Category: Mixed Media

  • Narrative Patterns: John Westmark

    Narrative Patterns: John Westmark

    One memory I have of my grandmother is of she and I in her dining room, sewing patterns spread out over fabric, pinking shears in hand, as she cut out the pieces to yet another new dress for me.  The crunch of that brown tissue paper is now always associated with those times together.  Austin artist John Westmark  incorporates paper sewing patterns into his work, reinterpreting them as he explores feminist narratives, mythical figures, and the segregation of stereotypes.

    Matrimony by John Westmark
    Matrimony, paper sewing patterns and acrylic on canvas, 36×36

    Not only does the artist incorporate the patterns into his work as a means of literal and visual texture, the patterns and their associations are the catalyst behind the explorations of themes in each series.  For instance, in his Folklore series ( including Corona below ), Westmark references the traditions of story telling, incorporating the instructional verbiage of the patterns themselves.  While in his Double Bind series ( including She-Crab below ), he reinterprets these instruments of traditionally feminine work into images of female mythical heroes and warriors.  Adding an additional level of interest, he adds to the patterns custom text from contemporary feminist writings– creating work not just to be seen but to be experienced.

    Corona by John Westmark
    Corona, paper sewing patters and acrylic on canvas, 48×48
    She-Crab by John Westmark
    She-Crab, paper sewing patterns and acrylic on canvas, 36×48

    For his Flight series, Westmark continues the visual conversation between the feminine and masculine by creating a bridge between the typically female sewing patterns and the mechanical drawings of aircraft, usually a more masculine endeavor.  Each patterns upon which to build and construct, looking very similar upon first glance– it is only when we examine more closely and determine their origin that we assign a stereotype to each.

    Mercury by John Westmark
    Mercury, paper sewing patterns and acrylic on canvas, 100×72

    To see more of the phenomenal work of John Westermark, please visit his website.  His work can be seen at Stark + Kent, a contemporary art gallery in Palm Springs, where I first spotted these extraordinary works, or at Gilman Contermporary in Sun Valley, ID, where his solo exhibition, Into the Fold, is showing until January 20, 2013.

    Artist found via Stark + Kent.  All images are via the artist’s website.

  • Forest Creatures: KOLLABS

    Forest Creatures: KOLLABS

    Mr. Forager and I are forest & woods people, with a bit of the ocean on the side.  Which is a big part of why we love the Pacific Northwest so much and can’t wait to get back there ( only 3 1/2 more months! ).  The quiet, the depth and darkness of the woods is a salve to our souls.  Artists Anke Schofield and Luis Garcia-Nerey aka KOLLABS, are two artists who work collaboratively, exploring the role of humans within the forest and the environment as a whole.

    Conversations by KOLLABS
    Conversations, mixed media on canvas/panel, 66×48

    In their work, KOLLABS often shows human and animal interaction, but taken out of the literal context of the woods.  As in Conversations ( above ), it may seem that the bear, shrunken in size, perhaps to belie its power, is there to entertain the wealthy woman.  Or perhaps she has invited the bear in, to try to get to know him and his ways so that she might better serve him.

    Angie's Run by KOLLABS
    Angie’s Run, mixed media on panel, 36×36
    Peapod by KOLLABS
    Peapod, mixed media with resin on panel, 36×36
    Parker by KOLLABS
    Parker, mixed media with resin on panel, 36×36

    As so many of us live far removed from the woods, usually only glimpsing wild animal at the zoo, photographs, or other media, it’s easy to forget that these creatures once ruled.  That they, along with their forest homes, were treated with reverence and respect.

    Chloe by KOLLABS
    Chloe, mixed media on panel, 48×60

    After all, they were there first.  To see more of KOLLABS’ work, please visit their website.  You can see their work in person in several galleries across the US, including Diehl Gallery in Jackson Hole, WY, Gilman Contemporary in Sun Valley, ID and Lanoue Fine Art in Boston, as well as Whistler Village Art in Whistler, British Columbia.

    Artist found via Diehl Gallery.  Images via Diehl Gallery and Gilman Contemporary websites.

