Tag: collage

  • Finding Home: Amy Wilson Flaville

    Finding Home: Amy Wilson Flaville

    I feel like I’ve been writing a lot this week about our traveling lifestyle.  Maybe it’s been on my subconscious lately.  We’ve been talking about our future home a lot recently, what that might look like, where it might be.  These collages by San Francisco artist Amy Wilson Flaville    reminded me that none of us are guaranteed a dry and comfy bed each night.

    Fixie by Amy Wilson Flaville

    Upon first glance, I fell for Flaville’s use of color and pattern in these shopping cart collages.  As I looked a little more at her work this morning, I saw more.  I saw those colorful patterns as happy memories, the kind we store up in our hearts and carry with us everywhere we go.

    Wagon Train by Amy Wilson Flaville

    We carry our homes within us, which enables us to fly. — John Cage

    Cabana by Amy Wilson Flaville Pasture by Amy Wilson Flaville

    Whatever our situation, whether we find ourselves living in the lap of luxury or pushing all our earthly belongings in a shopping cart, it is what is inside that sustains us.  The people who love us, who we have loved, we carry that with us and no four walls can contain it.

    Caravan by Amy Wilson Flaville

    If you’d like to see more of Amy Wilson Flaville‘s work, please visit her website.

    All images via the artist’s website.  Artist found via The Jealous Curator for Emily Henderson.

  • Delicate Immersion: Elise Wehle

    Delicate Immersion: Elise Wehle

    I find it very refreshing to come across an artist for whom the most important part of her creative process in the process itself. For Utah artist Elise Wehle, the delicately intense, repetitive handwork in her cut paper collages provide an escape into her world of process.
    Elise Wehle Elise Wehle It seems we can all suffer from tech and connection overload these days. Moments when we are completely disconnected and far away from a glowing screen of some sort have become fewer and farther between. These pieces in which artist Elise Wehle immerses herself with their deliberately tattered textures, precise cuts, and vintage feel are the perfect antidote to a world obsessed with tiny screens.
    Elise Wehle It’s almost as it we’re glimpsing peek of an Instagram feed deteriorated. The photographic cropping of the images recall those ubiquitous scenes in our social media each day. But they have aged, maybe giving us a reminder that those moments are fleeting– perhaps too fleeting to be constantly clicking and updating.
    Elise Wehle Elise Wehle

     

    If you’d like to see more of Elise Wehle‘s work, please visit her website.  I’m thinking of starting a little daily painting study to help me unplug & disconnect each day.  What’s your method of getting away from technology?

    All images are via the artist’s website.

  • The Freshmaker: Heather Landis

    The Freshmaker: Heather Landis

    In some ways, it seems like collage work is on the downside turn of its recent resurgence.  There is so much of it out there, it can be a challenge to find work that feels fresh and original.  Los Angeles artist Heather Landis uses a tight palette of color, cheeky use of typography and just the right mix of vintage and modern in her collages.

    Heather Landis Landis5

    Her palettes are filled with those decidedly vintage-feeling hues of peaches and pinks, accentuated by the steely greys that were so indicative of the atomic age.  Much of her work seems to deal with the coming loss of “innocence” brought on by turbulence of the Vietnam War, the sexual revolution, and well, just the end of what many perceive as the The Golden Age of pop culture.

    Landis3 Landis6 Landis2

    The women in Landis’ collages seem to be blissfully unaware of what is soon to come.  Beatific domesticity will give way to struggling to push through the glass ceiling and climbing the corporate ladder.

    Landis1

    But Landis isn’t hitting us over the head with messages.  Just subtly drawing us in to her happy-go-lucky world, then subversively reminding us that what used to be wasn’t always better.

    Want to see more of Heather Landis‘ work?  Go on over to her website and her Society6 shop.

    All images are via the artist’s website and shop.

  • Well Placed Pop: Guy Catling

    Well Placed Pop: Guy Catling

    Sometimes, all it takes is just a little somethin’ somethin’ to take an ordinary image and transform it into something unexpected.  UK artist Guy Catling has found that adding some well placed color and pattern can lead to some pretty spectacular imagery.

