Tag: Artists

  • Masterworks Monday: Frida Kahlo

    Masterworks Monday: Frida Kahlo

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on May 2, 2011, when the blog was barely two months old.  Enjoy!

    In honor of Cinco De Mayo this week, I thought we’d focus today on the amazing Frida Kahlo.  When I was in painting classes in college, I remember there being this older Bolivian lady who was auditing the classes and she was obsessed with Frida Kahlo.  She was sweet but somewhat obnoxious.  For a long time, the fact that she was so obsessed with Kahlo managed to turn me off on her artwork.  Weird how our minds work sometimes.

    But then, somewhere along the line, I let go of this irrational bias and took another look at Kahlo and her work.  And I was quickly won over.  Health problems plagued Kahlo from a young age, suffering first from polio and then being severly injured in a horrific car accident which left her in a full body cast and bedridden for three months.  Though she eventually recovered from her injuries, extreme pain would torment her for the rest of her life.

    Two Fridas

    Before the accident, Kahlo was studying to become a physician, but she dealt with the boredom of being confined to bed by taking up painting with her father’s watercolors.  And so, Frida Kahlo, the artist was born.

    Kahlo’s work often included symbols of Mexican mythology, as well as those of Christian and Jewish faiths.  Though she is perhaps best known for her self-portraits, often depicting events in her own life, such as the accident, subsequent miscarriages, etc.

    She married renown Mexican muralist, Diego Rivera in 1929 and their life together was a tumultous one.

    Her work has been described as surrealist, but I think it is the unvarnished depiction of her real life pain and struggle that makes her work so interesting and relatable. We may not have all been through the kind of physical pain Kahlo experienced, but perhaps it is that we can all certainly relate to her emotional pain and the need to express it on canvas.

    Be sure to check out the official Frida Kahlo website.  A beautifully designed site full of interesting information about the artist.

  • October Facebook Featured Artist: Margie Livingston

    October Facebook Featured Artist: Margie Livingston

    If you are a painter, you no doubt know the joy of gazing upon piles of paint freshly squeezed from their tubes.  Perhaps you’ve admired the loveliness to be found on your palette after a day of painting, when the colors have mixed together in a riotous symphony.  The work of this month’s Facebook Featured Artist, Seattle’s Margie Livingston straddles the worlds of painting and sculpture, in which the paint becomes sculpture.

    Painting Folded Into a Square, acrylic, 20x20x4

    Using paint both as medium and subject, Livingston’s work transforms what is normally a two-dimensional vehicle into one that exists in three-dimensions.  No longer content to merely represent an image of an object, the paint actually takes on an object’s shape.

    Plank, acrylic, 97 5/8 x 1 5/8 x 3 1/2
    Coiled Layered Strip, acrylic, 9x9x3
    Negative Cube, acrylic, 8x14x14

    Margie’s Painted Objects has taken center stage at Greg Kucera Gallery in Seattle ( supported in part by a 4Culture Individual Artist Project Grant and a CityArtist Project grant from the City of Seattle Office of Arts & Culture ) and will be on exhibit through November 10th.  Go see it!!  I’ll be far away in California, so I can’t go, which means you MUST!

    To see more of Margie Livingston’s incredible painted sculptures, please visit her website and be sure to check out her gorgeous cover image and album on the Artsy Forager Facebook page.

    Featured image is 90 Color Test, acrylic and grommets, 90 squares at 8×8 each, 78×96 overall.  All images are via the artist’s website and the website of Greg Kucera Gallery.

  • The Age of Innocence: Jessica Maria Manley

    The Age of Innocence: Jessica Maria Manley

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on January 23, 2012.  Enjoy!

    The other night, we caught a bit of a Travel Channel show in which Andrew Zimmern visited a tribe in Madagascar, whose ritual tradition dictates that a boy becomes a man at the age of five years old.  Jewish boys celebrate coming into manhood with a Bah Mitzvah at age thirteen.  The work of photographer Jessica Maria Manley explores the idea of whether societies can truly define what is appropriate based solely on an individual’s age.  Is a boy really a man at five? Thirteen? Twenty-one? Forty-five?

    At the Lake

    Manley’s haunting images of her young subject, Melissa, show the young girl engaging in those activities so many little girls enjoy– playing dress up, playing with make-up, pretending to be grown-ups.  How many of us did the same?

    Melissa and Her Toys

    Some of the imagery may be a bit off-putting, even disturbing as we see a little girl exploring an adult’s world.  But how often are children thrust into situations beyond their years?  Or they feel pressured to be tiny adults?

    Make-up In the Living Room II
    Untitled

    Manley’s images may be a visual representation of the societal pressures kids feel every day, in every nation.  They could also be interpreted as imaginings of a woman who is chronologically an adult, but still feels the vulnerability and smallness of a child.. A woman whose childhood was robbed of her.

    To see more of Jessica Maria Manley’s intriguing work, please visit her website.  Her provocative photos touched me, hope you find them as thought provoking as I did.

    Featured image is On the Dock, 2011.  All images are via the artist’s website.

  • Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on July 18, 2011.  Enjoy!

