Today I was stuck on what or who to feature on the blog. Nothing was jumping out at me. Desperate, I asked my husband. His first ( joke ) repsonse was “Thomas Kinkade”. Hardee har har. His next suggestion was “Guy Art”. I was like art featuring guys? Art by guys? No, art guys like. Oh! I asked if the blog was becoming too girly.. he said no, but I have my doubts. There’s been a plethora of pink around here lately. Not that there’s anything wrong with that. But my taste in art isn’t always so feminine. I like a bit of edge and irony, too. So in honor of my hubby, whose own appreciation for art is growing every day, here are some examples of art that any guy would be happy to hang in his swingin’ bachelor pad.
Martyr by Alwin Jackson
Alwin Jackson is a painter. He doesn’t put up a front of pretentious, artsy bullsh**. Maybe that comes from having been in the corporate advertising world for twenty years. His images are clean and bold and I think most guys would appreciate their no-nonsense attitude. This girl certainly does.
Untitled ( History Painting ) 2011 by Tony Rodrigues
Tony Rodrigues’ work takes an introspective look back at icons from childhood and pop culture. What grown man doesn’t have memories of playing “cowboys and indians” when he was young? His sentimental take on figures and themes take us back to the “good ol’ days”, but leave us wondering, how good were they, really?
Beats in Paint by Robert Leedy
It is a truth universally acknowledged that most guys wish they were musicians. ( My hubby will attest to this fact, though I think he’s a better guitar player than he gives himself credit for ). How many rockstars started out by picking up an instrument as a way to meet girls? I bet Robert Leedy’sBeats in Paint make you want to wail on a drumset like you’re Keith Moon.
Building Faces- Crown Fountain Juxaposition, Chicago, IL by Doug Eng
Boys love to build stuff. It’s why Erector Sets and Legos have been around for so long. Many men have contributed to the architecture of great cities like New York and Chicago. Doug Eng captures a glimpse of humanity among the concrete and steel, reminding us that these buildings are built for, built by and filled with, people.
Freedom by Steve Williams
Teddy Roosevelt was a man’s man president. A boxer, a soldier, a hunter and outdoorsman, embodying his ideology to “Speak softly and carry a big stick”. Artist Steve Williams pays his due to this former president in his Currency series.
Stoic by Brian McGuffey
For those guys who want to show off their bagged game, but not actually, you know, kill a beautiful wild creature just for the bragging rights, Brian McGuffey’sStoic is just the thing. I don’t know, this deer looks seriously ticked off for having been decapitated. I wouldn’t cross him if I were you. Just nod gently and let him be.
Remember that thing about guys wanting to be rockstars? Is there a rockstar cooler than the gravelly-voiced Tom Waits? Seriously. John Duckworth renders his steely glaze perfectly. And yes, there’s some pink in there. Duckworth and Waits aren’t afraid to rock the pink.
We are headed to Seattle this weekend, one of my favorite cities in the world, the city where George and I fell in love. And while I was falling in love with G ( I was probably a little in love with him when we were friends in FL, but that’s a story for another time ), I was also falling in love with Seattle. I adore visiting cool cities– the urban landscape and architecture fascinates me. So it carries over that I would adore the art of the cityscape.
For this Friday Fave round-up, I’d like to share some of urbanist artists whose work I’m crushing on lately:
Hill Houses 2 by Brin LevinsonPassing 1 by Jason WebbSolitary I by John DuckworthLoew’s Hotel, 33rd Floor, Philadelphia by Sara YeomanMiyami by Darra CrosbyGreat Tortoise Hostel, Seattle by Robin WeissBoulevard Windows by Sharon Dowell
Looking forward to bringing you more from these artists soon! In the meantime, take a gander at their websites..
Casey Matthews lives a double life. Splitting her time between her home on Amelia Island, FL and a Chelsea apartment in New York City, in many ways, the Texas native is living an artist’s dream. The best of both worlds, surrounded by natural beauty and small town Florida charm on one hand and the energy, excitement and grit of Manhattan life on the other. She puts those hands together to create a body of work that is at once cosmopolitan and organic.
While Goldfish Sleep, mixed media on canvas, 48×60
Translucent washes of color recall water washing over sand or the pearl-like finish of the inside of a seashell. Amoebic shapes cluster together like bubbles, a few occasionally breaking from the pack and seeming to drift across and down the surface of the canvas.
In The Thick Of It, mixed media on canvas, 36×48Sleep Deprived and the Dog Can’t Wait, mixed media on canvas, 48×60
But look closely at those clusters of shapes and color– it is in these little pockets that Casey lets the urban darkness come through..
