Sometimes, all it takes is a slight shift to see things from a completely new perspective. I’ve always loved the slight glimpses seen through doorway cracks and angled views. These minimalist collages by Paris based artist Rosemarie Aubserson with their slightly skewed peeks give us the quickest little glimpses into new places.
The placement of some elements around the periphery of the compositions relate the feeling of catching a fleeting glance around a corner. Expanses of solid color heighten the drama of discovery, almost making it seem like a package being opened– making me want to rip away the paper to see more of what’s there!
Mr. F and I are generally cheerful, non-moody people, but we each have what we call our “blah” days. You know the ones, the days when you just aren’t feeling quite yourself, the days when all you want to do is curl up in bed, speak to no one and watch trash tv all day. These paintings by French artist Lou Ros struck me in their contemplation and moodiness, beautifully painted representations of melancholy.
From the use of a primarily grey and neutral palette with punctuations of pink and other vibrant colors, we’re reminded that although the grey sets in temporarily, it is by no means permanent. I love the artist’s use of frenetic brushwork and drips, the slightly “unfinished” quality to each piece accentuating the fleeting nature of mood.
To see more work by Lou Ros, please visit the artist’s website.
It is the unique gift of an artist to create beauty from the unexpected, to look at a thing and see its potential in a way no one else does. In her A Sacred Space series, Baltimore artist Rosemary Liss deconstructs the canvas then puts each back together in a way that emphasizes the beauty of the materials themselves.
By focusing on the parts that make up the whole, Liss compels us to think about the entirety of the process of art making. From the tree that was felled for it’s wood, to the wood cut and sanded for stretchers, to the threads woven together to create the canvas’ surface, through these tiny works of art, we realize that while most artists are individual creators, a village of hands are woven together in each piece.
The sea or the snow? The sea or the snow. Mr. F and I go back and forth on this question frequently. While spending the winter in Idaho, we decided on snow. But now that we are on the Northern California coast, I wonder, will the tides turn back toward the sea? There is something wild and mysterious about the ocean, and Massachusetts artist Jeremy Miranda captures the struggle by man to understand and control the uncontrollable character of nature.
We move in to the wild places, we build our houses and cultivate lawns and gardens, we want to be surrounded by nature’s beauty yet when the elements go about their way with no regard for us, we resent it. We try to control it. To bend and shift nature’s way to meet our own needs instead of leaving it to its own perfectly evolved devices. Miranda’s work captures that intrusion of man on wild, not only the destruction and encapsulation that ensues, but the way that nature reclaims what is hers when man moves on.
Well, Artsies, Mr. F & I have said goodbye to Idaho and hello to California! And we all wished a fond farewell to February and wish a bright and cheery welcome to March and this month’s new Featured Artist, Erin McIntosh!
I first posted about Erin’s work almost exactly two years ago and have been closely following her artistic journey. Her works on paper continue to retain the floaty, gossamer quality that first drew me to them. But her work has evolved in the most lovely way into these newest pieces, with their organic patterns and forms leading us to dream of the prettiest science class illustrations ever. There is a bit more structure to these pieces, but the artist’s hand keeps them feeling fresh and spirited.
You’ll see more of Erin McIntosh‘s work on the blog this month, but if you can’t wait a second longer to explore ( and who can blame you?! ), head over to her website and have a good long look around. Plus, have a peak at the Artsy Forager Facebook page, where Erin’s work is gracing our cover and I’ve created an album of just a few of my McIntosh faves! If you happen to be in the great state of Georgia, Erin’s work will be hanging at the Museum of Arts & Sciences in Macon as part of the Emerging Artists show through June!
It’s been a stressful few weeks, ya’ll. Whenever we get toward the end of Mr. Forager’s contract and we start looking at new places to go, the stress just piles on. The whole process is definitely not for the faint of heart! But everything has fallen into place and while things are still crazy while we get packed up and plan our road trip to Eureka, we’ve gone from stressed out to excited. I discovered the work of photographer Zack Seckler in the midst of a particularly stressful day and the quiet humor calmed my soul. Perfect way to end the week!