    Catling1 Catling4

    Black and white vintage photographs are beautiful, but add in brightly colored faces and floral patterned mountains and they take on a whole new modern life.  Bright shots of geometric shapes in these scenic photos mimic the lines of the photographs simply yet beautifully.

    Catling3 Catling2

    The patterns added to this trio of well dressed men adds not only a bit of pizazz, but with the Victorian-floral and Native American inspired patterns these guys are sporting, the story behind the image has possibly changed.  Ah the power of color and pattern!

    Catling_Coats

     

    Want to see more work by this talented artist?  Check out Guy Catling‘s website here.

    All images via the artist’s Tumblr.

  • Shared Wonder: Beth Hoeckel

    Shared Wonder: Beth Hoeckel

    Mr. Forager’s sister has been visiting with us since Saturday and it has been so fun watching this bro & sis duo together!  But it’s got me missing my own brothers like crazy.  Our siblings are our first conspirators in adventure, first sharers of secrets, first partners in memories.  The Point of View series by Beth Hoeckel captures that time of imaginative connection we have with our earliest companions.

    Glacial by Beth Hoeckel
    Glacial

    There are places and objects that have deep meaning for us due to the memories they hold.  Even more than that, the things that we experienced together can immediately take us back to that moment in time.  To this day, anytime we hear a certain type of whistle– my brothers and I do a double take, thinking that it’s our dad, calling us home for dinner.

    Count Sheep by Beth Hoeckel
    Count Sheep
    Magic Carpet by Beth Hoeckel
    Magic Carpet

    As we grow older our appearance changes, yet when we look into the faces of our siblings, we still see the mischievous countenance that signaled the beginning of an adventure, a game of hide and seek or a deeply competitive game of Monopoly.  We don’t see the gray hair ( or lack thereof! ), the extra pounds, the wrinkles.

    Mountain Rangers by Beth Hoeckel
    Mountain Rangers
    Ranges by Beth Hoeckel
    Ranges

    I was really hoping we’d be in Seattle long enough to get one or both of my brothers out to visit.  They have to see this.  And we need to make some new memories together!

    Want to see more of Beth Hoeckel‘s work?  Be sure to check out her website ( click on her name for the link ).  And, bonus, she has prints of some of these pieces available at great prices in her Big Cartel shop!

    All images are via the artist’s website.

  • Color Harvest: The Deep Blue Sea

    Color Harvest: The Deep Blue Sea

    Maybe it’s finally living in a place surrounded by water after living in the desert last year, but I have been finding such inspiration in the various hues of blue to be found in the waters around Seattle!  So many gorgeous shades from the deepest, darkest blue to green aquas, I just want to plunge right in and see what mysteries await!

    IMG_1114It’s only natural that this blue obsession is trickling over into the artwork I’m foraging on my Pinterest boards.. here’s a little deep blue sea inspiration to get your own seas churning!

    Color Harvest_Deep Blue Sea

     

    [ clockwise, from top left: Elena Kalis |  John Armleder | Miranda Lake | Emily Ferretti studio | Michal Fargo | Jennifer JL Jones

    What colors are inspiring you this summer?

    All image credits linked above.

     

     

  • Paper Cuts: Atelier Bingo

    Paper Cuts: Atelier Bingo

    I’ve always had a love/hate relationship with collage.  My first college art professor loved collage and it figured heavily in her basic drawing classes.  At the time, I found the cutting, arranging, and pasting pretty tedious.  I was more of a thrown some paint around a canvas kind of art student.. but I did love how flexible a collage composition could be.  In their work, French artistic duo Max and Adele of Atelier Bingo utilize collage, gouache, ink, screen print AND digital media to create abstract compositions as expressive as any painting.

    Atelier Bingo

    ..

    Atelier Bingo
    The flattened panes of bright color immediately reminded me of the famed collages of Henri Matisse— his Blue Nude remains one of my all time favorite pieces of art, ever.  The layering of such simplistic shapes assists our eyes in completing the composition.  No details are needed– we are allowed to fill in the blanks– but only by choice.

    Atelier Bingo

    Atelier Bingo
    The flat planes of color are mixed playfully with pattern, keeping our eyes moving across the plane and helping us to add to the story our eyes are concocting along the way.