Sleep Deprived And The Dog Can’t Wait ( detail )
Casey is nothing if not a self-aware artist, working through the dynamics of her “dual citizenship” in the two pieces City Mouse, Country Mouse ( below ).
City Mouse, mixed media on canvas, 48×72Country Mouse, mixed media on canvas, 48×72
This is intuitive work, the colors, shapes and forms emerging from the artist’s surroundings, emotions and experiences..
Prolapse, mixed media on canvas. 24×30
…with a touch of sardonic wit thrown in for good measure. Are those grey tones reflective of the bleached Florida sand or is it the haze of NYC steel and concrete? Only Casey knows for sure.
Construction Worker Boyfriend, mixed media on canvas, 36×48
Check out more of Casey Matthews’ work on her website and blog. If you’re in the North Florida area, stop by Blue Door Artists in downtown Fernandina Beach for 2nd Saturday Artrageous Artwalk this Saturday, July 9th, Casey is their featured artist for July.
Candace Fasano is a painter and a poet. Where the paintings end and the poetry begins is not always distinctive. According to Wikipedia, “poetry primarily is governed by idiosyncratic forms and conventions to suggest differential interpretation to words, or to evoke emotive responses.” Substitute words for images and you’ve hit just the beginning of what makes Fasano’s work so interesting.
Topographical Remembering, mixed media on canvas, 48×48
Like poetry, Fasano’s paintings abound with symbolism and rhythm, their ambiguous nature often leaving them open to interpretation. Though they may have been created with a certain narrative in mind, the visual elements expressed are more suggestive than overt.
OMGGMO, oil on canvas, 96×72 diptych
Just as Candace the poet plays with words, Candace the painter plays with paint. Building up texture, leaving whispy washes of color and sketchy lines contrast with typographical verbiage.
Balancing Act, oil on canvas, 30×36
Layers of imagery create layers of meaning. Objects within the works are often rendered realistically, but are not necessarily resting in their reality. They may become transparent, weaving in and out of the composition like the ghostly marks left behind after an pencil eraser has done its work.
Warmth, oil on canvas, 66×56
imaginary landscapes attract
pictures from our collective mythologies.
text or fragments take hold like scaffolding
constructing and deconstructing
realities into temporary truths
revealing fragile limitations
of growth and decay –
viewed through a cardboard kaleidoscope
–c.fasano
To see more of Candace Fasano’s work and to read more of her poetry, visit her website and blog. If you like her work as much as I do, please fan her Facebook page to keep up with all her latest news. If you’re in the North Florida area, be sure to visit the Cummer Museum‘s “The Neighborhood As Art” show, which features one of Candance’s pieces.
PDX is slang for Portland, apparently. I kept seeing it everywhere in Portland this weekend and being from Florida, of course had no idea what it meant. Was it some sort of secret code? Some inside joke only super-hip Portlandians knew about? Nope, just Portland’s airport code, which has become short for Portland, just like JAX is short for my hometown of Jacksonville. I must admit, I was a bit disappointed that there wasn’t some sort of subversive meaning to PDX, at least not one I could find on Google.
After a month in the Northwest, George & I finally made the 2 1/2 hour drive from Aberdeen, WA to Portland last Saturday. We’ve already hit a couple of smaller artsy destinations nearby ( Olympia, WA & Astoria, OR ), but finally worked our way up to the mac-daddy of them all, Portland. The home of hip. We were only in Portland for the day, so decided it would be best to limit ourselves to one section of the city. So we chose The Pearl District, for its galleries for me and its proximity to Powell’s Books, Stumptown Coffee & Rogue Brewery for George. I try to make sure that when I drag him gallery-hopping, there is always the promise of beer. This makes for a much happier husband.
Work by David Slader at Gallery 903
Gallery 903 was filled with contemporary painting, sculpture and mixed-media work. I can usually tell the minute I walk into a gallery whether or not I’m going to enjoy my visit and find artists to blog about. As soon as I saw wonderfully textured abstracts and thoughtfully placed sculpture, I knew Gallery 903 was a good stop. The work of the artist above, David Slader, got George’s attention before than mine. Slader is a former high-powered attorney turned artist and after reading his tongue-in-cheek artist statement, I had a better appreciation for him. His work has deep texture , a powerful palette and expression. Here’s an even better shot of “You Want to Dance”, that gallerist Herschel was nice enough to email me..
You Want to Dance, Oil on canvas, 24×24
This was just the first of the delights to be found at 903. While George continued to admire the Sladers, I rounded the corner and happily came across a little niche and what was to be found there? Some thrilling little Salvador Dali prints!
