Category: Daily Artsy

Artists featured in a solo spot on Artsy Forager

  • Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on July 18, 2011.  Enjoy!

    This being my first summer in the Pacific Northwest, I knew the climate would be much cooler than summers in Florida.  But no one told me that even the trees would be wearing scarves!

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA

    G and I were in Seattle on Saturday and our first stop was Occidental Park.. I was dying to see large scale yarn bombing in person.  Suzanne Tidwell’s bright warm colors juxtaposed against the dark trees under a cloudy sky would melt the heart of the Grinch himself.

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA
    Yarn Bombed Lamp Post, Occidental Park, Seattle, WA

    I mean, let’s face it, here in the PNW, we have a lot of gray days.  So why not help nature along a little by adding some color and whimsy?  I think the trees approve.  They just look so much happier, don’t they?  ( Wait, did I just inadvertently quote Bob Ross?! )  And of course, those bony lamp posts HAD to have been cold, being steel and all.  Now they’re super cozy.

    Yarn bombing is a type of street art, which instead of using chalk or paint, utilizes colorful installations of knitted or crocheted yarn.  Begun as an attempt to enliven and beautify cold, urban environments, it has grown into a full-on art movement.  These aren’t just grandmas and bored housewives looking for a creative outlet and a bit of mischief.  Many yarn bombers are fiber artists who connected with the whimsical style and slightly rebellious nature of yarn bombing.

    In many cases, the yarn bombing is done illegally, just like traditional graffiti and often under the cover of night.  However, bombers are rarely prosecuted, if caught.  Perhaps due to the playful, non-threatening nature of the “tagging”.  It would be like arresting Tinkerbell.

    Fiber artists have tagged iconic public sculpture such as the Rocky Balboa statue in Philadelphia, a traditional red London telephone booth and Wall Street’s famous Charging Bull sculpture ( But don’t call that one yarn-bombing to the responsible artist, Olek.  She takes offense and considers her own work art, while the work of others to be trite.  Not sure I see the difference, but that is her prerogative, I suppose. )  What began as a clandestine art movement is now moving into mainstream favor, with artists, like Seattle’s Suzanne Tidwell, being commissioned to produce large scale public installations and corporate projects.

    Totems and Yarn Bombs, Occidental Park, Seattle, WA

    There is so much darkness and despair in our world today.  I say thank you, yarn bombers, for seeking to bring a little sunshine and fanciful wonderment to our world.  Long may you knit.

    If you’d like to learn more about Suzanne Tidwell, whose work is featured in Occidental Park in Seattle as part of the summer ArtSPARKS program, check out her website and Facebook page.  To learn more about yarn bombing, check out this website, run by two knitters living in Vancouver, BC who also wrote a book about the phenomenon, Yarn Bombing: The Art of Crochet and Knit Graffiti.  

  • The Uncommon Familiar: Shaun Kardinal

    The Uncommon Familiar: Shaun Kardinal

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on April 23, 2012 and got a huge bump thanks to being featured on the Freshly Pressed WordPress feature.  Enjoy!

    Do you have any idea how bummed I was to miss out on Shaun Kardinal’s show, Connotations, while we were in Seattle?  So very very bummed.  But time was not my friend on this trip.  Two half-days and only one full day just isn’t enough to fit in time with friends, every gallery show I wanted to see and one on one time with the hubby.  But I know I’ll be back and I have a feeling Shaun’s work is going to continue gaining ground while I’m gone.

    Connotation No. 18, hand-embroidered paper collage, 9.75×6.5

    Kardinal increases the complexity of his collages with this new series.  Beginning with a foundation of vintage ephemera, he embroiders each piece with a geometrically intricate design carefully placed to compliment the retro imagery.

    Connotation No. 25, hand-embroidered paper collage, 9×6

    Kardinal’s work feels like sophisticated folk art and I mean that in the best possible way!  It is approachable, yet thoughtful.  Highly designed using common materials.  Love.

    Connotation No. 24, hand-embroidered paper collage, 11.75×11.75
    Connotation No. 19, hand-embroidered paper collage, 9.25×8.25

    To see more of Shaun Kardinal’s work, please visit his website.  If you’re in Seattle, do what I couldn’t– go see his Connotations show at Joe Bar Cafe.

    Featured image is Connotation No. 2, hand-embroidered paper collage, 11×11.  All images are via the artist’s website.

  • Artsy on Escape Into Life: Gavin Lavelle

    While I adore abstract expressionist work full of large, sweeping strokes, I do occasionally want to gaze upon work that you really need to consume.  Work so full of rich layers and details that makes you want to study it, taking in every symbol and nuance.  So of course, when  Irish artist Gavin Lavelle emailed me his work, it felt so rich, so Bosch-like, I couldn’t wait to share it.  Lavelle is featured in my Artist Watch over on Escape Into Life today, so head on over there and gaze awhile.  You’ll be mesmerized!

