Category: Mixed Media

  • Love Letters: Kenna Moser

    Love Letters: Kenna Moser

    Do you remember how exciting it was to receive a letter when you were young?  An envelope would arrive, addressed just to Miss So and So or Master Such and Such, so grown up!  Then we become adults and most every piece of mail is either a bill or junk mail.  Wouldn’t it be lovely to receive a heartfelt letter instead of an email?  Seattle artist Kenna Moser’s work in the current exhibition at Grover/Thurston Gallery, with its vintage postmarks and whimsical imagery makes me want to sit down an write a beautifully illustrated letter to everyone I love!

    Whisper by Kenna Moser
    Whisper, beeswax, vintage letter and oil paint on wood, 6×6
    Poem by Kenna Moser
    Poem, beeswax, vintage letter and oil paint on wood, 6×6

    Being a writer of sorts, I’m no stranger to the written word, but these days, like most, my correspondence consists mainly of Facebook messages, texts, and emails.  Mr. Forager and I wrote digital love letters at length during the month or so when we first began dating and he was living in Seattle and I was in Florida.  It makes me a bit sad that they are floating in cyber space somewhere instead of neatly tied together with a ribbon placed in a special box in the closet.

    Traverse by Kenna Moser
    Traverse, beeswax, vintage letter and oil paint on wood, 5×5
    Route by Kenna Moser
    Route, beeswax, vintage letter and oil paint on wood, 5×5

    Moser’s mixed media works have such a whimsical quality to them.. it’s as if we’ve found that pile of secret letters hidden in a box, trying to decipher the enchanting language of images and symbols.

    Address by Kenna Moser
    Address, beeswax, vintage letter and oil paint on wood, 6×6

    To see more of Kenna Moser’s work, please visit her website.  Her work can be seen in the current exhibition at Grover/Thurston, along with the work of Deborah Bell until March 30th.

    All images are via the Grover/Thurston website.

  • Artsy on Escape Into Life: Stasia Burrington

    Artsy on Escape Into Life: Stasia Burrington

    Nothing says spring like girls with flowery tattooes!  When I spotted this piece by Seattle artist Stasia Burrington on Artsyo, I was smitten with her work, her use of cut paper florals and girls is at once sweet and strong.  Love it!  I’m featuring Stasia’s work in my Artist Watch on Escape Into Life today, see it here!

    Clementine, charcoal, ink and fabric collage on Stonehenge paper, 11×14

    Stasia Burrington on Escape Into Life

    Artist found via Artsyo, image also via Artsyo.

  • Artsy Lately: Geoff Mitchell + A New Feature!

    Artsy Lately: Geoff Mitchell + A New Feature!

    One fact presents itself to me every day:  there is an overwhelming amount of amazing art to be discovered in this world!  And sometimes, I get so caught up in finding new artists for you that I neglect to share extraordinary new work by artists who have already been “foraged” by moi.  Never fear, because those days are over!  This is the first in a new monthly series, Artsy Lately, in which I will bring you new work by an artist previously featured on the blog.  But wait, that’s not all!  If you’re on Pinterest, you’ll also find a new Artsy Forager board titled Artsy Lately, where yours truly as well as the wonderful artists themselves will be pinning new work!  Exciting stuff, ya’ll!

    Now let’s get down to the business at hand.  I’ve been in love with the work of LA artist Geoff Mitchell since the first time I saw it and immediately featured him on the site.  Then I was able to see his work in person during my visit to Florida Mining back in November.  So when I saw Geoff post a new crop of work, not only did I respond with an elated gasp, I just knew I just had to share it with you.

    Sunspots by Geoff Mitchell
    Sunspots, mixed media on panel, 20×20

    As with all of Mitchell’s work, these are images put together with more thought toward the imagery and compositions themselves rather than the associations we may make– the artist leaves that completely up to us.  He hands us the puzzle, yet there is no rightor wrong completion or conclusion.  We see what we see.

    Magic Lantern by Geoff Mitchell
    Magic Lantern, mixed media on panel, 20×20
    Music Box by Geoff Mitchell
    Music Box, mixed media on panel, 20×20
    Thin Ice by Geoff Mitchell
    Thin ice, mixed media on panel, 20×20

    Mitchell’s work always has such a wonderful sense of mystery.. like pages torn from a book, we are only given a few chosen details, graphically executed from which to mold our own story.

    Rose Cara Cara by Geoff Mitchell
    Rose Cara Cara, mixed media on panel, 20×20

    To see more of Geoff Mitchell’s work, please visit his website.  I’m hoping before Mr. F & I leave Southern California that I’ll be able to get over to LA and give you a glimpse inside Geoff’s studio.  I think there are stories awaiting there.

    Be sure to also check out the new Artsy Lately board on Pinterest.  We already have 16 artists who’ve joined in and started pinning their latest work!  Are you an artist whose work has been featured on Artsy Forager?  Send me an email at artsyforager(at)att(dot)com and I’ll send you an invitation to pin!