Salvador Dali prints at Gallery 903
Complimenting the Dalis in the same little space were two epoxy-resing pieces by Alan Fulle. One of my favorite things about working in a gallery was designing & creating tableaus of artwork that coordinate together in unexpected ways. Virtual congrats to whomever hung the work in this gallery.
I absolutely loved this bronze geese sculpture! George wasn’t quite as enamored. What’s not to love about lovey-dovey, fat bronze geese? I mean, really, how could you not love them?! Oh well, moving on..
Augen Gallery had two interesting exhibitions showing, the first, work by Wendy Franklund Miller– I am a sucker for encaustics. There is just something about that waxy texture that I adore.
Artist: Wendy Franklund Miller, Augen Gallery
The kind-of cosmic feel to Franklund Miller’s work was a great complement to their other exhibition, Light Drawings by James Minden.
Artist: James Minden, Augen Gallery
These “light drawings” are scratched/etched PETG ( plastic ) reflecting light. They are totally trippy in the best sense. We had so much fun looking at these from all different angles. Check out this slide show to see better photos than I could have taken: James Minden on Vimeo.
Continuing the equestrian kick I seem to be on lately, Froelick Gallery happened to be showing Equine, a juried group exhibition showcasing the horse. A diverse showing of work centered around our four-legged friends, it was fun to see the variety of interpretations, including a plate from the famous MuybridgeAnimal Locomotion series. George was drawn to the work of Miles Cleveland Goodwin, which while beautifully rendered, was a bit on the dark side for my tastes. I love how the differences in our tastes spark lively discussion!
Artist: Miles Cleveland Goodwin, Froelick Gallery
I, on the other hand, fell in love with the giant below. White Shadow by Rick Barstow is pastel on paper, 74″ long and it is fabulous. I’m not sure what I love more, the lovely layering of the pastel, the unfinished, sketchy-quality or the scribbled “HORSES” at the bottom. It’s all workin’ for me. Or maybe it is that the straight-on gaze of the horse reminds me of an illustration of a story my grandmother used to read me as a little girl, The Goose Girl.
Artist: Rick Barstow, Froelick Gallery
Our next stop, Bullseye Gallery has a kick-a$$ space. Two levels, full of exposed brick and metal work, rustic wood and these amazing little installation rooms. I got so caught up in admiring my surroundings that I failed to take many pictures. I know, bad little blogger. The gallery is part of Bullseye Glass Company, maker of colored glass for art & architecture. Oh, that explains why there was so much incredible art glass!
Our final destination was Butters Gallery. Are ya’ll tired yet? Because I sure was by this point in the day. ( We’d also hit the Saturday Market, Stumptown Coffee, Powell’s Books and Rogue, in addition to all the galleries. ) Butters reminded me of some of the Chelsea galleries in NYC, as it was kind of hidden away, on the 2nd floor of a walk-up building.
Artist: Susan Hall, Butters Gallery
Butters had some really interesting work on display, I hope to bring you more on those artists very soon, especially the one whose work is pictured above, Susan Hall. I fell head over heads for her work– my crappy picture doesn’t even begin to do it justice. I’ll feature her more in depth in a separate post in the next few weeks.
So ends our little jaunt through Portland’s Pearl District galleries. I can’t wait to go back to PDX and explore the other art districts. This weekend we’re headed North!
Artists have long held a fascination for horses. Some of the earliest cave drawings were filled with equine imagery. Modern artists are no different. Today’s faves feature artists with a penchant for ponies. Enjoy!
The Matisse post yesterday got me in the mood for color. AND it’s the first day of summer, perfect for sharing work that is bright, colorful and full of whimsical goodness. George & I took a day trip to Olympia, WA this past Saturday to scope it out a bit. In Childhood’s End Gallery, we both fell in love with the imagery of Lisa Telling Kattenbraker.
U-Turn
Lisa works in batik, an ancient process of wax-resist dyeing. Her work juxtaposes traditional Batik patterning with simple, stylized childlike imagery.
Language Convergence
Most of her figures are faceless, so that the viewer can apply their own experience and emotions to the scene, which reminds me of another favorite artist, Yvonne Lozano.
Dress Rehearsal
These just make you smile, don’t they? Wouldn’t you love to see this gal every day? Doesn’t every good goat need a yellow rain slicker and wellies?
Lorelei the Pacific Northwest Goat from the New Moon Goat Rescue and Sanctuary
I would love to begin a tradition of collecting one piece of artwork from each of our travel assignments. Thinking a Lisa Kattenbaker might just be The One for this summer.
Find out more about Lisa and her work, including originals and ( very affordable! ) limited editions on her website, here.
