I love it when fans of an artist’s work remind me to feature them! So of course, I had a V-8ish slap-myself-on-the-forehead moment when the Managing Editor at Escape Into Life saw me post on Twitter about Christina Baker’s work and reminded me how awesome it would be to feature her over there.
Runaway Tears by Christina Baker, acrylic on canvas, 48×48
Every family has an unofficial photographer. That one person you can always count on to be there, camera in hand, to capture milestones, special gatherings and stolen moments. My maternal grandmother played the role in my family. She filled album after album of memories to leave behind and those photographs are among my most treasured possessions. They are a visual storybook of our family history. Greenville, South Carolina artists Signe and Genna Grushovenko find the precious memories of strangers and translate them into paint.
Horizontal Wine, oil on linen, 36×36
Though the source photographs themselves have been abandoned by their owners, whether by choice or loss, the artists capture the moments and further anonymize them, erasing faces of features and expressions. Thus they become instantly relatable. The faces could be you.. your brothers.. your mother.. your grandmother.
Beach Friends: Process Colors, oil on linen, 30×40
The husband and wife painting duo collaborate on each canvas, husband Genna supplies the underlying layers of color, pattern and texture onto which wife Signe applies the inspired composition of color blocked figures and settings. The use of a vibrant, limited palette allows the eye to focus on form and depth– and there is plenty of it to be had!
Urban Stroll, oil on linen, 30×40
We always tend to look back on “the good ol’ days” with fondness. Whether or not the days were really good is debatable, I suppose. But I think there is much we can learn by looking back on the imagery of our past. How to be content. Living with less but living more. Enjoying simple moments with family and friends.
Little White Dress, Little White Dog ( Large ), oil on linen, 36×36Four Layered Lounge: Citrus, oil on linen, 48×48
I hope your weekend was filled with simple, blissful living! To see more of Signe & Genna Grushovenko’s work, please visit their website. Oh and be sure to check out one of their gorgeous pieces hanging in the 2012 HGTV Green Home! PS– My hubby is convinced that we’re going to win one of the dream homes. 😉
In case you can’t tell by the blog’s background, I have a favorite color. I love most of the blue family, but am always immediately drawn to the color turquoise. Or, as my niece Kendall calls it “toy-quoise”. So it should come as no surprise that my favorite artwork includes a heavy dose of my beloved hue. Here are some turquoise favorites I’m digging this week:
Gypsy Blue by Erin AshleyThe Search For Green by Jeanne OpgenhaffenEnhanced Sunspots After Galileo I by Rachel BrumerWish You Were Here by Josh ReamesUnobstructed Effort by Sharon Booma
Body language speaks louder than words. Many times, our posture and expression may belie what we’re really thinking, despite the words coming out of our mouths. The paintings of Santa Fe artist Ali Cavanaugh shout with quiet profundity.
I’ll Smile As I Wait, 12×12
Cavanaugh’s inspiration comes much from her dependence upon visual language, due to the loss of much of her hearing to spinal meningitis at a very young age. Utilizing simple compositions with bright palettes and extraordinary light against white backgrounds, Cavanaugh tells visual stories not only of what is meant to be communicated, but also what is kept hidden.
Ply, modern fresco, 12×12
Her figures employ their bodies to communicate– folding their arms and hands to tell the world what perhaps they dare not speak.
Place One End On My Memory That Holds An Imperfection, 30×22
Even these tools of communication are often concealed, hiding behind brightly colored socks, as if performing in an impromptu puppet show. They are trying to convey truth, yet it still remains obscured.
An Arc, Placing Me in a Vivid Illusion, modern fresco, 16×20Divide the Timeline Into Then.. and Now, modern fresco, 22×30
Be sure to visit Ali Cavanaugh’s website to see more of her incredible work and to find out where you can see her work in person.
Featured image is Place One End on My Memory That Holds an Imperfection. All images are via the artist’s website.
.. and not a drop to swim in. Well, without a wetsuit, at least here in Northern Idaho. What is it about the water that calls to us, calms our senses, rejeuvenates? These photographers might have a clue, as they’ve answered water’s siren song..