    This being my first summer in the Pacific Northwest, I knew the climate would be much cooler than summers in Florida.  But no one told me that even the trees would be wearing scarves!

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA

    G and I were in Seattle on Saturday and our first stop was Occidental Park.. I was dying to see large scale yarn bombing in person.  Suzanne Tidwell’s bright warm colors juxtaposed against the dark trees under a cloudy sky would melt the heart of the Grinch himself.

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA
    Yarn Bombed Lamp Post, Occidental Park, Seattle, WA

    I mean, let’s face it, here in the PNW, we have a lot of gray days.  So why not help nature along a little by adding some color and whimsy?  I think the trees approve.  They just look so much happier, don’t they?  ( Wait, did I just inadvertently quote Bob Ross?! )  And of course, those bony lamp posts HAD to have been cold, being steel and all.  Now they’re super cozy.

    Yarn bombing is a type of street art, which instead of using chalk or paint, utilizes colorful installations of knitted or crocheted yarn.  Begun as an attempt to enliven and beautify cold, urban environments, it has grown into a full-on art movement.  These aren’t just grandmas and bored housewives looking for a creative outlet and a bit of mischief.  Many yarn bombers are fiber artists who connected with the whimsical style and slightly rebellious nature of yarn bombing.

    In many cases, the yarn bombing is done illegally, just like traditional graffiti and often under the cover of night.  However, bombers are rarely prosecuted, if caught.  Perhaps due to the playful, non-threatening nature of the “tagging”.  It would be like arresting Tinkerbell.

    Fiber artists have tagged iconic public sculpture such as the Rocky Balboa statue in Philadelphia, a traditional red London telephone booth and Wall Street’s famous Charging Bull sculpture ( But don’t call that one yarn-bombing to the responsible artist, Olek.  She takes offense and considers her own work art, while the work of others to be trite.  Not sure I see the difference, but that is her prerogative, I suppose. )  What began as a clandestine art movement is now moving into mainstream favor, with artists, like Seattle’s Suzanne Tidwell, being commissioned to produce large scale public installations and corporate projects.

    Totems and Yarn Bombs, Occidental Park, Seattle, WA

    There is so much darkness and despair in our world today.  I say thank you, yarn bombers, for seeking to bring a little sunshine and fanciful wonderment to our world.  Long may you knit.

    If you’d like to learn more about Suzanne Tidwell, whose work is featured in Occidental Park in Seattle as part of the summer ArtSPARKS program, check out her website and Facebook page.  To learn more about yarn bombing, check out this website, run by two knitters living in Vancouver, BC who also wrote a book about the phenomenon, Yarn Bombing: The Art of Crochet and Knit Graffiti.  

  • The Uncommon Familiar: Shaun Kardinal

    The Uncommon Familiar: Shaun Kardinal

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on April 23, 2012 and got a huge bump thanks to being featured on the Freshly Pressed WordPress feature.  Enjoy!

    Do you have any idea how bummed I was to miss out on Shaun Kardinal’s show, Connotations, while we were in Seattle?  So very very bummed.  But time was not my friend on this trip.  Two half-days and only one full day just isn’t enough to fit in time with friends, every gallery show I wanted to see and one on one time with the hubby.  But I know I’ll be back and I have a feeling Shaun’s work is going to continue gaining ground while I’m gone.

    Connotation No. 18, hand-embroidered paper collage, 9.75×6.5

    Kardinal increases the complexity of his collages with this new series.  Beginning with a foundation of vintage ephemera, he embroiders each piece with a geometrically intricate design carefully placed to compliment the retro imagery.

    Connotation No. 25, hand-embroidered paper collage, 9×6

    Kardinal’s work feels like sophisticated folk art and I mean that in the best possible way!  It is approachable, yet thoughtful.  Highly designed using common materials.  Love.

    Connotation No. 24, hand-embroidered paper collage, 11.75×11.75
    Connotation No. 19, hand-embroidered paper collage, 9.25×8.25

    To see more of Shaun Kardinal’s work, please visit his website.  If you’re in Seattle, do what I couldn’t– go see his Connotations show at Joe Bar Cafe.

    Featured image is Connotation No. 2, hand-embroidered paper collage, 11×11.  All images are via the artist’s website.

  • Artsy on Escape Into Life: Gavin Lavelle

    While I adore abstract expressionist work full of large, sweeping strokes, I do occasionally want to gaze upon work that you really need to consume.  Work so full of rich layers and details that makes you want to study it, taking in every symbol and nuance.  So of course, when  Irish artist Gavin Lavelle emailed me his work, it felt so rich, so Bosch-like, I couldn’t wait to share it.  Lavelle is featured in my Artist Watch over on Escape Into Life today, so head on over there and gaze awhile.  You’ll be mesmerized!

    Eden 85 by Gavin Lavelle

    Gavin Lavelle on Escape Into Life

  • Making Mountains: Liz Tran

    Making Mountains: Liz Tran

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on February 7, 2012 and got a huge bump thanks to being featured on the Freshly Pressed WordPress feature.  Enjoy!