    Atelier Bingo

    Want to see more work from Atelier Bingo?  Of course you do!  Check out their website, Tumblr and Facebook page.

    All images via the artists’ website.  Artist found via It’s Nice That.

  • Karina Noel Hean

    Karina Noel Hean

    The other day, Mr. F & I were listening to Rick Steves on NPR as he interviewed a woman who, when she entered places in Scotland where her ancestors had dwelt, she felt like she knew the buildings intimately– even going so far as to identify rooms that were not open to the public.  Have you ever experienced that degree of deja vu?  I can’t say that I have, but I can certainly relate to arriving in a place and feeling as if you’ve known it all your life.  In her Field Notes series, Santa Fe artist Karina Noel Hean draws in collage what that experience might be like.

    Noel Hean_Field Notes XXI
    Field Notes XXI, collage, acrylic, graphite, etching and ink on vellum, 17×11

    In these abstracted, dream-like landscapes, what we see are glimpses of places, fragments of details that our minds may be remembering.  Whether it be from this lifetime or somewhere buried in our ancestry ( or past lifetime, if you believe in that sort of thing ), the artist is conjuring up a visual representation of what those perceived memories may be like.

    Noel Hean_Field Notes XV_mixed media on vellum_11x17
    Field Notes XV, mixed media on vellum, 17×11
    Noel Hean_Field Notes XVI_mixed media on vellum_11x17
    Field Notes XVI, mixed media on vellum, 17×11

    Shapes collide, morph, twist and turn around and upon each other.  They feel like landscapes from another world and in a sense, they are.

    Noel Hean_Field Notes XX
    Field Notes XX, collage, acrylic, graphite, etching and ink on vellum, 17×11

    To see more of Karina Noel Hean’s work, please check out her website here.  How about you?  Where have you been that felt like you’d been there before?

    All images are via the artist’s website.

  • Artsy on Escape Into Life: Max Warsh

    Artsy on Escape Into Life: Max Warsh

    When I first saw the collage work of  Max Warsh on Pattern Pulp, I totally fell for it– hook, line & sinker.  The combinations of visual textures in such limited palettes is just stunning!  See more from him in my Artist Watch on Escape Into Life today here !

    Untitled by Max Warsh
    Untitled by Max Warsh

    Max Warsh on Escape Into Life

  • Missing Pieces: Lisa Hochstein

    Missing Pieces: Lisa Hochstein

    During our time in Joshua Tree, every time we’ve driven to San Diego or made the trek “down the hill” into Palm Springs, we’ve experienced the wind tunnel that exists in the San Gorgonio Mountain Pass, where over 4000 windmills provide energy to Palm Springs and the Coachella Valley.  When I saw the latest collage series by Lisa Hochstein, Missing Pieces, the shapes seem to echo the turbines and the torn papers reminded me of wind’s inherent power.

    Missing Pieces by Lisa Hochstein
    Missing Pieces 2012-5, salvaged paper, 12×16
    Missing Pieces 2012-3 by Lisa Hochstein
    Missing Pieces 2012-3, salvaged paper, 12×16

    Whether wind and its harnessing machines were an influence to the artist, I do not know.  But I can’t help but see in the grid lines an aerial view looking down onto the giant arms of these energy producers as they spin, some barely moving others cycling at a steady pace.

    Missing Pieces 2012-6 by Lisa Hochstein
    Missing Pieces 2012-6, salvaged paper, 12×16
    Missing Pieces 2012-1 by Lisa Hochstein
    Missing Pieces 2012-1, salvaged paper, 12×16

    In the shredded pages that make up these collages, I see the destructive nature of the desert’s blasts of air.  All over, we’ve seen evidence of wind wreaking havoc across the landscape, even in our own backyard here in Joshua Tree.

    Missing Pieces 2012-2 by Lisa Hochstein
    Missing Pieces 2012-2, salvaged paper, 12×16

    That’s what I see in Lisa Hochstein’s work.  What do your eyes see?  If you’d like to check out more of this artist’s work, please visit her website.

    All images are via the artist’s website.