I just discovered the most horrible accident! It seems that WordPress in all her annoying glory never posted this Guest Forager feature back in April! And I just discovered the “missed schedule” post. For shame! So today you get a bonus post, one that should have posted oh so many moons ago. Mucho apologies to Gab who wrote such a wonderful post!
Today’s Guest Forager is Gabriel Cabrera, whose art blog The Artful Desperado is chock full of deliciously lovely artwork as well as artfully inspired food, florals, fashion and more! Be sure to check it out!
Hello artsy foragers! This is Gab from The Artful Desperado. Fancy meeting you here.
It’s no secret how much I love quirky art, and today I’ll be sharing some of that love with ya. Say hello to Gordon Wiebe and his cheerful collage illustrations!
Mr. Wiebe is a Toronto-based artist (yay Canada) whose work has been honored by the Society of Illustrators in NY and LA, among many others. He’s well known for his bold, conceptual images that are influenced by childhood memories and even some political affairs.
I love how there’s always some sort of smiley face painted in his illustrations. It’s always nice to find a happy surprise when you’re looking at art, yes?
Hi Artsies! I’m taking a tiny break for a few days, while we visit with some dear friends from Florida. Please welcome fellow art lover and blogger, Kaitlyn Patience, who blogs and creates gorgeous stationery over at isavirtue!
Hello, my name is Kaitlyn! I am the author of art and snail mail blog “isavirtue.” I will be guest posting today on Artsy Forager.Last summer, Lesley wrote an excellent two-part blog post entitled “Yes, Virginia, You CAN Afford To Buy Artwork!” Aside from being the best title in the history of all blog posts, these two guides are an excellent resource to both online and offline art purchases. If you are looking for even more resources, I provide a similar post on my blog, listing a variety of art sale websites. Lesley’s belief that art collecting is not just for the wealthy and the learned connoisseurs is one that we both share. I believe art is, and should be, available to everyone.That being said, there is certainly an intimidation factor involved. This fear of art may stem from its perceived value, or a lack of knowledge. The first concern is an easy one to strike down. Art is affordable. You can take my word for it, or you can peruse the aforementioned guides. No matter what your budget is, you will be able to find art that you love.The second issue, a lack of knowledge about art is one shared by many. To be honest, I don’t believe you have to have any knowledge at all. If you like it, and can afford it, then buy it! That being said, if you want to know more, I’m happy to share with you a mini tutorial on the types of art available for home décor (Sorry, you generally can’t buy installation art, performance art or public art!).The following information is a simplified version of what is offered in my online e-course, “make art a part (of your life).” I encourage you to read more about the course here (LINK: http://blog.isavirtue.net/p/e-course-registration.html) – it’s great fun and you can enjoy it at your own pace!
“There’s a ninety-nine percent chance you already have some version of art in your home, whether it be a cool print you found, a little DIY, your children’s artwork, or one of those hip new canvas transfers. I’m hoping you feel so inspired by reading this that you are anxious to rush out get some more art to decorate your home! But what type of art will you buy? Is it important to you that it be “original”? What’s the cheapest way to go about this? What is the difference between a regular print and a limited edition? How do you know you aren’t over-paying?”
Goodness me, you have so many questions! First, let’s look at the different types of art available.
Original, Jessica Bell ( via Buy Some Damn Art )
Limited Editions | A limited edition work of art is the next notch down on the value scale. This is because while there are multiples of the art, the number is restricted. A limited run of art prints for example, may include anywhere from two hundred to one thousand pieces. However, any more than two hundred and the term “limited edition” is being stretched.
Limited Edition print, Jennifer Sanchez ( via 20×200 )
Canvas Transfers | A photograph, poster or print that is taken and laid on canvas through chemical or heat transfer. The canvas is then tightly wrapped around a wooden frame to look like a gallery style painting. It’s brilliant because it lets people purchase art for their home at really reasonable prices.
Canvas Transfer, Flapper Doodle ( via Society 6 )
Regular Prints | Any paper print made from a drawing, original painting, photograph etc. There is no inherent value, except to you because you love it!
Regular print, Emma Leonard ( via Etsy )
Posters | Printed on papers of varying thickness, posters can be memorabilia, advertisements or simple decorative images. People love to collect posters because they are the least expensive form of art and can be hung framed or unframed.
Poster, Stephane de Bourgies ( via AllPosters.com )
Import | While not always imported, the term is used to reference three dimensional art which includes foreign objects, replicas or mass produced goods. They often include wall art and freestanding sculptures.
Import, Stag Head ( via Indaba )
I hope you have enjoyed this little lesson and that it will help you in your search for beautiful art!
Happy Wednesday, Artsies! I have a little treat for you today.. Kaitlyn Patience, curator of the wonderful blog, isavirtue, is doing a little guest post for me today. I think you’ll find her to be a kindred-artsy-spirit!
Hi! My name is Kaitlyn Patience and I blog at isavirtue. When I first discovered Lesley’s blog, Artsy Forager, I was beyond delighted because art blogs are few and far between. One literally has to forage for art amidst the endless supply of lifestyle, fashion and food blogs! Like Lesley, I share a penchant for contemporary art – which in this sense simply means art that is happening now.
In order to inject the world wide web with just a little more art, I created an internet gallery. This online space, in which users can scroll sideways through the images, is entitled “lowercase gallery” (link: www.sunnyoasis.com/Kate) because I believe “art” can be friendly, accessible and inspiring. I use the space to practice my real life curating skills.
Currently being featured in the lowercase gallery is Sara McIntosh-Robichaud. I worked with Sara in the spring of 2009 and curated a presentation of her MFA artwork in a group exhibition. She was inspired by the height of one wall and decided to bring in one of her largest pieces – “Sluggard.” When she finally brought the 95”x 48” painting into the gallery – I was shocked. There appeared to be a man in a halo…and also a penis.
Sluggard, acrylic on canvas, 48×95
Being a young curatotrial intern at the time, I didn’t feel equipped to make the decision on whether this piece could be hung in a public, school gallery. Despite the fact that the painting was clearly “abstract,” I had heard the gallery director expunge on the impossibility of exhibiting nudes in the space because it was a public gallery and children’s groups often visited. So I called the director and said “There is a phallic image within this painting we are planning to hang, is that ok with you?” He responded with “Pardon? What do you mean?” And so I stuttered “You know, like…a penis.”
Nuclear Family, acrylic on canvas, 72×72
The director came to the gallery to see for himself and said “Oh that? that’s fine.” And that was it. I was surpremely embarassed at having mentioned it at all since it was clearly a non issue. To this day I blush when I think about that painting but I remind myself that should the situation have been reversed (I.e. I didn’t say anything and he did care), it could have gone exponentially worse!
Occular, acrylic on canvas, 33.5×37
That incident doesn’t keep me from loving Sara’s work however. Just as some of her works are titled “A Moment 1” and “A Moment 2,” she has managed to capture all of my emotions ranging from pure joy to sullen despair. She makes unique choices that I admire, particularily in colour, shape and texture. Perhaps the reason I am most drawn to her body of work is because of the clean lines and the perfect finishing. Should I ever become a painter I suspect my obsessive compulsivity to be ‘neat’ would result in something similar. I hope you enjoy her work as much as I do!
Polly’s Fiddle, acrylic on canvas, 33×37
P.s. Five months later the gallery director was assigned to be my thesis supervisor.
