Category: Abstract Art

  • Beneath the Surface: Charles Clary

    Beneath the Surface: Charles Clary

    Sometimes, work just catches my eye because it’s interesting and well executed.  Then the more I look at it, the more I’m amazed by it.  And then, I read the artist’s statement about his work and I’m left speechless at the way the creative mind weaves and works.  Tennessee paper artist Charles Clary uses layer upon layer upon layer of hand cut paper to render intricate worlds that “mimic viral colonies and concentric sound waves“. ( !?! )

    Microbial Diddlation Movement #18 by Charles Clary
    Microbial Diddlation Movement #18, acrylic and hand cut paper on panel

    Recognizing the similarities in pattern between microbial outbreaks and sound waves, Clary’s work shows us, in a way, what could be lurking under any surface.  We are lulled into a sense of ease and complacency by the smooth, unblemished surface of the canvas, yet what is revealed is a complex system of layered, interconnected shapes.

    Radmiafungle Gestation Movement 6 by Charles Clary
    Radmiafungle Gestation Movement 6, acrylic and hand cut paper on panel
    Radmiafungle Gestation Movement 6 ( detail ) by Charles Clary
    Radmiafungle Gestation Movement 6 ( detail )

    Despite their slightly menacing associations, for me, the work is reassurring rather than disturbing.  I find it comforting to think that despite appearances, there is always more than meets the eye.  What is taken for granted as simple, may very well be extremely complex.  Like peeling back an onion, it’s only when we look beyond the surface that we see the layers.

    Microbial Diddlet Movement #4 by Charles Clary
    Microbial Diddlet Movement #4, acrylic and handcut paper on panel

    To see more of Charles Clary’s work, please visit his website.

    All images are via the artist’s website.

  • Scratching the Surface: Amy Donaldson

    Scratching the Surface: Amy Donaldson

    In my college painting classes, my painting prof used to always say that knew I was in class because he could literally hear me painting.  You see, I have a tendency to dig my brushes into the surface of the canvas, a sensation and sound I quite enjoy ( though it’s pretty tough on expensive brushes! ).  The work of Florida artist Amy Donaldson has that same kind of textural energy, I can almost hear the scrape of her brush and palette knife against the canvas.

    You're Beautiful by Amy Donaldson
    You’re Beautiful, mixed media on canvas, 60×60

    Donaldson’s process is one of an additive and subtractive back and forth between the palette, paint, and canvas.  Inspired by her ( and my! ) native state of Florida, Donaldson creates abstracts that hint at the broadness of a landscape, yet have the surface of an aged, graffiti covered wall.

    Adore by Amy Donaldson
    Adore, mixed media on canvas, 72×60
    Untitled by Amy Donaldson
    mixed media on canvas

    In expressive abstract quality of her work, Amy’s paintings let us get lost in the play of color, light, and texture, each bouncing our eyes in excitement across the canvases.

    In His Presence by Amy Donaldson
    In His Presence, mixed media on canvas, 60×72

    Would you like to see more of Amy Donaldson’s work?  Please check out her website and Facebook page.

    All images are via the artist’s website.  Artist found via Stellers Gallery in Ponte Vedra Beach, Florida.

  • Caught in the Act: Jim Gaylord

    Caught in the Act: Jim Gaylord

    OK, I’ll admit, I’m not a big action-movie fan.  In fact, the latest super-hero based film is usually the very last on my movie watching list ( although I end up watching them with Mr. Forager so that he’ll watch the latest costume drama/foreign film with me ).  But I might be rethinking my prejudice due to the work featured today.  The recent work of Brooklyn artist Jim Gaylord is based on action sequences in films– now there’s an action movie screening approach I could get into!

    High Muck-a-Muck by Jim Gaylord
    High Muck-a-Muck, oil on canvas, 24×20

    In Gaylord’s work, some paintings, some collage/mixed media, we are met with a cacophony of shapes, colliding upon one another.  The crashing of objects, the roar of engines.. it’s almost audible.  Can you hear it?

    Coat of Arms by Jim Gaylord
    Coat of Arms, gouache on cutout paper, 40×26
    Rat King by Jim Gaylord
    Rat King, oil on paper, 43.75×30
    Victory Lap by Jim Gaylord
    Victory Lap, gouache and soot on cutout paper, 26×36

    Pops of white amid the chaos resemble clouds of smoke, distorting the full scene from our view, while smaller forms are catapulted out from the midst like shrapnel.

