artsy forager

Category: Daily Artsy

Artists featured in a solo spot on Artsy Forager

  • Momentary Souvenirs: Stephanie Brody Lederman

    Momentary Souvenirs: Stephanie Brody Lederman

    Did you make some wonderful memories yesterday, Artsies?  What will you recall?  Will it be the main event, the big moments or will it be the small, seemingly insignificant minutes that you’ll look back on with fondness?  In her latest work, New York artist Stephanie Brody-Lederman in her own visual language, illustrates the moments that capture her emotions and imagination.

    Our Ancestors Lives by Stephanie Brody Lederman Being Human by Stephanie Brody Lederman Lantern & Lamp by Stephanie Brody Lederman At This Late Hour ( Still Swimming Forward ) by Stephanie Brody Lederman Dawn by Stephanie Brody Lederman

    Some people recall certain events in great detail.  That’s never been me.  I remember more the sensuality of memory– the smell of my paternal grandparents’ house, the soft skin of my maternal grandmothers’ hands, the thrill of the first kiss my husband gave me.  In these paintings, it is that untouchable sensation of memory, the emotion of certain moments that Brody-Lederman is capturing.

    In small symbols and still scenes, she evokes a sense of the remembrance of an instant.  After all, our memories don’t necessarily record full scenes like a movie, but more brief flashes and hints of feeling remind us of what has been.

    To see more of Stephanie Brody-Lederman‘s work, please visit her website.

    All images are via the artist’s website.

  • Sweet Decadence: Heather McCaw Kerley

    Sweet Decadence: Heather McCaw Kerley

    I don’t know about you, but one of my favorite things about this time of year is the food!  Putting diets aside, we allow ourselves to focus on the inherent feast for the senses that delicious food can bring.  Nothing beats the scent of freshly baked bread wafting through a home, am I right??  This season is about indulgence and much of it of the decadent sweet kind.  In her Bakery series, artist Heather McCaw Kerley focuses her attention on those baked objects of desire.

    Doughnut with Pink Sprinkles by Heather McCaw Kerley Chocolate Cupcake by Heather McCaw Kerley Doughnut Holes by Heather McCaw Kerley Pink Cupcake by Heather McCaw Kerley Doughnut with Chocolate White Striped Icing

    Isolating these treats, each a monument to delightful indulgence.  “I’ll have just one“, these seem to be saying.  And when we taste the sweetness of icing on our tongues, a wave of satisfaction washes over.  We know we can’t make a steady diet of doughnuts and cupcakes, but oh, if only we could!  How sweet life would be.  Maybe.  Or perhaps, if we were to indulge all the time, special treats would lose their luster.  We would no longer savor them slowly, but devour them without truly tasting their deliciousness.  I think the same can be said of events like holidays, if we were celebrating this way every day, the shine would soon grow weary.  But its the anticipation, the build up, the focus of intensity that makes these days so special.  Let’s savor them like the delectable cupcakes they are.

    To see more of Heather McCaw Kerley‘s work, please visit her website and be sure to follow her on Facebook and Pinterest

  • Stories Retold: Marybeth Rothman

    Stories Retold: Marybeth Rothman

    When I was young, one of my favorite grandmother’s house activities was to sit with her and go through the piles and piles of photo albums she meticulously collected and kept.  I was enchanted by seeing my grandparents when they were young, my mom and uncle as children and black & white pictures of countless relatives I never chanced to meet.  After my grandparents passed, my mom, brother and I sat around her dining table and tried to go through all the photos.  We discovered a good many whose faces we didn’t recognize and surprisingly, my grandmother didn’t label.  Who were these people?  What had them meant to our grandparents?  In her encaustic mixed media work, New Jersey artist Marybeth Rothman takes vintage photo booth pictures without identity and puts new stories to old faces.

    Clotho III by Marybeth Rothman Lachesis III by Marybeth Rothman Atropos III by Marybeth Rothman Fern by Marybeth Rothman T George Bell by Marybeth Rothman

    The artist gives new life to these abandoned portraits, seeing connections between strangers, reimagining them as icons of Greek mythology and fictional characters.  The tiny photographs are enlarged to a grand scale, giving even further importance to these forgotten faces.

    It does make me wonder, what will become of all our own memories?  Especially now that most personal photos are digitized, there will no longer be boxes and albums of photographs to be unearthed.  Will living our lives digitally allow for a better keeping of record or will all be lost when the technology we’ve used becomes obsolete?

    To see more work by Marybeth Rothman, please visit her website.

    All images are via the artist’s website.

  • Lucid Stead: Phillip K Smith

    Lucid Stead: Phillip K Smith

    This time last year, Mr. Forager and I were in a very different place.  For six months, we traded our beloved Northwest for the California high desert.  Joshua Tree, California, to be exact.  And although we ultimately decided desert life wasn’t for us, we nonetheless felt the beauty and magic to be found there.  In his Lucid Stead installation project, Indio, CA artist Phillip K Smith transforms a 70 year old desert homestead into a miraculous mirage.

