Category: Daily Artsy

Artists featured in a solo spot on Artsy Forager

  • Finding the Pearl: Carlos Lopez

    Finding the Pearl: Carlos Lopez

    You know the old wives’ tale: oysters are an aphrodisiac.  How many single guys have taken a gal out for beer & oysters hoping to make a lil magic happen?  If it’s sensual magic you’re hunting, look no further than the work of New Orleans artist Carlos Lopez.  His elegant, nearly surreal still lifes of oysters will make your mouth water and pulse quicken before you ever bite into the real thing.

    Gluttony by Carlos Lopez
    Gluttony, oil on canvas, 10×10
    Champagne with Gigi by Carlos Lopez
    Champagne with Gigi, oil on canvas, 20×20

    For a New Orleans native, oysters, so abundant in the area seem a natural still life subject, yet there is nothing prosaic about Lopez’s treatment of the common bivalve.  These works carry the sensuality of Georgia O’Keeffe, the smooth surrealism of Dali, yet glow with the light and crispness of classical still lifes.

    Passionate Affair by Carlos Lopez
    Passionate Affair, oil on canvas, 50×40

    These mollusks seem to take on a life of their own, the work is so full of emotional charge, we can feel the sadness, the joy, the hope or shame the oyster seems to be feeling.  Or perhaps we are seeing our own reflection in the pearly surface of its shell.

    Make a Wish by Carlos Lopez
    Make a Wish, oil on canvas, 16×16
    Heavenly by Carlos Lopez
    Heavenly, oil on canvas, 20×20

    To see more of Carlos Lopez’s work, please visit the website of his representing gallery, Gallery Orange in New Orleans.

    All images via Gallery Orange.

     

  • Artsy on Escape Into Life: Andy Price

    Artsy on Escape Into Life: Andy Price

    The juxtapositions of uber-traditional garb and the ultra modern in these paintings by Andy Price really caught my eye.  See more from this artist in my Artist Watch over on Escape Into Life today!

    See No Evil by Andy Price
    See No Evil by Andy Price

    Andy Price on Escape Into Life

    Image via View Art Gallery.

  • Delicate Revelations: Lisa Occhipinti

    Delicate Revelations: Lisa Occhipinti

    In our current gypsy-like state, Mr. Forager and I try to travel as lightly as possible.  But we do acquire things along the way, some we find unnecessary, contributing to a local Goodwill every where we go, but others we hold onto tightly– art and books.  Small pieces of our own art enrich each temporary home, while the books we carry with us enrich our minds, spirits, and souls.  The work of Southern California artist Lisa Occhipinti centers around books, not just their physical pages but our emotional and spiritual connection to them.

    Perfect Balance by Lisa Occhipinti
    Perfect Balance, mixed media, 12×24

    The artist incorporates pages from various tomes in her work, sometimes in a conspicuous way, like the pretty coffee table books we may buy but never really read.. or in a more subtle way, like the self-help books and other guilty pleasures we keep hidden in the nightstand.

    Un Voyage Comique by Lisa Occhipinti
    Un Voyage Comique, mixed media, 24×36
    Note on the Type by Lisa Occhipinti
    Note on the Type, mixed media, 12×12

    Delicate drawings and inky washes call to mind margin notes and doodles peppering well read stories.  Almost as if the reader of Occhipinti’s visual story is distracted not because the story doesn’t hold their interest, but they lost in becoming a part of the tale being told.

    Sargasso by Lisa Occhipinti
    Sargasso, mixed media, 36×48

    To see more of Lisa Occhipinti’s work, please visit her website.  I chose to focus on her painting work, but you’ll also find wonderful book-y sculptures and photography on her site.

    All images are via the artist’s website.

  • Patterns of Domesticity: Jane Richlovsky

    Patterns of Domesticity: Jane Richlovsky

    Have you ever thought about how certain fabric patterns remind you of someone?  Crazy mod-retro prints make me think of my sister-in-law, who loves all things vintage, while subdued plaids in soft blues and greens make me think of nature-loving Mr. Forager.  Seattle artist Jane Richlovsky uses patterned textiles in her work, incorporating them in such a way that the personality of the era shines through.

    Cake Mix #7 by Jane Richlovsky
    Cake Mix #7, oil on found textile, 4.5×6

    The artist depicts domestic scenes from the mid-twentieth century, actually painting on found vintagey patterned textiles.  The result is a interesting visual style– one in which some details of the scene show depth of space, while others, usually the shapes on which the patterns come through, are flattened as the patterns appear more as cut-outs of the forms rather than strictly conforming to the shape it is covering.