    Soft Endorsement by Jim Gaylord
    Soft Endorsement, oil on canvas, 22×17

    I think I’ll be looking at action sequences a bit differently from now on, won’t you?  To see more of Jim Gaylord’s work, please visit his website.

    All images are via the artist’s website.  Artist found via Gregory Lind Gallery.

  • Narrative Patterns: John Westmark

    Narrative Patterns: John Westmark

    One memory I have of my grandmother is of she and I in her dining room, sewing patterns spread out over fabric, pinking shears in hand, as she cut out the pieces to yet another new dress for me.  The crunch of that brown tissue paper is now always associated with those times together.  Austin artist John Westmark  incorporates paper sewing patterns into his work, reinterpreting them as he explores feminist narratives, mythical figures, and the segregation of stereotypes.

    Matrimony by John Westmark
    Matrimony, paper sewing patterns and acrylic on canvas, 36×36

    Not only does the artist incorporate the patterns into his work as a means of literal and visual texture, the patterns and their associations are the catalyst behind the explorations of themes in each series.  For instance, in his Folklore series ( including Corona below ), Westmark references the traditions of story telling, incorporating the instructional verbiage of the patterns themselves.  While in his Double Bind series ( including She-Crab below ), he reinterprets these instruments of traditionally feminine work into images of female mythical heroes and warriors.  Adding an additional level of interest, he adds to the patterns custom text from contemporary feminist writings– creating work not just to be seen but to be experienced.

    Corona by John Westmark
    Corona, paper sewing patters and acrylic on canvas, 48×48
    She-Crab by John Westmark
    She-Crab, paper sewing patterns and acrylic on canvas, 36×48

    For his Flight series, Westmark continues the visual conversation between the feminine and masculine by creating a bridge between the typically female sewing patterns and the mechanical drawings of aircraft, usually a more masculine endeavor.  Each patterns upon which to build and construct, looking very similar upon first glance– it is only when we examine more closely and determine their origin that we assign a stereotype to each.

    Mercury by John Westmark
    Mercury, paper sewing patterns and acrylic on canvas, 100×72

    To see more of the phenomenal work of John Westermark, please visit his website.  His work can be seen at Stark + Kent, a contemporary art gallery in Palm Springs, where I first spotted these extraordinary works, or at Gilman Contermporary in Sun Valley, ID, where his solo exhibition, Into the Fold, is showing until January 20, 2013.

    Artist found via Stark + Kent.  All images are via the artist’s website.

  • Hinted Silhouettes: Caroline Zucchero Hurley

    Hinted Silhouettes: Caroline Zucchero Hurley

    The first time I saw high-definition tv, I thought to myself, “I can’t believe people are paying more money for this imagery.”  The resolution was so ultra-high, it was too crisp, too clear, lacking the depth to be found in blur and shadow.  The work of Brooklyn based artist Caroline Zucchero Hurley uses loosely arranged shapes that, like our old analog screens, give us hints at what is there, allowing our minds and eyes the freedom to connect the dots.

    Trees of Eden by Caroline Z. Hurley
    Trees of Eden, oil on linen, 48×48

    Much of what I love most about Hurley’s work has to do with the sense of balance and control in what may seem at first to be unfettered patterns and brushstrokes.

    Dirt Stains by Caroline Z. Hurley
    Dirt Stains, oil on canvas, 60×60
    Thank You, Virgin America by Caroline Z. Hurley
    Thank You, Virgin America

    For all their seeming randomness, there is a deliberate quality to their placement, letting us know that each composition is by no means accidental.  Yet, the artist arranges these shapes and colors with a deft hand, revealing just enough to suggest at what might be there.

    Brights by Caroline Z. Hurley
    Brights, oil on canvas, 60×60

    To see more of the work of Caroline Zucchero Hurley, please visit her website.  In addition to works on canvas, the artist also translates her love of shapes and forms to jewelry and linen throws— be sure to check those out, as well!

    All images are via the artist’s website.

  • Happy New Year! And Happy New Featured Artist!!

    Happy New Year! And Happy New Featured Artist!!

    Happy 2013, Artsies!  I’m excited for a new year and even more than that, I’m thrilled to spend this first month of a new year featuring the work of Tennessee artist, Christina Baker!  Look for lots more loveliness coming your way from this talented painter all throughout the month of January.  Stay tuned to the blog, Facebook, and Twitter feeds ( click the buttons to the right to follow! ) all month long!

