Tag: Paintings

  • Hang ‘Em High..Not TOO High

    Hang ‘Em High..Not TOO High

    CONFESSION TIME:  One of my biggest pet peeves is artwork hung incorrectly.  And by this I mean too high, too low, staggered when there is no reason for staggering ( i.e., up a staircase wall ), etc.   While there are no set rules when it comes to hanging artwork, there are guidelines.  Knowledge is power, ya’ll, and you’ll thank me for it when my eyes aren’t twitching uncontrollably when I come over and see how your artwork is hung.  I’m too polite to say anything, though.. I am a Southern girl, after all.

    Guideline #1:  Normal height for  hanging artwork is to center it at eye level. 

    But whose eye level?  You may be 4’11” but your husband is 6’4″– how do you decide?  Law of averages, my friends.   I’m 5’5″ ( ok, 5’4 1/2″ ), so my eye level is actually spot on.  The safest height at which to hang artwork is 60″ from the center of the artwork to the floor.

    I couldn’t resist adding in this image from Traditional Home ( via House of Turquoise ).  Recognize the work of our very own Pick of the Crop artist, Christina Baker?!  Girl’s got skilz.

    Guideline #2:  Use picture hooks and D-rings for hanging whenever possible

    picture-hooks-ready-for-d-ring-hangers

    Plain ol’ nails might be super cheap, but picture hooks are the best way to go to get your artwork to hang levelly and securely.  The weight of a piece of artwork will drag down a nail, but the picture hooks are designed to set the nail at an angle so that the laws of physics hold the picture up, instead of putting all the weight on the nail.  There are different size hooks available according to the weight of what you’re hanging, so if you’re in doubt about the weight, go with the heaviest weight hook so you’ll be sure your artwork won’t fall on someone’s head.. or toes.

    D-ring hanger

    D-rings are God-sends for hanging artwork and should be used instead of wire, if possible.   Simply install two d-rings at the same horizontal level on the back of the picture frame.  It’s true, you’ll need to put two holes in the wall instead of one, but your artwork will be more secure and won’t have that annoying habit of going crooked anytime it get’s bumped a little or someone closes a door a bit too hard.

    Guideline #3:  When hanging multiple pieces together, be aware of the space between them and how they relate to each other

    If you’re hanging a pair or series of artwork above a piece of furniture, measure and treat the pieces as if you were hanging one solid piece– taking into account a bit of space between them and center the overall size horizontally above the furniture and center each piece vertically at 60″.

    Guideline #4:  Some rules were made to be broken

    Not Guideline #2, the picture hook thing is always important, not just for aesthetics, but for safety.  The other two, however, might be flexible depending on the situation.

    • Broken rule #1– It is OK to hang artwork lower ( or higher, I guess, though this is less common ) than eye level if it helps the work relate to its surroundings

    • Broken rule #2– Sometimes extending a grouping of work outside of the borders of a piece of furniture or other furnishing helps the artwork to make more sense within the room, as in the case of the room below.  In this instance, more is more, yes?

    • Broken rule #3– The rules are, there are no rules.. Sometimes the positioning of artwork doesn’t really need to relate to the surroundings at all.. randomness & asymmetry can be beautiful!  If done well, of course.

    If you ever find yourself unsure of how to hang your latest acquisition, I hope these guidelines are helpful.  If you’re really stuck, drop me a line– I’m happy to help!  Happy hanging!

  • Masterworks Monday:  Edward Hopper

    Masterworks Monday: Edward Hopper

    Happy Monday, Artsies!  Hope everyone had a wonderful holiday weekend.  This week’s Masterworks Monday artist is one of my all-time faves, American Realist painter Edward Hopper.   A feeling of melancholy tends to pervade most of Hopper’s work, but maybe that is why they appeal to me.  His scenes seem so very real, not just in their sense of time and of place, but in the capturing of a moment.  Early mornings in small towns DO feel desolate, being an attendant at a gas station on a far off country road WOULD be lonely.

    Early Sunday Morning by Edward Hopper

    Image via Whitney Museum of American Art

    Gas by Edward Hopper

    Image via Museum of Modern Art

    Don’t you want to know what’s going on with this young blonde movie usher?  Is she sad?  Is she contemplating making a change in her life?

    New York Movie by Edward Hopper

    Image via Museum of Modern Art

    Despite the lone figures or desolate landscapes, Hopper’s images are filled with light and in that, create a sense of hope within the isolation.  Early morning means it is a new day.. light coming in a window means that there is an escape from the darkness.  Whether this is what Hopper intended or not, it is what I personally take from his work.

     Morning Sun by Edward Hopper

    Image via The New York Times

    How about you?  What do you see in Hopper’s work?  How does it make you feel?