     

  • A Special Ordinary: Elaine Pamphilon

    A Special Ordinary: Elaine Pamphilon

    What did we do before the days Facebook, Twitter, and Instagram to record the beauty of every day life?  How would anyone know how lovely my lunch might be on any given day?  I don’t think UK artist Elaine Pamphilon has ever asked that question.  Her lovely mixed media works capture the ordinary in an incredibly special way.

    Cornish Window Sill by Elaine Pamphilon
    Cornish Window Sill, mixed media on panel, 80×60 cm

    Often dividing her surfaces into planes of color, Pamphilon treats us to glimpses of moments that, though simple as they may be, draw us in with their sweetness and humor.

    Blackbird Eyeing Up Sleeping Lily.. by Elaine Pamphilon
    Blackbird Eyeing Up Sleeping Lily Wondering If He Can Borrow Crumbs From Phillip’s Plate, mixed media on canvas, 50×40 cm
    Studying India by Elaine Pamphilon
    Studying India, mixed media on panel, 30×30 cm
    Indian Seed Pods and Chai by Elaine Pamphilon
    Indian Seed Pods and Chai, mixed media on panel, 30×30 cm

    There is such a sense of collected spontaneity about her work, as if each finished piece is just a quick little sketch in her journal, a remembrance of the day, sights, sounds, and findings.

    At the Old Rising Sun by Elaine Pamphilon
    At the Old Rising Sun, mixed media on panel, 40×30 cm

    Sigh.  Her work makes me wish I was a better journal keeper.  Guess I’ll have to settle for Instagram. To see more of Elaine Pamphilon’s work, please visit her website.

    Artist found via Christina Foard.  All images are via the artist’s website.

  • Dissected Perfection: Joseph Phillips

    Dissected Perfection: Joseph Phillips

    As we travel and move from rental to rental, Mr. Forager and I talk a lot about our future permanent home. We think about our ideal life, which, aside from a smallish house in the Northwest, can be a pretty fluid concept for us. We see so many people striving for that “perfect” life, the one we are told we should have, a big house in suburbia, perfectly manicured lawn and all. The work of Joseph Phillips website embodies this obsession in succinctly drawn works depicting dissections of perceived perfection.

    Double-Wide Bunker with Paradise Package by Joseph Phillips
    Double-Wide Bunker with Paradise Package, gouache, graphite and ink on paper, 41×30
    Duplex Bunker by Joseph Phillips
    Duplex Bunker, gouache, graphite and ink on paper, 17×14

    Scenes of neatly trimmed grass and crystal clear pools are isolated against a white background and we see from the outside looking in that these are manufactured replicas of an idealized life.

    String Theory ( diptych ) by Joseph Phillips
    String Theory ( diptych ), gouache, graphite and ink on paper, 24×18 each

    The utopian ideals take on a slightly sinister, Stepford-like aura, where perfect grass is revealed to be carpet, where pine and palms live together, where a perfect house comes with a bunker, acknowledging that life isn’t anywhere near perfect.

    Vertically Integrated Model for Multi-Climate Living by Joseph Phillips
    Vertically Integrated Model for Multi-Climate Living, gouache, graphite and ink on paper, 30×39
    Auxilliary Lot with Site Plan by Joseph Phillips
    Auxilliary Lot with Site Plan, gouache, graphite and ink on paper, 41×30

    To see more of Joseph Phillip’s work, please visit his Joseph Phillips website.

    Artist found via New American Paintings blog. All images are via the artist’s Joseph Phillips website.

  • The Abstract and The Absurd: Simon DeGroot

    The Abstract and The Absurd: Simon DeGroot

    Confession: there are times when I am bored by art.  Not often, but Mr. Forager will testify that it’s pretty obvious when I’m not crazy about the work I’m looking at.. my eyes just kinda glaze over or even worse still, I take one glance, shrug my shoulders and walk on in hopes of finding something more interesting.  But the work of today’s artist?  Nu uh.  I couldn’t stop looking and agonized over which work to include for you.  Yep, Brisbane artist Simon DeGroot knows how to capture my attention.

    Maintain Pleasure Personally by Simon DeGroot
    Maintain Pleasure Personally, screenprint, acrylic and oil on board, 600x800mm
    Copia Avis with Purple by Simon DeGroot
    Copia Avis with Purple, screenprint, acrylic and oil on board, 800x800mm

    First, there are these wonderfully absurd collages, filled with seemingly incongruous imagery like traditional Dutch still lifes, toy trucks, shelter magazine shots and of course.. Big Bird.  How do they all fit together?  Is it really necessary that they do?  DeGroot makes the compositions work using color, form and line, keeping our eye moving.  Keeping us guessing.

    But Is It Fragile by Simon DeGroot
    But Is It Fragile, 600x600mm
    Garnish by Simon DeGroot
    Garnish, 105x150mm
    Small Overload by Simon DeGroot
    Small Overload, 300x325mm

    Then there are the more purely abstract works– studies in vivid, expressive color against the pale or the black of an abyss.  Simple lines and shapes put together in that wonderfully it-seems-random-but-it-works-so-well-it-can’t-possibly-be.  Splashes of color and looping lines.  Perhaps more free than their collaged counterparts, but the compositions remain as grounded and sure as any classical still life.

