Category: Daily Artsy

Artists featured in a solo spot on Artsy Forager

  • Mod Scene: Gary Petersen

    Mod Scene: Gary Petersen

    I grew up around Mid-Century culture way before it was hipster cool.  No, I’m not old enough to have experienced it first hand!  But my dad did and we were heavily involved in a 1950s classic car club, one that celebrated mod style by restoring vintage cars, showing them off and even putting on the occasional sock-hop.  Needless to say, when I spotted the California pop-tastic abstract work of New York artist Gary Petersen, it reminded me of the innovation and fantastic design that came from the atomic age.

    What’s Between Us, acrylic and oil on masonite board, 16×20

    Petersen uses overlapping and intersecting lines to create forms that play with our sense of perspective and place.

    Step Up, acrylic and oil on masonite panel, 16×20
    Passage, acrylic and oil on masonite board, 16×20
    Don’t Go Anywhere, acrylic and oil on masonite board, 16×20

    While perhaps the shapes may seem random, they create a palpable sense of movement across the canvas and even between each other.  To see what I mean, try scrolling through down & up the post kind of quickly.  The shapes seem to move, don’t they?  Totally groovy.

    Surround Sound, acrylic on masonite panel, 16×20

    To see more of Gary Petersen’s work, please check out his website.

    All images are via the artist’s website.

  • Consumptive Histories: Norah See

    Consumptive Histories: Norah See

    You can take the Art History major out of college, but you can’t take the Art History major out of the girl.  Yep, I still completely geek out on anything art historical, especially when it’s done in a dynamic way.  Enter Norah See, a New Orleans artist whose Reboot series elegantly repositions famous works of art as tiny trinkets, giving us a lesson in our history of consumption.

    The Loss of Man, oil on canvas, 18×24

    In her take on Rene Magritte’s Son of Man, Magritte’s infamous face obscuring green apple is replaced with the Apple computer logo, showing us a link between the advance of technology and the loss of human interaction, as well as a loss of our connection to our own selves outside of our technologically driven lives.

    Portrait of Madame Y, oil on canvas, 18×24

    Her Portrait of Madame Y reworks John Singer Sargent’s famous portrait into a modernized version of what a 19th century trophy wife might look like– fake tan, breast implants and all.

    The Cliff, oil, ink, gold leaf and enamel on canvas, 18×24
    Green Wall, oil on canvas, 18×24

    To see more of Nora See’s work, please visit her website.  If you’re in New Orleans, her Reboot series can be seen at her representing NOLA gallery, Gallery Orange.

    All images are via Nora See’s website.

  • On the Verge: Kevin Peterson

    On the Verge: Kevin Peterson

    You may have noticed that moving over the website didn’t happen yesterday.. things didn’t quite go as planned.  Working on it again today! 

    In just a few days, I’ll be seeing my beautiful nieces for the first time in over a year.  They’ve gotten older and taller and I can tell from photos that they are on the brink of leaving childhood behind.  The work of Houston artist Kevin Peterson looks at that the journey out of childhood and into a fractured world.

    Oil on panel, 27×34
    Acrylic, metallic paint on panel, 36×36

    As children, we’re so quick to want to grow up, we can’t wait to go on our first date, get our driver’s license, go off to college, be able to sit at the “grown-up table”.  But isn’t it amazing how swiftly we would go back to swing sets and school holidays, once we get a glimpse of the cynicism and cruelty of life among the full grown.

    Bubbles, oil on panel, 27.5×31
    Lovely, oil on panel with corrugated metal, 40×57

    While entering adulthood has its carefree qualities ( hello, ice cream for dinner! ), there is a delicious freedom when you’re a kid that only grown-up children can recognize.

    To see more of Kevin Peterson’s work, please visit his website.

    All images are via the artist’s website.