    Lucid Stead by Phillip K. Smith III Lucid Stead by Phillip K. Smith III Lucid Stead by Phillip K. Smith III Lucid Stead by Phillip K. Smith III Lucid Stead by Phillip K. Smith III

    The desert, with its vast expanses, can be a disorienting, isolating place, which always made me wonder– what was it that made first settlers decide to stop and try to make a life from such an unforgiving landscape?  Perhaps it was the intense light and the shadows it creates or the endless sky with its countless stars?

    In Lucid Stead ( sorry, now closed to the public ), Smith gilds this desert shack in mirrors, reflecting the sandy surrounds and creating an every changing spectral form on the landscape.  At night, the mirrors give way to darkness, colored LED lights lending an alien air.

    To see more of Phillip K Smith‘s work, please visit his website.  If you’re in Southern California, you can see an exhibition of Smith’s latest works at Royale Projects in Palm Desert.

    All images are via the Royale Projects website.

  • Artsy Holiday: Casey Matthews

    Artsy Holiday: Casey Matthews

    Mr. Forager & I have been going back and forth about what type of meals we’ll have on Christmas Day.  It’s just the two of us and while that’s never stopped us from making elaborate meals before, we’re thinking a sweet little brunch and then a bit of antipasto later.  But no matter how simple the holiday meal, it always feels more festive when the table is set in an artful way!  So if you’re like me and still figuring out your holiday tablescape, here’s a little inspiration from this month’s Featured Artist Casey Matthews—

    Artsy holiday Casey Matthews

    found via art | ornaments | trees | float | votives | placemat | tableware | napkins | paperweight | glasses

    I mean, those greens are just calling out holiday cheer like nobody’s business!  Add in a judicious dollop of snowy white, rich jewel tones and glittery metallics and you’ll have a table scape perfect for celebrating the season.  Casey’s painting Sitting Pretty at The End of the World is full of delicious shape and color, a Casey inspired table can’t help but sit pretty, too!

    If you’d like to see more artsy holiday inspiration, please take a peek at my Artsy Holiday Pinterest board, where I’ve been gathering all sorts of inspiring holiday images, DIYs and just plain prettiness.  To see more of Casey Matthews‘ work, please visit her website.

    All image sources linked above.  Artwork is a cropped detail of the original.

  • Unfettered Sensibility: Corey Mason

    Unfettered Sensibility: Corey Mason

    I have a firm belief that if you are a creative person, your artistic sensibility needs multiple outlets, it fairly oozes out of you not only in the form of art, but maybe in the way you prepare a meal, decorate a home, write a letter or design a garden.  Landscape designer and artist Corey Mason of Clyde Oak extends the creativity he lavishes on his outdoor designs into his wonderfully unaffected mixed media abstract work.

    Salem II by Corey Mason Voyager Queen by Corey Mason Caballos by Corey Mason Old Man Holds Tight to the Pole by Corey Mason Untitled by Corey Mason

    Mason’s work has that kind of loose, scribbly feel that I personally struggle so hard to let into my own work.  Each piece is so perfectly imperfect.  From the smudges on the page to the backwards text so reminiscent of a child’s handwriting.  And did you spot the chicken?!  We are becoming acquainted with our landlords’ chickens.  I’m learning to delight in them so much!

    Back to Mason’s artwork– truly in looking at these I see that unfettered, naive sensibility that I think so many artists are striving for but that perhaps has been educated out of us.  I don’t know whether Corey is a trained or self taught artist, but either way, he is drawing with the carefree spirit of a child, an aim even Picasso strove to reach.

    To see more of Corey Mason‘s work, please visit his art page on the Clyde Oak website.

    All images via the Clyde Oak website.  Artist found via The Fresh Exchange.

  • Splendorous Adornments: Takaya Hanayushi

    Splendorous Adornments: Takaya Hanayushi

    We’re so casual these days.  Heck, all my high heels are in storage, I probably won’t see them again until around 2018!  But there are days when I miss getting dressed up.  Remember that careful giving I was going on about yesterday?  These sculptural floral arrangements by Takaya Hanayushi remind me of our need to present ourselves artfully.

    Takaya Hanayushi Takaya Hanayushi Takaya Hanayushi Takaya Hanayushi Takaya Hanayushi

     The idea of adorning oneself in a certain way, whether to mark one’s place in society or simply as personal expression is a human trait that seems to have been with us a long time.  And although in our dressed down society, such lavish adornments as were once practiced are rare, we still find ways to incorporate these rituals.  We pierce and tattoo, we find just the right pair of shoes, we refuse to wear animal fur or skins.  Though it may be in more subtle, 21st century ways, we are still each day painting our own portrait of who we are and presenting it to the world.

    To see more of these stunning arrangements by Takaya Hanayushi, please visit his website.  You can also follow Hanayushi on his Facebook page.

    All images are via the artist’s website and Facebook page.

