6pm.

  • Friday Forager Faves

    Friday Forager Faves

    A few of my favorite things this week.. in honor of the beginning of spring, a little light, some flowers and birdsong.

    1. Dogwood Branch by Pamela Viola

    2. Get Lucky by Christina Baker

    3.  Fading Boundaries by Maribel Angel

    4.  Everyone Loves a Parade by Casey Matthews