  • A Girl and Her Chickens: Yvonne Lozano

    A Girl and Her Chickens: Yvonne Lozano

    A little girl with brown pigtails makes a trip with her family to Colombia and there, befriends two chickens.  And so begins the story of “What Happened to the Chickens?”, the latest exhibition of Yvonne Lozano’s work at The Art Center in Jacksonville.

    Yvonne Lozano’s work is autobiographical, each painting telling the story of a particular childhood memory or even just the memory of the feeling of being a kid.  Upon first glance at her style, you may think “A child could have done that”, which is exactly the point!  Her simple, faceless figures look initially like a child’s creation, but look a little more closely and you will see a layering of glazes and accomplished drawing skills.

    Yvonne has created a storyboard format for these works, some finished paintings, some watercolor sketches, so that it seems that you are “reading” a book in progress.  The small sketches reiterate the childlike quality to the work and the “story” itself reads like a wonderful children’s book!  ( I personally think it is only a matter of time until we see Yvonne as a children’s literature author & illustrator! ).

    “What Happened to the Chickens?” is a story after all, so I don’t want to give too much away.  If you’re in Jacksonville, please make some time to visit The Art Center gallery downtown to see & “read” this charmingly familiar childhood story.

    The Art Center Cooperative gallery space is located at 31 W. Adams Street in downtown Jacksonville, FL.  Gallery hours are Tuesday through Saturday, 11am-3pm.

    To see more of Yvonne’s work, visit her website, YCLArt and be sure to “fan” her Facebook page!

  • Masterworks Monday: Georgia On My Mind

    Masterworks Monday: Georgia On My Mind

    OK, I know it’s something of a cliche to be a woman who loves the work of Georgia O’Keeffe.   But I don’t care.  I have unabashedly loved her work for what seems like forever.  And I’m proud to say that my ten year-old niece, Samantha is a fan, as well and with no initial prodding from her aunt. ( Though I do admit to unabashedly encouraging her whenever I can! )

    I was drawn to her work on first sight, but it wasn’t until I began taking studio courses in drawing and painting that my love truly blossomed.  Maybe it was that her palette seemed to be similar to the colors I was repeating in my own work.

    Or maybe it was how shocking some of her abstract work, thought to recall certain parts of a woman’s body, were in her day.  Perhaps that sense of rebellion against the “boys club” appealed to the feminist in me.

    It could have been how she was celebrating quiet and peace of the natural world, while technology was being ushered in at a rapid pace.

    Maybe it is the softness of her brushwork– seriously, can you even see any brushstrokes?   Or how delicate her lines were drawn.

    Perhaps it is a combination of all these things.  Whatever it is, I find her work magical.

    All images via the Georgia O’Keeffe Museum online.

  • Friday Forager Faves:  Birthday Wish List

    Friday Forager Faves: Birthday Wish List

    Today is my birthday, ya’ll.   I will be happily spending the day with the one who birthed me, touring the Downtown Jacksonville studio of Christina Foard and researching downtown galleries for an article I’m writing for EU Magazine ( my first published print article! ).   In the spirit of Steve Martin’s SNL “Christmas Wish” sketch, I’m indulging in my own Birthday Wish list.

    These are works of art that, “If I could have but one birthday wish this birthday”… to own any one of these would be my birthday wish.  These are the pieces I covet, the pieces that I know I would love forever and ever and give them a kind and loving home.

    Sleep Deprived and the Dog Can Wait by Casey Matthews

    The title alone makes me smile.  I love how the palette is both warm and cool AND neutral all at the same time.  And I have a thing for circles.  I’ve seen this in person and it is stunning.

    Lucy in the Sky by Maribel Angel

    I love the Beatles.  I love the idea of a flying bunny chasing carrots.  I love Maribel’s work.  I would never tire of seeing this.

    Speak No Evil by Pam Moxley

    This reminds me of what it was like to be a kid, without a care in the world.  Summer days, carefree ways.  Before life was complicated.

    Hotel, Calgary by Theresa Maxwell

    This sweet little painting makes me think of honeymooning.. living out of a suitcase.. letting someone else make the bed.. bliss!

    Lifetime Partners by Christina Foard 

    I fell in love with this the first time I saw it on Christina’s Facebook page.  It reminds me of the devotion and complete commitment it takes to make a life with someone, to be a united front through thick and thin, to be sure of each other no matter what may lie ahead.  Maybe I’m just a starry-eyed newlywed.

    I could go on and on adding more and more to this list– believe me, there are MANY more!  But I was raised to not be greedy, so I’m limiting myself to these five.  Even if I don’t have the real thing, they will always be here for me to gaze upon lovingly.  Happy birthday to me!