    A Wonderful World of Your Own by Jane Richlovsky
    A Wonderful World of Your Own, oil on found textiles, 31.5×32
    Designed for Living as You Want It by Jane Richlovsky
    Designed for Living as You Want It, oil on found textile, 10x5x15

    Richlovsky’s work reminds us that not all was as it seemed in the “good ol’ days”.. the flatness of the patterns meet the Norman Rockwellish technicolor scenes of life we remember from movies, yet there is a cynical and almost sinister undercurrent to some of the paintings.

    Easy as Peeling a Banana by Jane Richlovsky
    Easy as Peeling a Banana, oil on found textile & canvas, 31×36

    To see more of the work of Jane Richlovsky, please visit her website.

  • Scratching the Surface: Amy Donaldson

    Scratching the Surface: Amy Donaldson

    In my college painting classes, my painting prof used to always say that knew I was in class because he could literally hear me painting.  You see, I have a tendency to dig my brushes into the surface of the canvas, a sensation and sound I quite enjoy ( though it’s pretty tough on expensive brushes! ).  The work of Florida artist Amy Donaldson has that same kind of textural energy, I can almost hear the scrape of her brush and palette knife against the canvas.

    You're Beautiful by Amy Donaldson
    You’re Beautiful, mixed media on canvas, 60×60

    Donaldson’s process is one of an additive and subtractive back and forth between the palette, paint, and canvas.  Inspired by her ( and my! ) native state of Florida, Donaldson creates abstracts that hint at the broadness of a landscape, yet have the surface of an aged, graffiti covered wall.

    Adore by Amy Donaldson
    Adore, mixed media on canvas, 72×60
    Untitled by Amy Donaldson
    mixed media on canvas

    In expressive abstract quality of her work, Amy’s paintings let us get lost in the play of color, light, and texture, each bouncing our eyes in excitement across the canvases.

    In His Presence by Amy Donaldson
    In His Presence, mixed media on canvas, 60×72

    Would you like to see more of Amy Donaldson’s work?  Please check out her website and Facebook page.

    All images are via the artist’s website.  Artist found via Stellers Gallery in Ponte Vedra Beach, Florida.

  • Manufactured Manifestations: Lothar Gotz

    Manufactured Manifestations: Lothar Gotz

    After posting an image from our trip to Vegas on the Artsy Forager Facebook page yesterday, very insightful artist Gigi Mills wondered if perhaps all of Vegas could be considered one giant art installation?  It is after all, full of manufactured manifestations.  Which got me thinking about the environmental installation work of Lothar Gotz.

    Im Flur by Lothar Gotz
    Im Flur 2012, wall painting, site specific

    image source

    Lothar Gotz creates site specific abstract “wall paintings”.  His work encompasses single walls, rooms, even entire floors and buildings, swathing vertical surfaces in planes of saturated color.

    Winterreise by Lothar Gotz
    Winterreise 2010, acrylic and mineral paint on wall, Fundacio Joan Miro, Barcelona
    Drawing Room 2008 by Lothar Gotz
    Drawing Room 2008, vinyl on wall, National Gallery Prague

    The colors and shapes move in and out of the vertical surface, giving the eyes freedom to wander beyond the walls to see an abstract landscape of the artist’s own making.  The walls themselves recede and though the viewer may be boxed in by these partitions, Gotz’s paintings make them come alive, so that we hardly notice the facade.

    What Makes Boys Dance by Lothar Gotz
    What Makes Boys Dance 2012, Domo Baal

    To see more of Lothar Gotz’s work, please visit Rahn Contemporary, his representing gallery in Zurich.

    All images are via Rahn Contemporary, except where otherwise noted.  Artist found via The Painter’s Table.

  • Artsy On Escape Into Life: Brian Taylor

    Artsy On Escape Into Life: Brian Taylor

    I’ve finally joined the world of Instagram, which definitely has me taking more photos than I normally would with just my camera. Which is leading me to think more carefully about what I choose to photograph and how I choose to frame the composition.  So needless to say, I’ve got photography on the brain!  In my Artist Watch today on Escape Into Life, I’m featuring a photographer much more accomplished than I.  Check out the work of Brian Taylor here!

    Little Pink Houses by Brian Taylor

    Brian Taylor on Escape Into Life

  • Art Possessed: Chad Wys

    Art Possessed: Chad Wys

    Our currently semi-vagabond lifestyle dictates that Mr. Forager and I travel light.  Any purchase of a new object is always weighed against whether it’s truly necessary, how much room it will take up when in transit, or if it is too beautiful/wonderful/amazing to live without.  In his work, Illinois artist Chad Wys takes on our obsession with possession, questioning whether we can truly possess a piece of artwork, what our possessions say about us, and how we objectify the world around us.

    Arrangement in Skintones by Chad Wys
    Arrangement in Skintones, c-print ( edition of 10 ), 30×30
    Nocturne 111 by Chad Wys
    Nocturne 111, c-print, 24×30

    When we purchase a piece of artwork, what is our motive?  I believe the majority of art is acquired for aesthetic reasons– something about the work, whether it be the subject, the colors or the composition, appeals to us.  But what about artwork that doesn’t appeal, isn’t pretty?  Is it any less valuable?