  • Art to Inspiration: Linda Monfort

    Art to Inspiration: Linda Monfort

    I’ve been out to lunch Art to Inspiration-wise lately.  I love this collaborative exercise, but alas, there just wasn’t time for it last month with our moving 1300 miles south and all.  But this month’s inspiration piece is so lovely, I couldn’t resist!  The inspiration artwork for November, The Other Side by painter Linda Monfort, is full of the vibrant color I’m longing for after my first few weeks of living in the desert.

    The Other Side by Linda Monfort

    I’ve put together a gallery of work of varied styles that tie in beautifully with the palette, texture, and energy of Monfort’s piece.  I give you, Color Riot!  Hope you enjoy!

    Glow One by Liz Tran
    Love Me Two Times by Kirra Jamison
    Avant Garden by Karen Klassen
    Square ( Equipose ) by Michael Velliquette
    CUBEN series by Simon C Page

    Liz Tran | Kirra Jamison | Karen Klassen | Michael Velliquette | Simon C Page

    To see more from each artist, check out their websites, linked above.

    You can find more information on Art to Inspiration here and if you would like to participate in the next Art to Inspiration, just fill out this form! Follow me and all the other Art to Inspiration bloggers on Twitter by subscribing here.  Let the inspiring begin! 

  • A Luminous Grace: Jennifer JL Jones

    A Luminous Grace: Jennifer JL Jones

    An artist I met recently regaled me with tales of how she painted with “glow in the dark” paint.  While I can certainly understand the desire for work that glows, I prefer to see the luminosity achieved instead by the deft use of color, layering, and a way of revealing light in a more natural, less neon-sign kind of way.  Case in point, the work of Atlanta artist Jennifer JL Jones glows gracefully, as if lit from within.

    Bluebird, mixed media on wood panel, 48×48

    Taking her cues from nature, Jones builds layer upon layer of material, creating a canvas as ever changing as the scenes they reflect.  As the seasons change, different aspects of the landscape advance and recede.  So too, in Jones’ work, as we gaze upon it the elements in each work seem to float and fluctuate in a delicate dance.

    Radiant Flux I, oil on wood panel, 40×40
    Prelude to Spring, mixed media on wood panel, 40×40

    These paintings have an ethereal mystery to them, like a wooded lake shrouded in mist or standing behind the veil of a waterfall.  What we see isn’t quite clear, but we know there is beauty.

    Ojai, mixed media, 60×60

    To see more of Jennifer JL Jones’ work, please visit her website.  If you’re in the Atlanta area, don’t miss her show Wet Ink with fellow artists Courtney J. Garrett and Kathryn Jacobi at Alan Avery Art Company.  I’m looking forward to seeing what new work Jennifer has at Stellers Gallery when I go home to Florida in a few days!

    All images are via the artist’s website or the website of her Santa Fe representing gallery, Hunter Kirkland Contemporary.

  • Artsy on Escape Into Life: Zuzka Vaclavik

    Last weekend, after our day spent art touring, Mr. Forager asked me to explain how to draw.  What a loaded question!  I hoped what got across to him the most was that it isn’t always how proficiently you do something, but the way in which you do it that makes you unique as an artist.  While the work of Zuzka Vaclavik may appear to be elaborate doodles, the lines, patterns, and forms show an artist’s eye at work.  Check out more of her work on my Artist Watch on Escape Info Life today! ( See it here and linked again below ).

    And There are Vibrations by Zuzka Vaclavik

    Zuzka Vaclavik on Escape Into Life

    Artist found via Emily Amy Gallery.

  • Blueprint Constructions: Jose Betancourt with Susan Weil

    Blueprint Constructions: Jose Betancourt with Susan Weil

    Since the glory days of the Polaroid and the advent of the digital age, photography in many ways has become a bit of an “everyman’s medium”.  We all pick up our pocket digital cameras and iPhones when a scene inspires us.  Artist photographers like Jose Betancourt seek to bridge the gap between historical processes and modern sensibility.

    Danky’s Blue
    Sassafras

    In this latest series, a collaboration with artist ( and ex-wife of Robert Rauschenberg ) Susan Weil, the two artists come together using historic and experimental photo processes such as cyanotypes, photograms, and Van Dyke Brown prints to create constructions consisting of photographic images.

