Tag: reviews

  • Solution. Genie Canvas.

    Solution. Genie Canvas.

    **Updated 12.26.2018 scroll to the bottom of this post for an update after 3 years of using Genie Canvas.

    Our gypsy life can put a serious damper on my studio practice.  Not the actual practice of creating but finding space to store my work and the high cost of shipping to galleries and clients.  Until recently, I’ve been working on paper and small panels, though I’ve always worked larger and was itching to break into painting BIG again.  But there was the problem of storage and shipping.  Then I discovered Genie Canvas.

    These collapsible canvases seemed like they just might be the answer to my go bigger dilemma.  So I reached out to Genie Canvas and they graciously offered to send me one to try.  As it’s been a while since I painted a large canvas, I went with one of the smaller sizes they offer, a 36×36 ( sizes range from 24×36 up to 60×96 ).  The collapsible canvas arrived neatly packed in a 50x6x6 tube, including 1 1/2″ outside stretcher bars, inner stabilizer bar, and heavy gessoed cotton canvas.

    IMG_20151001_134339 IMG_20151001_134807

    Easy to follow detailed instructions for both assembly and repacking for shipment were included, but being a visual learner, I opted to follow the instructional video on their website.  The canvas arrives with two of the stretchers pre-attached, so all you have to do is fold over the other sides, attach the installed velcro, fold the corners, slide in the hinged support and voila, you have a tightly stretched canvas ready for paint!

    IMG_0683 IMG_0682

    I wasn’t sure about the velcro but I’ve worked on the canvas for five days, moved it around, on and off the easel and it remains as tight and firmly in place as it was when it was first assembled.  I haven’t had the need to ship this canvas out yet ( though we’re leaving Idaho Falls sooner than we thought, so I’ll be packing it up in a few weeks! ), but I’ll post an update to let you know how it went.**

    **Update!  The 36×36 painting shipped easily across the country from Idaho to South Carolina for only $45 including insurance.  It arrived safely with no damage to the painting and was reassembled and ready to hang in minutes!  I’ve ordered 4 more Genie Canvases. 😉

    In the meantime, I’ll share the finished work I created on my Genie Canvas

    Frenz_Fern Canyon_2015_acrylic on canvas_36x36

    This 36×36 painting is a sneak peek of the body of work I’m creating for my solo show at Art & Light Gallery in March, Latitude.  I’ll be sharing more sneak peeks and info on the Latitude show and series over the next few months. Stay tuned!

    **Update: originally I enthusiastically recommended this product and after this initial experience, over the next 3 years I purchased over 24 canvases in various sizes from Genie Canvas. At first, I was happy with the product as it made shipping affordable but as time went on, I began to notice slips in quality– canvases were arriving with dirty edges and one of the art consultants I worked with told me there was an issue with the canvases not being square (which caused an issue with framing for her client). I brought this to the attention of the owner of Genie Canvas in an email, to which I didn’t get a response. We are all busy so I didn’t think much of the lack of response and I continued to purchase canvases from him until two incidents happened which brought to the forefront for me that these were no longer a reliable product– A canvas ordered for a commission came in with a very large flaw on the surface of the canvas and the stretchers were noticeably bowed when the center structural support was added. Then, a finished canvas was sent to a gallery and one of the canvas stretchers broke in two– again caused by the center support placing too much torque on the other stretchers. I debated whether to update this review, not wanting to seem petty or mean spirited but I cannot in good conscience allow this review to be on my site without an update of my experience with this product.

    All I can say is buyer beware. –Lesley

    Genie Canvas sent me one of their products free of charge for review.  All opinions are my own.

  • Gallery Hopping PDX-style

    Gallery Hopping PDX-style

    PDX is slang for Portland, apparently.  I kept seeing it everywhere in Portland this weekend and being from Florida, of course had no idea what it meant.  Was it some sort of secret code?  Some inside joke only super-hip Portlandians knew about?  Nope, just Portland’s airport code, which has become short for Portland, just like JAX is short for my hometown of Jacksonville.  I must admit, I was a bit disappointed that there wasn’t some sort of subversive meaning to PDX, at least not one I could find on Google.

    After a month in the Northwest, George & I finally made the 2 1/2 hour drive from Aberdeen, WA to Portland last Saturday.  We’ve already hit a couple of smaller artsy destinations nearby ( Olympia, WA & Astoria, OR ), but finally worked our way up to the mac-daddy of them all, Portland.  The home of hip.  We were only in Portland for the day, so decided it would be best to limit ourselves to one section of the city.  So we chose The Pearl District, for its galleries for me and its proximity to Powell’s Books, Stumptown Coffee & Rogue Brewery for George.  I try to make sure that when I drag him gallery-hopping, there is always the promise of beer.  This makes for a much happier husband.