  • Let There Be Peace on Earth

    Let There Be Peace on Earth

    Merry Christmas and happy holidays to all of the Artsies around the world!  I’m taking a break from the blog today to enjoy the holiday with Mr. Forager.  With so much tragedy going on in our world, the greatest thing we can all wish for this day is peace on earth.  May it be so and may it begin with me.  Wishing you a most wonderful, peace-filled holiday!

    Diminishing Returns by Marsha Glaziere
    Diminishing Returns by Marsha Glaziere

    Artwork by this month’s Featured Artist, Marsha Glaziere.  See more of Marsha’s work on her website and on the Artsy Forager Facebook page!

  • The Art of Celebrity: Emma Gale

    The Art of Celebrity: Emma Gale

    For eons it seems that with a certain level of success in the art world, comes a level of celebrity most artists will never know.  Especially today, artists are selling themselves as a brand almost as much as they are selling their work.  Australian artist Emma Gale turns the tables to feature celebrated artists as the subjects of her work.

    Tribal Chic by Emma Gale
    Tribal Chic

    The artist takes these immediately recognizable artists and reinvents them in her own style, yet each one retains the essence of the personality we’ve come to associate with them and their celebrity.

    All My Lovin by Emma Gale
    All My Lovin, mixed media on paper, 56×76 cm
    Jimi by Emma Gale
    Jimi, collage and pencil on paper, 56×76 cm

    Yet, we’re left to wonder.. how much of our perception of the celebrated among us is based on spin and branding?  If we were to meet the famous in person, would they be just as we imagine them or would we be surprised to find how different they are from their image?

    Soho Glam by Emma Gale
    Soho Glam, mixed media on paper, 56×76 cm

    To see more of Emma Gale’s work, please visit her website.

    All images are via the artist’s representing gallery, Anthea Polson Art.

  • Mysterious Amalgamations: John Sabraw

    Mysterious Amalgamations: John Sabraw

    Through my travels with Mr. Forager, I’m always struck by the many similarities there are to be found in such vastly different landscapes. And how, the elements of each interact with one another in a very specific way.  The Chroma series of Ohio artist John Sabraw, a passionate environmentalist, are inspired by the micro and macro worlds we find ourselves in and our connection to every one of them.

    Phyto: 2 by John Sabraw
    Phyto: 2, mixed media on aluminum composite panel, 24×24

    These unique works are created by layering paints of varying viscosities, allowing them to intermingle and naturally evolve in response to the environment of his studio.

    Karst: Opal by Sabraw
    Karst: Opal, mixed media on aluminum composite panel, 12×12
    Joules 12-4 by John Sabraw
    Joules 12-4, mixed media on aluminum composite panel, 12×12

    In each we see what could be the tide pools of Yellowstone or blood cells within our own bodies.  They could be images made by satellites or microscopes.  Whatever it is that we see, is a part of our world, whether it be nearby or far, far away.

    Synchline: Tumeric by John Sabraw
    Synchline: Tumeric, mixed media on aluminum composite, 12×12

    To see more of John Sabraw’s work, please visit his website.  You can read more about his Chroma series, including information on the artist’s sustainability practices here.

    All images are via the artist’s website.

  • The Stuff Maker: Thomas Campbell

    The Stuff Maker: Thomas Campbell

    In the creative world, there is a great deal of pressure placed on creatives to produce works of great meaning.  After all, art has to be about something, doesn’t it?  If the artist has nothing to say, then what is the point?  A great many artists struggle against the urge just to paint, sculpt, do vs. what the result of their creativity has to say.  Sometimes artists just want to play.  Create for the sake of creating, the way California artist Thomas Campbell does.

    Big Flower by Thomas Campbell
    Big Flower, acrylic, gouache, spray paint, money, thread, pencil on paper, 14×13.5

    According to his Artist Statement, when pressed, Campbell will concede that his work is “affirmational in a self-referential sense”.  If his work must be about something, perhaps it is about the journey he takes each time he begins anew.