Last night, as my hubby was catching up on my blog posts ( he reads them all, even if he has to sit and catch up on a week’s worth at a time, such a good hubby! ), over his shoulder I re-read my In Search Of post from last week and man, what a whiney little whiner! To save you all from more self-pity-filled posts from me, sweet George took me on a day trip to Astoria, OR on Saturday, in the hopes of helping me feel a bit more connected to the 3-dimensional art world. You know, the one that doesn’t live inside my laptop.
Astoria, Oregon
Despite the gray day, my spirits were sunny. Astoria’s main claim to fame is the movie, The Goonies, which was filmed here way back in 1985 ( yes, we made a children of the 80’s pilgrimage to The Goonies House ). But movie history isn’t the only draw to Astoria. Its downtown area is super charming, filled with a mix of restaurants, coffee houses, shops and YES, some very interesting and diverse galleries.
Our first stop was Lightbox Photographic, a wonderful little gallery dedicated to the photographic arts. Their current show, Plastic Fantastic II, features images created using plastic toy cameras. Absolutely beautiful, emotion-filled images. Be sure to check out their website to see images created their member photographers.
Inside Lightbox Photographic
Astoria was definitely starting out with a bang! We continued our walking tour of downtown, stopping for coffee and treats along the way. Right across from the Astoria Coffeehouse, was Lunar Boy Gallery, whose quirky-look caught my eye. And LunarBoy definitely brought the quirk. June 7th was Astoria’s Official Goonies Day, so Lunar Boy was exhibiting a special show of Goonies-related work. Fun!
This Is Our Time Now! Goonies Show at Lunar BoyLandscapes by Nicholas Knapton at Lunar Boy
After lots of cool art & laughs at Lunar Boy, we perused a few bookstores & other shops ( it can’t be ALL about me ) before finding RiverSea Gallery. This contemporary gallery features a wide variety of work by artists from the Northwest and beyond. I was thrilled to find that their current show, The Fabled Landscape, featured the work of Marla Baggetta.
Artist, Marla Baggetta
Since my days of specifying art for the corporate & healthcare industries, I’ve been a fan of Baggetta, her landscapes bring that perfect combination of happy color and peace, perfect especially for healthcare. Her work is even more lush and gorgeous in it’s original state than her reproductions even begin to show. I was in awe.
Artist, Marla BaggettaArtist, Marla Baggetta
Though seeing Baggetta’s original work was a highlight for me, RiverSea had many other artists whose work caught my eye. Like…
Maple wood sculpture by Michael HampelEncaustics by Paula BlackwellFigurative work by Shannon RichardsonWonderful urban landscapes by Brin Levinson
George had his favorites, too– like the work of abstract mixed-media artist, Charles Schweigert ( told you he was loving abstracts now! ) and kooky sculptures by Pamela Mummy.
Namikaze by Charles SchweigertA Lot on His Mind by Pamela Mummy
Our little day trip to Astoria was just what the art doctor ordered. I was able to peruse some lovely, unique galleries and found some really interesting artists to share with you. We even spotted a couple of empty storefronts that would make great galleries.. you know, just in case.
My hubby is a very intelligent and creative person in his own way– the stories he concocts and “sketches” he comes up with are Saturday Night Live-worthy and he reads books like A People’s History of the United States for fun. But when we started dating, he was definitely an art-world novice. Questions like, “But what exactly is wrong with Thomas Kinkade?” made my head want to explode. But maybe the biggest struggle was trying to explain what I loved so much about abstract painting and why no, honey, a 3rd grader could NOT have done that.
George checking out Rauschenberg
Part of what I love about George is how much he appreciates my creative side and artsiness. Makes me more interesting than the average-gal, I suppose. And, like all lovey-dovey types, I wanted to be able to share that part of myself with him. We went to art festivals, galleries and openings, all in pursuit of awakening his mind to a world of art he may have never experienced before. He became a fan of Christina Foard, following the opening of her Williams-Cornelius show, admiring her use of color and texture.
Moonlight Solitude by Christina Foard
We also discovered that he doesn’t always care for abstract expressionist-type work, i.e., seemingly random slashes of paint across a canvas, which will more than likely elicit a shoulder-shrug and a “eh” from him. He does, however, appreciate light and texture, as he surprised me by totally digging these pieces we saw recently in a gallery in Hood River, Oregon.
Artist: Barry MackArtist: Barry Mack
Surprisingly, his tastes have emerged as running a bit more deep & avant-garde than mine.. where I get drawn in by beautiful color, texture and form, what may draw him to a particular work is the narrative of the story it is telling. For instance, he was very interested in investigating the details of the Rauschenberg prints we saw in Tulsa. He also tends to lean more toward multi-media work, such as this kind of creepy haunted-house-like part sculpture-part installation at the Denver Art Museum held his interest far longer than it held mine.