    Lemon Shake by Christina Baker
  • Crystallized Objectives: Brett Freund

    Crystallized Objectives: Brett Freund

    Isn’t it amazing to think of all the precious stones, metals, and other extraordinary objects growing in the hidden places of our world?  The sculptural work of artist Brett Freund seeks to explore questions of value and preciousness, what makes one thing more  prized than another?
    Crystals series by Freund
    Crystals series, porcelain

    Do we place a higher value on something that takes a longer time to ferment and evolve into its ideal form?  Or is a thing’s rarity more important?  And what about objects that are always growing and changing?

    Crystals series by Brett Freund
    Crystal, porcelain
    Crystals series by Brett Freund
    Crystal, porcelain
    Crystals Series by Brett Freund
    Crystal, porcelain

    Freund’s work, with its fractal shapes that seem to be metamorphosing right in front of our eyes, making us think of old things, covered in signs of age and transformation.  They are no longer what they were, but have become what they were meant to be.

    Vessels series by Brett Freund
    Vessel, porcelain

    Which is more valuable, what is at the beginning or the end?  To see more of Brett Freund’s work, please visit his website.

    All images via the artist’s website.

  • Shifting Assemblies: Deborah Zlotsky

    Shifting Assemblies: Deborah Zlotsky

    Not too long ago, Mr. Forager and I had yet another conversation about what makes one piece of artwork successful over another.. Another piece of the puzzle leading to an extraordinary composition, he has concluded, is depth.  Whether real or perceived, depth just makes work more interesting, giving our eyes places to go and hollows to explore.  Albany artist Deborah Zlotsky’s work involves shapes moving in and out and around each other, giving our eyes plenty of places to get lost.

    Everything Must Go by Deborah Zlotsky
    Everything Must Go, oil on canvas, 48×60

    The artist paints intuitively, shifting shapes and depth with each tweak, a change in color here causing one form to fall back while another comes forward.

    Unknown by Deborah Zlotsky
    Unknown, oil on canvas, 36×36
    Can the Devil Speak True, oil on canvas, 36x36
    Can the Devil Speak True, oil on canvas, 36×36
    Tragedy Tomorrow, Comedy Tonight by Deborah Zlotsky
    Tragedy Tomorrow, Comedy Tonight, oil on canvas, 36×36

    With her highly planar compositions, it is almost as if Zlotsky is moulding sculpture in two dimensions.  You can almost see her brush as a sculptor’s hand, carving out shapes and forms, delineating her own hollows and bumps.

    Wishful Thinking by Deborah Zlotsky
    Wishful Thinking, oil on canvas, 36×36

    To see more of Deborah Zlotsky’s work, please visit her website.

    All images are via the artist’s website.

  • A Colorful Life: Claire Desjardins

    A Colorful Life: Claire Desjardins

    If an artist were to translate your life into paint, what would it look like?  Would the palette be bright and cheery or grey and solemn?  Montreal artist Claire Desjardins’ work has the feeling of a warm and colorful life.

    Playlist by Claire Desjardins
    Playlist, acrylic on canvas, 36×48
    City Lights by Claire Desjardins
    City Lights, acrylic on canvas, 36×36

    Many of Desjardins’ pieces are abstract impressions of moments or memories, the colors, forms, and textures telling us their visual stories, yet leaving us to form our own conclusions.

    Pomme by Claire Desjardins
    Pomme, acrylic on canvas, 60×40
    Income Tax by Claire Desjardins
    Income Tax, acrylic and latex on canvas, 22×28

    In the layers of paint, can feel the scene– the sights, the sounds, the scents.  Paintings filled with the fleeting moods of everyday life, when taken altogether, create an extraordinary existence indeed.

    How to Bake a Cake by Claire Desjardins
    How to Bake a Cake, acrylic on canvas, 72×48

    To see more of Claire Desjardins’ work, please visit her website and Facebook page.

    All images are via the artist’s Facebook page, linked above. 

  • Artsy on Escape Into Life: Amanda Stone Talley

    Artsy on Escape Into Life: Amanda Stone Talley

    You know how sometimes you aren’t immediately blown away by an artist’s work, but then you sit and look at it for a while and realize it’s freakin’ amazing?  Yeah, that’s what happened to me with the artist I’m featuring in my Artist Watch on Escape Into Life today, Amanda Stone Talley.  Consider my mind completely blown away.  See more of Amanda’s work here and decide for yourself!

    Punch by Amanda Stone Talley

    Amanda Stone Talley on Escape Into Life