    Secrets, Weil’s Reflections

    Sometimes, the constructions are configured to take on the form or another aspect of the photographed subject.  In this way, the photographs aren’t just two-dimensional images but come to life in a multi-demensional way.

    Spring Sprung
    Catenary

    To see more of this series, please visit the websites of Jose Betancourt and Susan Weil.  The exhibition of this series, Blueprints, can be seen at the Tennessee Valley Museum of Art in Tuscumbia, Alabama until November 15th.

    All images are via Jose Betancourt’s website.

  • November Facebook Featured Artist: Susan Melrath

    November Facebook Featured Artist: Susan Melrath

    There are some artists whose work I’ve been following and admiring long before my blogging days.  I first spotted this month’s Facebook Featured Artist, Susan Melrath’s work in print form during my art consulting days in Florida.  I was always drawn to the beauty in her limited palette and the way her distilled compositions were powerful in their simplicity.

    Party Table, acrylic on board, 22×19
    Charger, acrylic on board, 12×12

    In her Figurative series, Susan takes those quick little moments that often pass by unnoticed, capturing the sweetness of this particular day, that particular party.

    Landscape, acrylic on panel, 30×25 framed

    Although her shapes are simple, Susan uses color and pattern to create depth and visual texture, especially evident in her Garden series ( although she’s now playing with pattern in her Figurative series as well! ).  Her use of floating, layered patterns give her florals a colored gossamer effect, leaving them distinct yet beautifully distorted.

    Memory of Magnolia, acyrlic on paper, 20×26 framed

    To see more of Susan Melrath’s work, please visit her website and be sure to check out her gorgeous cover image and album on the Artsy Forager Facebook page.

    All images are via the artist or her website.

  • There’s a New Facebook Featured Artist! It Must be November Already!

    There’s a New Facebook Featured Artist! It Must be November Already!

    While it certainly doesn’t feel like it here in Joshua Tree, Fall is in full swing and November is upon us!  A new month means a new Featured Artist is up over on the Artsy Forager Facebook page.  I’m thrilled to feature this month’s artist, Seattle artist Susan Melrath.

    Dog Park by Susan Melrath

    Stay tuned throughout the month of November for more from Susan Melrath!  Make sure you check out the Artsy Forager Facebook page to see her beautiful cover image. ( And be sure to check back often, as we’ll be rotating several of Susan’s images as our Facebook cover- fun! )

  • Silent Visages: Courtney J. Garrett

    Silent Visages: Courtney J. Garrett

    There is something in the eyes of an animal that connects with us.  Their faces full of trust, loyalty and hopefulness can bring us peace in the midst of so many storms.  In her Equine & Herd series, Atlanta artist Courtney J. Garrett captures the tranquility of domestic animals, showing us the gentle spirit behind the bucolic.

    The Little Foxes Turned and the Fields Stopped Bleeding No. 14, mixed media oil on birch wood with resin, 48×48
    The Awakening, mixed media oil on birch wood with resin, 48×48

    What is it about the presence of another species that seems to make life more bearable?  While we were living in Northern Idaho, a simple walk up to our mailbox, passing by the horse corral was enough to lift my spirits, as the horses trotted over to investigate.  Or even spotting a small bird flitting around city streets will instantly calm me.

    The Little Foxes Turned and the Fields Stopped Bleeding No. 12, mixed media oil on birch wood with resin, 36×36

    Perhaps we are envious of the simplicity of an animal’s life?  How they are provided for, whether by their human guardians or by the natural world surrounding them.  They’ve no need to fret over the presidential election, car payments, or forgetting to call on Mother’s Day.  They are happy merely to exist.

    Free, mixed media oil on birch wood with resin, 60×60
    Reconciliation No. 5, mixed media oil on birch wood with resin, 24×24

    To see more of Courtney J. Garret’s work, please visit her website.

    Artist found via Exhibit by Abersons, her representing gallery in Tulsa, Oklahoma.

    All images are via the artist’s website.