Installation at the Denver Art Museum
But what really keeps me on my toes is how inquisitive he is about what he is seeing– the process, the motivation, background story, etc. He asks questions that I don’t always have the answers to, which results in us making discoveries together. ( Who could ask for better? ) It is that inquisitive & curious nature that I think finally led him to the realization of just what it is about abstract art that makes it so interesting and provocative.
Admiring the work of Hilary Williams
As we were leaving the art gallery at The Pines in Hood River, George said to me, “I think I understand why you like abstract art so much. When you see another realistic painting of a tree or landscape, it’s usually just another painting of a tree. But abstract art draws you in, makes you think.” YES! Here’s to more discoveries with you, my love.
Though our time in the cities we visited on our cross-country tour was short, we managed to hit a couple of wonderful, yet very different museums along the way. In Tulsa, we spent a few hours exploring the Philbrook Museum of Art.
Front facade of the Philbrook Museum of Art
My Jacksonville readers will be familiar with the Cummer Museum of Art in Jax. The Philbrook is, to me, like the Cummer on steroids. Like the Cummer, the Philbrook was once a private residence, which was donated to the city of Tulsa by its owners, oilman Waite Phillips and his wife Genevieve. Once we entered the museum doors, we found ourselves in a gorgeous, domed center hall, light streaming through the oculus in the center of the dome.
Center hall at the PhilbrookPhilbrook oculus
Just walking the halls of this Renaissance style villa, built in 1927 and designed by architect Edward Buehler Delk for the Phillips as “a place where there two children could entertain friends” ( Imagine the sleepovers you could have! ), is a pleasure in itself.
Corridor at the Philbrook
The museum houses a varied and extensive permanent collection of art, ranging from African & Asian collections, Native American art to Italian Renaissance and a surprising and delightful modern collection.
Bougereau at the Philbrook, a favorite artist of the Frenz’sLovely little Picasso at the PhilbrookFabulous modern design collection at the Philbrook
While the museum collections are enjoyable, it is the museum grounds that really steal the show. Though we visited on a gray and rainy day, it didn’t stop us from exploring the extensive gardens behind the museum. The original formal gardens extend from the rear colonnade of the museum down to the tempietto. Let’s take a little walking tour..
Rear collonade at the PhilbrookView from the colonnade down to the tempiettoWonderful stepped fountainBeautiful, naturalistic water featureNo formal garden is complete without a koi pond!View from the tempietto back toward the museumYours truly in the tempietto ( wouldn’t this be a romantic spot to pop the question? )Contemporary sculpture walk beyond the formal gardens
Let’s switch gears now, fast-forward through another 12 hour day on the road and pay a little visit to Denver. While in the mile-high city, we spent some time downtown including a tour through the Denver Art Museum. While the Philbrook is classically ornate, the DAM’s Hamilton Building, where we spent our time, is splendidly contemporary. Designed by Daniel Lubeskind, the structure represents the Rocky Mountain peaks surrounding Denver.
Denver Art Museum
We started at the top and worked our way down, discovering lots of fun & interesting contemporary work along the way.
Noguchi sculpture and Motherwell painting **Sidenote: Motherwell was born in Aberdeen, WA, the town where we are living for the summer.Ceramics at DAM
Did you notice in the pictures above how the walls are slanted? The angled walls created a very interesting visual space, especially in the 4th floor gallery where they were prominent. They were a bit disconcerting when walking down the main stairs, though!
Artist: Mark Tansey
We were all fascinated by the piece above, by Mark Tansey. Another highlight was the Fox Games installation by Sandy Skoglund. I first saw Skoglund’s work in Jacksonville and am always fascinated by the environments she creates.
Fox Games by Sandy Skoglund
And there was just something about “Minotaur with Brushstrokes” that appealed to us. What can I say, we like work that makes us smile.
Minotaur With Brushstrokes by Richard Patterson
Speaking of making us smile, George & I also loved the piece below, although I’m sad to report that I don’t recall the name of the artist. But it reminded me of spring in the Northwest.
Kicking myself for not writing down the title & artist for this piece! Anyone have any clues?
The museum also boasts an impressive Western American Art Collection, as well as African, American Indian, Oceanic, Pre-Columbian and Spanish Colonial Collections. We toured through the current special exhibition, Cities of Splendor: A Journey Through Renaissance Italy, but alas, no photography allowed in the exhibit, so you’ll have to check out the DAM website for a taste. As you can see, our art experiences on this trip were widely varied and we are looking forward to more such experiences here in the Northwest.