  • Handle With Care: Yrjo Edelmann

    Handle With Care: Yrjo Edelmann

    I have yet to wrap a single Christmas gift.  But the online orders are due to arrive any day and I am supplied and ready to dive in.  I love this part!!  Every year, I would wrap my gifts just so, often thinking of what type of wrapping the giver might enjoy as much as making it look artful and pretty.  Some may think, “what’s the point”?  It’s what’s inside that matters, right?  Well, not entirely.  You see, to me, the gift is the entire process– spending the time choosing something the recipient will enjoy, carefully and lovingly wrapping the gift, and seeing their surprise and delight when opening it.  In these paintings ( yes, paintings! ), Swedish artist Yrjo Edelmann presents us with meticulously painted images of hastily and carelessly wrapped packages.  Are these treasures or leftovers from “the gift closet“?

    Magnetic Field Energy by Yrjo Edelmann An Important Property of Green by Yrjo Edelmann Critical Solution and Close Packing of Two by Yrjo Edelmann Packaged and Stringed Grey Powder Fields by Yrjo Edelmann A Packed View Over Harmonic Blue Fields by Yrjo Edelmann

    Now, just because a gift isn’t perfectly wrapped doesn’t mean that the giver didn’t put a lot of thought and effort into it.  Maybe wrapping just isn’t their thing.  Maybe they’re being ironic in a isn’t it more artsy this way kind of way.  But don’t we give more care to the things we find important?  Would you wrap a Picasso all willy-nilly?

    Sometimes I think we are so materially blessed in this country that we are rarely truly grateful for even the smallest of things.  I remember my grandmother telling me the Laura Ingalls-ish tale of being delighted in receiving an orange every Christmas as a little girl.  An orange! Not an orange iPhone, not an orange Lexus.  A piece of fruit.  And she looked forward to it every year.  This season, its my hope and challenge to give and receive freely and thoughtfully and with a gracious heart.  Every gift will be as precious to me as an orange.

    To see more of Yrjo Edelmann’s work, please visit the website of his representing gallery, Galleri GKM.

    All images via the Galleri GKM website.

  • Life, Lived Larger: Andrew Salgado

    Life, Lived Larger: Andrew Salgado

    For many, our life may seem filled with adventure.  And at times, it is.  But most days, its a normal sort of existence, the kind that consists of work, laundry, dirty dishes and too much tv.  These large scale paintings by Canadian artist Andrew Salgado have made me stop and think about how to live a bigger life.

    Now and Forever by Andrew Salgado Modern Painters by Andrew Salgado Subject by Andrew Salgado Stare by Andrew Salgado Year of the Silencer by Andrew Salgado

    I’ve always been a small person.  Always a little slip of a thing ( until getting married that is, Mr. Forager put curves on me! ), one of my long time best friends who towers over me has always called me “Little One”.  Because next to her, I was always the little one!  But this littleness isn’t just physical.  I have a naturally shy, retiring nature, the complete opposite of a “larger than life” type of personality.  I don’t hate the spotlight, but I don’t go out of my way to seek it out, preferring to be the one behind the scenes, these days behind the computer.

    These large scale portraits by Salgado are full of texture and vulnerability and delicious messiness.  Sometimes, I think we let our quest for control and order get in the way of a bigger life.  It’s so in my nature to stay safely in my shell, coming out only when coaxed, like a little hermit crab.  But where is the adventure in that?  How many of us will be able to look back on a life lived largely and to its fullest?  I’m striving against my own temperament in my quest but its a fight I’m willing and eager to take on.

    To see more work by Andrew Salgado, please visit his website.  Salgado has solo exhibitions coming up in 2014 in South Africa, New York and London.  You can also follow the artist on his Facebook page.

    All images are via the artist’s website.

  • Spoiled Earth: Brooks Salzwedel

    Spoiled Earth: Brooks Salzwedel

    In our travels, Mr. Forager and I have been very fortunate to have seen some amazingly beautiful places.  Unfortunately, for many, the opportunity to see unspoiled beauty is rare.  Our landscapes are filled with strip malls and fast food joints, rather than untamed forests.  In his resin cast work, Los Angeles artist Brooks Kalzwedel examines this dichotomy of urban development versus wilderness.

    Untitled #1 by Brooks Salzwedel Reclaimed Tipping Tower by Brooks Salzwedel Tendril by Brooks Salzwedel Tangled and Half Nature, Half Power by Brooks Salzwedel The Dinosaur and the Statuette by Brooks Salzwedel

    In these heavily layered pieces, Salzwedel’s landscapes are disrupted by electrical towers and sprawl, almost seeming to be choked by encroaching development.  The mechanical elements look to be nearly parasitical, especially in Tendrils ( 3rd down ), they seem to have incorporated themselves as a part of the root.

    Such beauty, yet so filled with sadness for what is lost.  If you’d like to see more of Brooks Salzwedel‘s work, please visit his website.  If you’re in the San Fran/Oakland area, you can see his work being shown with Mayumi Hamanaka in the two person exhibition, Temporal Void at Johansson Projects in Oakland until January 16, 2014.

    PS–Thanks to The Jealous Curator for reminding me of Brooks’ work!

    All images are via the artist’s website.