    Golden Tea Party by Chad Wys
    Golden Tea Party, paint on found porcelain, 8.5x7x5.5
    Opus 1 by Chad Wys
    Opus 1, c-print

    And what do the objects we possess say about who we are?  And what makes the things we own or the things our ancestors owned so special?  Or are they not really special at all?

    To see more of Chad Wys’s work, please visit his website.

    Thank you to artsocial for reminding about this artist!  All images are via the artist’s website.

     

     

  • Dangerous Beauty: Jane Maxwell

    Dangerous Beauty: Jane Maxwell

    While visiting with friends in San Diego recently, somehow the topic of self-worth came up.  My friend Veronica mentioned that the Dalai Lama didn’t understand the Western issue of low self-esteem– we are not born thinking negatively about ourselves, yet something sinister creeps in.  The work of Boston area artist Jane Maxwell uses vintage fashion, advertising, and pop-culture ephemera to deconstruct the messages being sent to women and young girls by the fashion and entertainment industries.

    Runway Girls and Circles by Jane Maxwell
    Runway Girls and Circles, mixed media and resin on panel

    Our body image issues don’t always begin with someone actually telling us we’re too fat, too skinny, too pale.. we are inundated daily, especially as women and young girls, with images of stick thin fashion models and actresses, being held up as the current standard of ideal beauty.  Maxwell chooses to use silhouetted versions of these iconic figures, deconstructing them so that they become an anonymous “every woman”, which could help us to see the somber truth that these women have indeed become pawns in this game of idealized beauty.

    Blue Circle Girls by Jane Maxwell
    Blue Circle Girls, mixed media with resin on panel, 48×48
    Circle of Thought by Jane Maxwell
    Circle of Thought, mixed media with resin on panel, 48×48
    Blue by Jane Maxwell
    Blue, collage, wax & resin on panel, 36×36

    This standard of beauty seems to fluctuate with each generation, remember the days of Reuben and his voluptuous figures?  Or the curvaceousness of the iconic beauties of the 1950s?  When will we reach a point where women of every size, shape, and color are held up as quintessentially beautiful?  Maxwell’s work recognizes that struggle within us of that longing to be lauded for our unique  beauty yet we continue to strive to attain the ideal.

    Walking Girls and Bullseyes by Jane Maxwell
    Walking Girls and Bullseyes, collage, wax, and resin on panel, 70×40

    What are your thoughts on Jane Maxwell’s work or on self-image in general?  Where do you see the struggle?

    To see more of the work of Jane Maxwell, please visit her website and Facebook page.  Her work can be seen in galleries throughout the US, you can find a list of her representing galleries on her website.

    Artist found via Lanoue Fine Art.  Images via the artist’s website and Lanoue Fine Art.

  • Artsy About Town: Ruud van Empel’s Strange Beauty

    Artsy About Town: Ruud van Empel’s Strange Beauty

    I have had the work of Dutch artist Ruud van Empel pinned to my Pinterest board for months now.  Imagine my excitement when we arrived in San Diego back in October and I saw who was coming to the Museum of Photographic Arts at Balboa Park!  Since then, I’ve had the postcard for his show, Strange Beauty, hanging on our fridge, just waiting to see this compelling work up close.

    *I snapped this pic before I saw the sign for no photography.  Shhh.. don’t tell on me!

    The artist’s first solo show in an American museum, Strange Beauty showcases over 40 of van Empel’s digitally created works.  I hate to call them digitally enhanced photographs because they are so very much more than that.  Ruud van Empel carefully constructs each piece, meticulously layering staged photographs, digital imagery, and collage.

    World #7 by Ruud Van Empel
    World #7, cibachrome, 41.43×59.06

    The results are stunningly haunting, complex imagery.  With a background in theater arts and graphic graphic design, van Empel sets a beautifully enticing stage, one in we aren’t sure whether his characters should feel right at home or terribly out of place.

    World #20 by Rudd van Empel
    World #20, cibachrome, 23.5×33
    The Office #41 by Ruud van Empel
    The Office #41, digital print on paper, 12.01×13.78
    Untitled #1 by Ruud van Empel
    Untitled #1, cibachrome, 33.11×46.81

    As you look closely at each image, you aren’t sure where the actual photograph and the manipulation or collage begins.. in many we would be surprised to know which elements were not present all along.

    Generation #2 by Ruud van Empel
    Generation #2, cibachrome, 130×49

    Strange Beauty runs through February 3, 2013 at the Museum of Photographic Arts in San Diego.  If you’re anywhere near the area, I highly recommend a visit!  You can also see more of Ruud van Empel’s work on his website.

    Top image by Artsy Forager.  All other images are via the artist’s website.