    In Real Time by Simon DeGroot
    In Real Time, 600x600mm

    There is much more abstraction and absurdity on Simon DeGroot’s website.  Pixelated floral still lifes?  Wrapping paper collages?  He’s got ’em.  Be sure to check them out.

    All images are via the artist’s website.

  • Artsy on Escape Into Life: Eva Magill-Oliver

    Artsy on Escape Into Life: Eva Magill-Oliver

    Less is more.  Simplicity is the ultimate sophistication.  Sometimes, I just love to cleanse the artsy palate so to speak, with work that is beautiful in it’s seeming naivete and guilelessness.  Perhaps that is why I was drawn to the work of Atlanta artist Eva Magill-Oliver and am featuring her in my Artist Watch on Escape Into Life today.  Go on over to EIL here to see more of Eva’s work!

    Turn by Eva Magill-Oliver
    Turn by Eva Magill-Oliver

    Eva Magill-Oliver on Escape Into Life

    Artist found via Gregg Irby Fine Art.  Image via the artist’s website.

  • Suspended Effervescence: Kim Squaglia

    Suspended Effervescence: Kim Squaglia

    Ever throw a party, then wake up the next morning to a completely disheveled house, yet revel in the knowledge that you know a good time was had?  The work of California artist Kim Squaglia, with its effusive confetti-like dots and streamer-like lines against soft, solid backgrounds reminds me of the quiet morning after a rockin’ party.

    Lolly by Kim Squaglia
    Lolly, oil, acrylic and resin on panel, 24×24
    Lolly ( detail ) by Kim Squaglia
    Lolly ( detail )

    As you can see in Lolly ( detail ) above, Squaglia’s technique of layering acrylics, oil and resin results in incredible depth, almost cut-paper like in nature, adding to the confetti and streamer effect I can’t seem to get out of my head.

    Scend by Kim Squaglia
    Scend, oil, acrylic and resin on panel

    Then there are works like Scend ( above ) and Cirque I ( below ), which are a bit more reminiscent of cosmic configurations and tangled vines.  There is also an interesting cell-like structure to many of her compositions, which may seem like a microscopic peek inside the human body or other organism.

    Cirque I by Kim Squaglia
    Cirque I, oil, acrylic and resin on panel, 48×72

    So many possibilities to be discovered!  What do you see in Kim Squaglia’s work?  To view more of the artist’s work, please visit her website.

    All images are via the artist’s website.

  • Landscape, Interrupted: Kim Cadmus Owens

    Landscape, Interrupted: Kim Cadmus Owens

    During our time here in Joshua Tree, Mr. Forager & I often find ourselves talking about what makes this place so different compared to everywhere else we’ve lived.  Apart from the obvious, there is such an openness to the landscape here that creates incredible beauty, and yet, there is no place to hide abandoned buildings, rusted out cars and windblown trash.  The paintings of Dallas artist Kim Cadmus Owens featured familiar lonely landscapes, infused with color and fractured lines inspired by technological irregularities.

    Lounge by Kim Cadmus Owens
    Lounge, oil on canvas, 48×48
    Smoke and Mirrors: Coming and Going by Kim Cadmus Owens
    Smoke and Mirrors: Coming and Going, acrylic and oil on canvas, 156×48

    Just as the forsaken buildings once loved and cared may now be hazardous eye sores, our relationship with technology and electronic communication also shifts and evolves.  We long for the immediate connection it allows, yet find ourselves frustrated and often unable to cope when the lines of communication go awry.

    Pawn by Kim Cadmus Owens
    Pawn, carbon and acrylic on beveled wood panel, 24×30
    Grand by Kim Cadmus Owens
    Grand, carbon and acrylic on beveled wood panel, 24×30
    Leader by Kim Cadmus Owens
    Leader, carbon and acrylic on beveled wood panel, 24×30

    We love how easy it is to connect and yet balk at how those systems of connection invade our privacy.  We often find ourselves forsaking the people sitting right next to us for those on the tiny screen in our hands, just as we abandon old buildings full of character and history for shiny new strip malls.  Owens use of fragmented lines and color in her work remind us that those connections have broken.

    Cheap by Kim Cadmus Owens
    Cheap, acrylic and oil on canvas, 48×48

    To see more of the work of Kim Cadmus Owens, please visit her website.  How have you seen your relationships and landscape change with the changes in technology?  What do you do to combat against a reliance on electronic communication & gadgets galore?

    Artist found via New American Paintings.  All images are via the artist’s website or the New American Paintings blog.

  • Artsy on Escape Into Life: Pascaline Dargant

    Collage seems to be the “it” medium these days.  And why not?  It takes a gifted eye for composition, color, and visual texture to make a collage that stands out amid the throng.  French artist Pascaline Dargant’s collages are beautifully simple yet remarkably memorable.  My new collage crush!  I’m sharing her work today in my Artist Watch over on Escape Into Life.  Check out the post here!

    Pascaline Dargant

    Pascaline Dargant on Escape Into Life

    Image via the artist’s website.