    Work by David Slader at Gallery 903

    Gallery 903 was filled with contemporary painting, sculpture and mixed-media work.  I can usually tell the minute I walk into a gallery whether or not I’m going to enjoy my visit and find artists to blog about.  As soon as I saw wonderfully textured abstracts and thoughtfully placed sculpture, I knew Gallery 903 was a good stop.  The work of the artist above, David Slader, got George’s attention before than mine.  Slader is a former high-powered attorney turned artist and after reading his tongue-in-cheek artist statement, I had a better appreciation for him.  His work has deep texture , a powerful palette and expression.  Here’s an even better shot of “You Want to Dance”, that gallerist Herschel was nice enough to email me..

    You Want to Dance, Oil on canvas, 24×24

    This was just the first of the delights to be found at 903.  While George continued to admire the Sladers, I rounded the corner and happily came across a little niche and what was to be found there?  Some thrilling little Salvador Dali prints!

    Salvador Dali prints at Gallery 903 

    Complimenting the Dalis in the same little space were two epoxy-resing pieces by Alan Fulle.  One of my favorite things about working in a gallery was designing & creating tableaus of artwork that coordinate together in unexpected ways.  Virtual congrats to whomever hung the work in this gallery.

    Artist: Alan Fulle, Gallery 903

    Here are some more treats from 903:

    Artist: Chuck Gumpert, Gallery 903
    Artist: Natalia Petrova, Gallery 903
    Artist: Georgia Gerber, Gallery 903

    I absolutely loved this bronze geese sculpture!  George wasn’t quite as enamored.  What’s not to love about lovey-dovey, fat bronze geese?  I mean, really, how could you not love them?!  Oh well, moving on..

    Augen Gallery had two interesting exhibitions showing, the first, work by Wendy Franklund Miller– I am a sucker for encaustics.  There is just something about that waxy texture that I adore.

    Artist: Wendy Franklund Miller, Augen Gallery

    The kind-of cosmic feel to Franklund Miller’s work was a great complement to their other exhibition, Light Drawings by James Minden.

    Artist: James Minden, Augen Gallery

    These “light drawings” are scratched/etched PETG ( plastic ) reflecting light.  They are totally trippy in the best sense.  We had so much fun looking at these from all different angles.  Check out this slide show to see better photos than I could have taken:  James Minden on Vimeo.

    Continuing the equestrian kick I seem to be on lately, Froelick Gallery happened to be showing Equine, a juried group exhibition showcasing the horse.  A diverse showing of work centered around our four-legged friends, it was fun to see the variety of interpretations, including a plate from the famous Muybridge Animal Locomotion series.  George was drawn to the work of Miles Cleveland Goodwin, which while beautifully rendered, was a bit on the dark side for my tastes.  I love how the differences in our tastes spark lively discussion!

    Artist: Miles Cleveland Goodwin, Froelick Gallery

    I, on the other hand, fell in love with the giant below. White Shadow by Rick Barstow is pastel on paper, 74″ long and it is fabulous.  I’m not sure what I love more, the lovely layering of the pastel, the unfinished, sketchy-quality or the scribbled “HORSES” at the bottom.  It’s all workin’ for me.  Or maybe it is that the straight-on gaze of the horse reminds me of an illustration of a story my grandmother used to read me as a little girl, The Goose Girl.

    Artist: Rick Barstow, Froelick Gallery

    Our next stop, Bullseye Gallery has a kick-a$$ space.  Two levels, full of exposed brick and metal work, rustic wood and these amazing little installation rooms.  I got so caught up in admiring my surroundings that I failed to take many pictures.  I know, bad little blogger.  The gallery is part of Bullseye Glass Company, maker of colored glass for art & architecture.  Oh, that explains why there was so much incredible art glass!

    Artist: Dante Marioni, Bullseye Gallery
    Artist: Silvia Levenson, Bullseye Gallery

    Our final destination was Butters Gallery.  Are ya’ll tired yet?  Because I sure was by this point in the day. ( We’d also hit the Saturday Market, Stumptown Coffee, Powell’s Books and Rogue, in addition to all the galleries. )  Butters reminded me of some of the Chelsea galleries in NYC, as it was kind of hidden away, on the 2nd floor of a walk-up building.

    Butters Gallery
    Artist: Susan Hall, Butters Gallery

    Butters had some really interesting work on display, I hope to bring you more on those artists very soon, especially the one whose work is pictured above, Susan Hall.  I fell head over heads for her work– my crappy picture doesn’t even begin to do it justice.  I’ll feature her more in depth in a separate post in the next few weeks.

    So ends our little jaunt through Portland’s Pearl District galleries.  I can’t wait to go back to PDX and explore the other art districts.  This weekend we’re headed North!