    Eden 85 by Gavin Lavelle

    Gavin Lavelle on Escape Into Life

  • Making Mountains: Liz Tran

    Making Mountains: Liz Tran

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on February 7, 2012 and got a huge bump thanks to being featured on the Freshly Pressed WordPress feature.  Enjoy!

    I love it when painters explore their 3-dimensional side.  I’m not talking about donning special sunglasses to see the latest technology driven flick.  I mean, when artists who normally work in 2-dimensions explore the world of sculpture.  The result is often magical, their paintings come to life!  Seattle artist Liz Tran ( an Artsy Forager fave ) brings her color saturated paintings to life in ceramic form.

    My Rayonier, glazed ceramic, acrylic ink, acrylic paint, 19x15x9

    Perhaps what draws me to Liz’s work time and time again is her obvious love for the outdoors and the way she expresses that affection in joyful color and whimsical lines.  The sculpture above, My Rainer, holds a special draw for me, as Mount Rainier is my favorite mountain.  Rainier has been the site of some wonderful memories for my husband and I, and Liz has captured its magic in such a unique way.

    My Rayonier ( detail ), glazed ceramic, acrylic ink, acrylic paint

    Of course, who could forget her twisting, multi-hued trees?  She mimics their shapes and winding branches in these ceramic creations.  In this form, they almost take on an alien-like quality, which I am totally digging.

    Untitled
    Backbone Two, glazed ceramic, wood, acrylic ink, acrylic paint, 5x5x36

    Then there are her Backbone pieces, which I must confess, are my fave!  They are one part tree trunk + one part stacked tea cup + one part graphic color = total wonderfulness!  How amazing would a grouping of these be in a children’s hospital?  Or tucked away in a garden?

    To see more of Liz Tran’s sculptures and paintings, please visit her website.  You can also check out my feature on Liz’s paintings here.

    All images are via the artist’s website.

  • Melting Messages: Nicole Dextras

    Melting Messages: Nicole Dextras

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on December 21, 2011 and an Etsy Facebook post feature made it go just a little viral.  Enjoy!

    This Florida girl is pretty new to the powdery white stuff.   If you live anywhere with snow, you know, as I am now finding out, that the fluffy white sugar transforms and quiets all around it.  But it is a fleeting beauty, only lasting a few months before turning to slush and ushering in the newness of spring.  And with the environmental changes taking place and urban sprawl snowballing ( pun intended ), the time and places to enjoy unspoiled beauty is diminishing quickly.  The vulnerability of the landscape under the threat of commerce is the underlying theme of Vancouver, BC artist Nicole Dextras’ Ice Typography installations.

    View, 6 foot ice letters on the shore of Lake Ontario on Toronto Island during an art residency at the Gibraltar Art Center in 2007.

    Her installations of words against backdrops of natural and urban landscapes begin with wood forms which are filled with water and left to freeze.  Once frozen, the forms are removed, leaving behind only the ice, which as we all know from Frosty’s story, only lasts for a little while.

    Resource, Ice text installed on Lake Nipissing during the Ice Follies exhibition hosted by the WKP Kennedy Gallery in North Bay, Ontario in 2008.

    These installations are indeed powerful when whole, but it is once the ice begins to melt, or is blown over by wintery winds that their real potency comes through..

    Resource ( melting ), Ice installation lasted 4 weeks. ( photo by http://www.lizlott.com/ )

    Equally compelling is the juxtaposition of words and phrases against their natural or urban backdrops..

    In Flux, created during an Art Residency at the Banff Art Center in Alberta in the winter of 2005.
    Desire, Night shot with the city lights glowing in the background.
    Consume, Ice text in the front of the ever expanding Coal Harbor real-estate boom.

    To see more of Nicole Dextras’ poignant installations, please visit her website.  During this season of incredible beauty and rampant consumerism, perhaps take a walk in the woods instead of heading to the mall.  It will be good for your soul.

    Featured image is Legacy, a shot of the plywood forms installed on the frozen Yukon River.  All images are via the artist’s website.

  • Friday Finds: Word Up!

    Friday Finds: Word Up!

    Happy Friday, Artsies!  Please forgive my 1980s one-hit-wonder reference.  I can’t help it.  My mind just automatically defaults to songs from my teen years.  It seems like the written word is experiencing an artsy renaissance of late.  Not since the days of illuminated manuscripts have words and art become so intertwined.  Here are a few of the wordy works I’m loving this week!

    Why Can’t You Just be Nice by Trey Speegle
    Everything in its Place by David McLeod
    FS2679 by Cecil Touchon
    Thought & Pleasure by Squeak Carnwath
    Sounds Like Some Hippy Shit by Dwayne Butcher

    Trey Speegle | David McLeod | Cecil Touchon | Squeak Carnwath | Dwayne Butcher

    Have a great weekend, Artsies!  Remember to use your words. 😉

    All images are via the artists’ websites, linked above.