Philippe ChengMertxe AlarconTulum by Neil KrugWave Study I by Thomas Hager
Anyone who knows me knows that I’m far from a wild child. I tend to be calm, controlled, even-tempered. Maybe that’s why I’m drawn to abstract expressionist work like a moth to a flame. And the work of Delray Beach artist Brenda Hope Zappitell is a fire this little moth can’t resist!
In Search of Sunrise II, acrylic with cold wax on panel, 42×42
In her work, Zappitell “surrenders control to the paint, the brush and a visceral process of creative discovery” [sic]. She works spontaneously and rapidly, following the paint as it dances across the canvas.
In Search of Sunrise I, acrylic with cold wax on panel, 42×42
Taking her inspiration from the energy of nature, her palette builds from light, delicate tints to saturated rapid-fire strokes of bold color.
A Matter of Perception, acrylic with cold wax on panel, 48×48
Squiggles and strokes that could almost be graffiti-like still retain their softness, like a flourishing garden in the middle of an urban metropolis.
Embracing Uncertainty II, acrylic with cold wax on panel, 30×36Reverie I, acrylic with cold wax on panel, 48×48
To see more of Brenda Hope Zappitell’s work, please visit her website. You can see her work in person at several galleries across the US– be sure to check her website to see if there is one near you!
Featured image is Translation, acrylic with cold wax on panel, 60×30. All images are via the artist’s website.
Sometimes the simplest work can be the most powerful. I’m really drawn to these graphic, color-blocked paintings by Dwayne Butcher that I’ve posted over on Escape Into Life today. Go check ’em out!
I Got No Use for Trouble, acrylic on canvas, 18×16
So often, when we see gems & minerals, it is rarely in their natural state. After they’ve been cut and polished and set, they seem to lose some of their inherent beauty and mystery. Toronto artist Carly Waito pays homage to these multi-faceted marvels in her small, exquisitely detailed paintings.
Dioptase, oil on masonite, 10×9
Waito uses macrophotography to record the color and intricacies of each cluster, which she then translates into oil.
Flourite 2, oil on masonite, 10×12
Through a process of layering, she captures in paint the amazing depth and prismatic qualities that give gems their luster and appeal. By isolating the minerals in their natural state, Waito celebrates their innate beauty.
Amethyst 6, oil on masonite, 8×9
The visual textures in these small works are simply stunning. And by keeping the works small, Waito invites us in to look closer and really examine the tiny details that make each gem so precious.
Pyrite 2, oil on panel, 10×10Smoky Quartz 5, oil on masonite, 12×11
To see more of Carly Waito’s work, please visit her website.
As soon as we are born, we begin to die. That may be a gloomy thought, but we begin the circle of life at birth and it seems, now more than ever, we fight as hard as we can against the inevitability of age and the ravages of time. Helskinki artist Vincent Bakkuum’s paintings confront us with the transitory nature of our very being.
Teen Joy
Using images of vintage-y shoes, skulls and dead birds juxtaposed with beautifully blooming flowers, Bakkum reminds us that what once was young and vibrant eventually will be no more.
Black Shoes and Pink Flowers
Just as the bird that falls from the sky, so will we also cease to fly. Our vanity compels us to continue to adorn what is already beautiful, our very bodies that give us life.
Dead Parakeets
Bakkum’s work reminds us of the inherent beauty to be found in flora and fruit, their beauty and bounty inspires and nourishes us. They are created as we are created and will return to the dust just as we will.
Sheep SkullPink Shoes
To see more of Vincent Bakkum’s work, please visit his website.
Featured image is Biological Cream by Vincent Bakkum. All images are via the artist’s website.
Pretty sure I read in the latest InStyle Magazine ( we all have our guilty pleasures! ) that polka dots are big for spring. Maybe it’s the influence of Damien Hirst’s spot paintings. Here are some more artists marking the spot!
Small Spots by Georgia Gray, acrylic on canvas, 10x20cmPatterns With Purpose O by Paul Ecke, mixed media on panel, 48×60Cut 11-034 by Michelle Y. Williams, metal/plexiglas, 15×15#562 by Tory Cowles, mixed media, 48×48