    Give a by Thomas Campbell
    Give a, acrylic, gouache, spray paint, money, thread, pencil on paper, 15.5×16
    Umm to the Infinite by Thomas Campbell
    Umm to the Infinite, acrylic, gouache, spray paint, money, thread, pencil on paper, 14.5×12

    For surely within each creative path an artist embarks upon, there are new and wondrous lessons to be learned.  There is always deeper meaning to be found, if we look for it or read such things into the work.

    YAR Exhibition Installation, artwork by Thomas Campbell
    YAR Exhibition Installation
    Studio of artist Thomas Campbell
    Inside the artist’s studio

    But perhaps in many cases, it is merely a matter of an artist caught in the act of creating.  Which is is what makes one an artist in the first place.

    If you would like to see more work from this painter, sculptor, photographer, film maker, stuff maker, please visit his website.

    Artist found via The Jealous Curator.  Images are via the website of Campbell’s representing gallery, Gregory Lind Gallery.

  • Artsy On Escape Into Life: Eugenia Loli

    Collages with a vintage bent?  Yes, please!  Featuring the work of California artist Eugenia Loli in my Artist Watch on Escape into Life today.  Check it out here!

    Stockholm Syndrome by Eugenia Loli

    Eugenia Loli on Escape Into Life

  • A Different Kind of Art Walking: Laurie Frick

    A Different Kind of Art Walking: Laurie Frick

    My seven year old niece Kendall was recently given a pedometer at school as a physical fitness promotion.  Pretty soon, she was obsessing over how far she walked every day.  I have a feeling she would love Austin artist Laurie Frick’s Walking series, a group of collaged works based on daily walking patterns.

    Walking, Week 51 by Laurie Frick
    Walking, Week 51, handmade paper and found cut paper on alumalite panels, 72×48

    The artist uses fitbit, mytracks, and a cat cam to record her every day walking patterns, which she then translates in collage form onto alumalite panels.

    Walking, Week 44, handmade paper and found cut paper on Alumalite panels, 35×35
    Walking, Week 42, cut found and handmade paper on alumalite, 72×72

    Isn’t it interesting how little we notice patterns in our own behavior until it is placed before us in a visual way?  Frick has created several other projects focusing on self-tracking, each confronting us with the visual reality of the activities we engage in.

    Walking, Week 52, handmade paper and found cut paper on alumalite, 35×35

    To see more of Laurie Frick’s work, please visit her website.

  • Weaving Tales: Kaoru Mansour

    There is nothing better than a good yarn.  And by yarn, I mean story, although the fiber kind can be pretty satisfying, too.  One of the things that I love about Mr. Forager is his propensity for spinning tales.  Los Angeles based artist Karou Manour weaves visual stories throughout her work, whether figurative, abstract, sculpture, or landscape, her work catches us in the midst of a mystery.

    Kaoru Mansour
    Yoshinobu 1949, collage, acrylic and ganbi tissue on wood panel, 16×16

    Each piece has such an clandestine atmosphere, making us wonder where we have found ourselves, what we are seeing, and how it came to be.

    From Portland #117, collage, acrylic on wood panel, 10×10
    Uzu Uzu #104, acrylic and thread on gourd, 5x5x5
    Rocket Apron, thread, acrylic, ink pen on paper, 23.5×35

    It feels as if we are caught in the midst of an ancient story, one filled with myth and mysticism.

    Iro #529, collage, acrylic and 22k metal leaf on canvas, 30×30

    To see more of Karou Mansour’s work, please visit her website.

    Artist found via Florida Mining Gallery, where I saw a few of Karou’s pieces in person– they are stunning!

    All images are via the artist’s website.

  • Artsy on Escape Into Life: Kirsten Stolle

    Artsy on Escape Into Life: Kirsten Stolle

    Completely in awe of these quiet, seemingly simple drawings by Asheville artist Kirsten Stolle.  These unassuming little works deal in abstract ways with big issues such as climate change and genetic modification.  I’m featuring Kirsten’s work in my Artist Watch over on Escape Into Life today– see it here!

    BAF 18, gouache, ink, graphite and collage on paper, 10×13

    Kirsten Stolle on Escape Into Life