  • Lost in the Aviary: Fran Giffard

    Lost in the Aviary: Fran Giffard

    I’ve admitted it already, I can be a bird-brain.  Not in a ditzy way, in an I am completely fascinated by birds kind of way.  When we go out for evening walks, especially here at the lake, many times I’ll stop just to gaze at a lovely bird or try to catch a glimpse as one flits from tree to tree, trying to avoid the approaching humans.  London artist Fran Giffard takes ornithological study to an artsy degree as she draws these fine-feathered illustrations on the pages of old moleskin diaries.

    U, O for Ornithology series, graphite pencil and aquarelle, 26×21 cm

    Her latest series, O for Ornithology, features birds drawn within layouts similar to those of Mondrian’s paintings.  The birds “perched” within the grid seem to be peering in on us from a windowsill or perhaps peering out from a cage.

    U, Old Paper Alphabet series, graphite pencil and aquarelle, 26×21 cm
    F, Old Paper Alphabet series, graphite pencil and aquarelle, 26×21 cm

    Giffard’s use of old diaries as substrate create an interesting juxtaposition between the beautifully rendered fowl and quickly jotted notes about every day life like grocery lists and appointments.

    G, O for Ornithology series, graphite pencil and aquarelle, 26×21 cm

    To see more of Fran Giffard’s work, please visit her website.  Looking forward to seeing lots of lovely new birds while we are in Joshua Tree, CA this Fall!

    Featured image is P, Old Paper Alphabet series, graphite pencil and aquarelle, 26×21 cm. All images are via the artist’s website.

  • Abject Extraction: Jen Garrido

    Abject Extraction: Jen Garrido

    For many artists, the act of creation isn’t just about projecting an image onto a canvas.  Artists like Jen Garrido understand that often, it’s more about pulling a hidden entity out of the mist.

    From the Rock #7

    Garrido’s images straddle the line between abstraction and representation, which creates a beautiful tension in her work.  With their stark and white, yet heavily textured backgrounds, the colors and lines feel like the emergence of spring after a long winter.

    Buckle, oil on panel, 12×12
    Birdhole A, oil on panel, 8×8

    The way she molds shapes and textures together leave her paintings with a sculptural quality, bringing them to life in a way that makes them seem almost alive.

    From the Rock #10, oil on panel, 12×12

    To see more of Jen Garrido’s work, be sure to check out her website.

    Artist found via Anthropologie.  All images are via the artist’s website.

  • Artsy on Escape Into Life: Larissa Haily Aguado

    Artsy on Escape Into Life: Larissa Haily Aguado

    I do love a fabulous collage.  And these creations from Argentinian artist Larissa Haily Aguado immediately caught my eye when I spotted them over on The Jealous Curator.  The artist seamlessly blends disparate found images to create the spectacularly simple but striking work.  Check out more of her work over on my Artist Watch at Escape Into Life today!

    Pinky Esmeralda by Larissa Haily Aguado

    Larissa Haily Aguado on Escape Into Life

  • Urban Existentialism: Nicola Lopez

    Urban Existentialism: Nicola Lopez

    It often feels like there is no place left in the world untouched by technology.  Even in some of the most rural areas, you’ll still find yourself within technology’s reach.  The work of Brooklyn artist Nicola Lopez explores the idea of how the saturation of technology is shaping the way we experience the world.

    Water, etching, carborundrum collograph and collage, 41×41

    Beyond the brilliant depictions themselves, Lopez utilizes the creative process to mirror the transformation the landscape goes through as it is built upon.  From her website– “I use the language of printmaking to address the processes of automation and mass production that have brought today’s world into existence. The specific media of intaglio, woodblock and drawing that I choose to work with, however, are still closely linked to the artist’s hand and allow the work to be about my own attempt as an individual to come up with a system of navigating this overwhelming landscape instead of simply consuming one of the pre-fabricated, mass-produced and -marketed versions, of which there are so many.”

    Excerpt from the Flood I, lithograph on paper and mylar, 30×44
    Half-Life 7, woodcut and photolithography on mylar collage, 36×48

    “As with the evolution of the human-built landscape, there are moments in the construction of my world where the building proceeds according to plans that have already been laid and there are moments when the building precedes its own planning, expanding unpredictably and organically towards an order of a very different sort. Our world is full of the tension between just this order and disorder.. “

    Boneyard, woodcut, photolithograph, silkscreen on mylar collage, 22×22.5

    To see more of Nicola Lopez’s work, please visit her website.  If you happen to be in Florida, be sure to stop by J.Johnson Gallery in Jacksonville Beach to see Lopez’s show, Multiplicity, which can be seen at J.Johnson until November 2nd.

    All images are via the artist’s website.