    I love it when painters explore their 3-dimensional side.  I’m not talking about donning special sunglasses to see the latest technology driven flick.  I mean, when artists who normally work in 2-dimensions explore the world of sculpture.  The result is often magical, their paintings come to life!  Seattle artist Liz Tran ( an Artsy Forager fave ) brings her color saturated paintings to life in ceramic form.

    My Rayonier, glazed ceramic, acrylic ink, acrylic paint, 19x15x9

    Perhaps what draws me to Liz’s work time and time again is her obvious love for the outdoors and the way she expresses that affection in joyful color and whimsical lines.  The sculpture above, My Rainer, holds a special draw for me, as Mount Rainier is my favorite mountain.  Rainier has been the site of some wonderful memories for my husband and I, and Liz has captured its magic in such a unique way.

    My Rayonier ( detail ), glazed ceramic, acrylic ink, acrylic paint

    Of course, who could forget her twisting, multi-hued trees?  She mimics their shapes and winding branches in these ceramic creations.  In this form, they almost take on an alien-like quality, which I am totally digging.

    Untitled
    Backbone Two, glazed ceramic, wood, acrylic ink, acrylic paint, 5x5x36

    Then there are her Backbone pieces, which I must confess, are my fave!  They are one part tree trunk + one part stacked tea cup + one part graphic color = total wonderfulness!  How amazing would a grouping of these be in a children’s hospital?  Or tucked away in a garden?

    To see more of Liz Tran’s sculptures and paintings, please visit her website.  You can also check out my feature on Liz’s paintings here.

    All images are via the artist’s website.

  • Melting Messages: Nicole Dextras

    Melting Messages: Nicole Dextras

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on December 21, 2011 and an Etsy Facebook post feature made it go just a little viral.  Enjoy!

    This Florida girl is pretty new to the powdery white stuff.   If you live anywhere with snow, you know, as I am now finding out, that the fluffy white sugar transforms and quiets all around it.  But it is a fleeting beauty, only lasting a few months before turning to slush and ushering in the newness of spring.  And with the environmental changes taking place and urban sprawl snowballing ( pun intended ), the time and places to enjoy unspoiled beauty is diminishing quickly.  The vulnerability of the landscape under the threat of commerce is the underlying theme of Vancouver, BC artist Nicole Dextras’ Ice Typography installations.

    View, 6 foot ice letters on the shore of Lake Ontario on Toronto Island during an art residency at the Gibraltar Art Center in 2007.

    Her installations of words against backdrops of natural and urban landscapes begin with wood forms which are filled with water and left to freeze.  Once frozen, the forms are removed, leaving behind only the ice, which as we all know from Frosty’s story, only lasts for a little while.

    Resource, Ice text installed on Lake Nipissing during the Ice Follies exhibition hosted by the WKP Kennedy Gallery in North Bay, Ontario in 2008.

    These installations are indeed powerful when whole, but it is once the ice begins to melt, or is blown over by wintery winds that their real potency comes through..

    Resource ( melting ), Ice installation lasted 4 weeks. ( photo by http://www.lizlott.com/ )

    Equally compelling is the juxtaposition of words and phrases against their natural or urban backdrops..

    In Flux, created during an Art Residency at the Banff Art Center in Alberta in the winter of 2005.
    Desire, Night shot with the city lights glowing in the background.
    Consume, Ice text in the front of the ever expanding Coal Harbor real-estate boom.

    To see more of Nicole Dextras’ poignant installations, please visit her website.  During this season of incredible beauty and rampant consumerism, perhaps take a walk in the woods instead of heading to the mall.  It will be good for your soul.

    Featured image is Legacy, a shot of the plywood forms installed on the frozen Yukon River.  All images are via the artist’s website.

  • Welcome the New Facebook Featured Artist for October!

    Welcome the New Facebook Featured Artist for October!

    Just because I’m probably somewhere around Boise by now, listening to Mr. Forager sing along with Eddie Vedder, doesn’t mean that the artsiness stops!    It’s October 1st, which means the passing of the torch to a new Featured Artist over on the Artsy Forager Facebook page.  This month’s artist is Seattle painter and sculptor, Margie Livingston.

    Painting Folded 10 Times by Margie Livingston

    You’ll see more from Margie throughout the month of October and if you’re in Seattle, make sure to see her show opening this Thursday, Oct. 4th at Greg Kucera Gallery!

  • Friday Finds: Word Up!

    Friday Finds: Word Up!

    Happy Friday, Artsies!  Please forgive my 1980s one-hit-wonder reference.  I can’t help it.  My mind just automatically defaults to songs from my teen years.  It seems like the written word is experiencing an artsy renaissance of late.  Not since the days of illuminated manuscripts have words and art become so intertwined.  Here are a few of the wordy works I’m loving this week!

    Why Can’t You Just be Nice by Trey Speegle
    Everything in its Place by David McLeod
    FS2679 by Cecil Touchon
    Thought & Pleasure by Squeak Carnwath
    Sounds Like Some Hippy Shit by Dwayne Butcher

    Trey Speegle | David McLeod | Cecil Touchon | Squeak Carnwath | Dwayne Butcher

    Have a great weekend, Artsies!  Remember to use your words. 😉

    All images are via the artists’ websites, linked above.