I love the ironic juxtaposition and obliviousness of Seckler’s subjects. They reminded me that the joy and fun in life is still all around, even in the midst of trial. You just have to be able to see it! Happy weekend, Artsies!
In between working on my Feminine Wiles series, I found some time to create a couple of paintings for two girls. One for a girl anyone has yet to meet and the other for a girl I know and love so well. She is full of sunshine and fire and sass.
My niece Samantha is on the brink of leaving childhood behind and beginning her journey as a young woman. For her 13th birthday, I decided to create a painting for her that felt like that journey. The little painting I created was my contribution to Project #2 for the We Are the Contributors project, whose theme was beginnings. Read more about my thoughts on the piece here.
samantha | beginnings
The Beginnings piece was the first thing I’d painted in nearly nine months. After getting into my Feminine Wiles series, that style of painting feels much more natural for me, so when I look back on this one, it’s not my most recent favorite. But it was a first effort and a step in the right direction, which I hope is what Samantha will always remember about any beginning– it’s scary and strange, but you don’t know what will happen until you try.
idaho sunrise | palette
The second piece I completed recently was a little artsy gift for a few of our Idaho friends expecting their first baby soon. We could have bought something off the registry, but with our limited travel space, I’m embracing any excuse to paint on a larger canvas and then give it away! Our friends are outdoorsy like us, but not super modern, so I didn’t want to go too crazy-abstract for their soon to be daughter. The image on the right is from the bedding they selected for the baby’s room, so I wanted to create something that would compliment the color scheme without trying to recreate that motif.
The finished painting is 12×24 and I think it will add a nice pop of color to her room and something peaceful for mommy & pop to gaze at during late night feedings. Thanks for taking this little artsy detour with me! Will have a new Feminine Wiles painting to share soon!
I can’t freehand a straight line to save my life. But when I was studying Interior Design for a few years, I loved drafting. Sliding my mechanical pencil along the T-square, everything became so precise and orderly, there was a controlled creativity to it that I found intriguing. When I first saw the work of Augustine Kofie, I was instantly intrigued by a similar use of line, but it was the way those lines were placed and the little surprises that stole my imagination.
In his beginnings as a street artist, Kofie began exploring letter and line not just for their aesthetic value, but the way they were constructed and how they could be broken down and rebuilt into something new. Each piece is a manipulation of angle, line and form, leaving the eye to wander endlessly over each canvas, shapes shifting and changes as our perspective moves. And then there are the little pops of retro imagery that pop up when they are least expected– adding a bit of life and humor to these overtly geometric compositions.
Many artists are collectors of some sort. Whether collectors of the fleeting and untouchable such as memories or moments, or of more tangible things in which they see a beauty that others may not. Artist Susanna Sundman creates the most charming and lovely compositions out of her collections.
While she does lovely work in watercolors, it was these little assemblages that I seemed to keep coming back to and finding so enchanting. There is a careful deliberation about them, yet them seem entirely playful and fun. Each one is a wonderful little mix of texture, color, and story.
To see more of these assemblages by Susanna Sundman, follow her on Instagram. You can also find more of her work on her Flickr.
When I gaze at the work of February’s Featured ArtistJenny Brown, which I’ve been doing a lot this month, it makes me long for the sea. These creatures of the deep and the shallows that she creates out of vintage ephemera reminds me just how landlocked we are here in Idaho. But this Sunday, we set off for our next destination, Eureka, California!
Between the anticipation of the sea air and Jenny’s work, I’m craving something salty and briny and these Soy Citrus Scallops with Soba Noodles are sure to satisfy my longing.
Those little tentacle-y shapes show up in lots of Jenny’s work and remind me so much of noodles– which I never need an excuse to consume! This recipe takes advantage of fresh scallops and snow peas to create a perfect mix of flavors and textures. The ideal pairing. All that would make it better is a glass of wine and the smell of the salt air. Soon, Artsy. Soon!
To see more of Jenny’s work, head over to her website and devour every last delicious morsel! The piece above and others can be purchased from Enormous Tiny Art and seen in person at the ETA show at Nahcotta in Portsmouth, NH.