  • Introducing Julia Hensley

    Introducing Julia Hensley

    As many of you know, my hubby George and I have been planning to move to the Pacific Northwest, pretty much since we started dating a little over a year ago.  But first we had to #1, get engaged, #2, sell his house in Tulsa, #3 plan a wedding, #4 get married and #5 sell my house in Jacksonville.  We have finally accomplished that last objective ( well, almost, our closing is May 18th ) and are planning the next stage of our life together.

    I have an ongoing list of artists I’d like to feature on Artsy Forager, but sometimes fate steps in and pushes a certain artist ahead of the rest.  I happened to be checking out a design blog I follow and spotted a painting the blogger had purchased from Seattle artist, Julia Hensley.  I surfed on over to her website and was impressed by what I found.   I discovered via Facebook, that today is Julia’s birthday! 

    So, in honor of Julia’s birthday, our upcoming move to the Northwest and just because her stuff is just genuinely awesome, I’m sharing her work with you.

    Chinatown, oil on masonite, 13 1/2″ x 11″

    65th and Roosevelt, gouache collage on bristol board, 9″ x 12″

    Hot Day Bremerton, gouache on bristol board, 7 1/2″ x 4 3/4″ 

    ( this might be my favorite )

     

     Flat Iron, acrylic on bristol board, 8″ x 12″

    Sunday Downtown, acrylic on paper, 19″ x 24″ 

    Hope you enjoyed meeting Julia, be sure to wish her a happy birthday!

    You can see more of Julia Hensley’s work here.

    Or check out the blog that led me to her, From The Right Bank.

  • Behind the Museum Walls: Thoughts From a Curator

    Good morning, all!

    Do you ever wonder how pieces are chosen for museum exhibits?  Why one work makes the cut but another doesn’t?  I just read this interesting little article written by Katharine Stout, curator of the new exhibit, “Watercolour” at the Tate in London.  A fascinating look behind the choices of work and use of watercolors today.   Although traditional watercolor landscapes have a long history in Britain, Stout chose to focus on contemporary work, making the exhibit more relevant for today.

    Hope you enjoy this little peek behind the museum walls!

    Tate curator Katharine Stout on the contemporary works in ‘Watercolour’ | Tate Blog.

  • Masterworks Monday: Hedda Sterne, The Last Abstract Expressionist Dies at 100

    I have a weakness for Abstract Expressionism.  I’m not sure what it is about the paintings of that time and the artists who created them, but there is just something about these works that move me.  Maybe it is the experimentation, or the emotionality behind them or the rebellion against a post-WWII saccharine society.

    The last of the original group of the Abstract Expressionists, Hedda Sterne has passed on.  Perhaps a lesser known member, her work was still widely collected and is held in the collections of several prominent museums.

    Read more about Hedda and her work here:

    Hedda Sterne The Last Abstract Expressionist Dies at 100 – ArtLyst.

    And here:

    http://www.brooklynrail.org/2007/03/artseen/waltema-march-07

  • WHIDBEY ISLAND FAS

    Great little demo of a painting progressing from blocking in to highlighting, from the Whidbey Island Fine Art Studio.

    WHIDBEY ISLAND FAS.

  • Artist Diggs:  Daily Inspirations

    Artist Diggs: Daily Inspirations

    I am so excited to bring you our very first Artsy Forager studio tour, featuring ( drumroll, please! ), Amelia Island artist Theresa Daily!  *applause*

    Theresa and I struck up a friendship through the glory of Facebook long before we’d ever met in person.   This self-taught artist struck me as incredibly funny, generous and kind-hearted, not to mention talented.  Once I met Theresa in person last year, there was no doubt that my initial impression was true.

    The artist in her studio

    Though a Kentucky native, Theresa is definitely an “island girl” at heart.  Her work lovingly depicts the landscapes and life surrounding her on Amelia Island.

    You can usually find Theresa painting at Blue Door Artists on Centre Street in Downtown Fernandina Beach, FL– look for the blue door and crazy stairs!  She shares her sun-filled second floor studio with fellow artist, Carol Sprovtsoff.  You may even catch a glimpse of Theresa’s grandchildren, two adorable artists-in-training!

    Potato-chip bag evidence, kids are about!

    A peek inside her watercolor stash

    Working in a collective studio like Blue Door allows the artists to share ideas and inspiration, as well as help each other out when they get “stuck”.  The idea of an artist working away in a lonely studio may be romantic, but not be nearly as much fun.  These artists feed of each other’s creative energy, which results in growth and more dynamic work.  For instance, when Theresa was struggling with her latest piece ( pictured below, behind the easel ), fellow Blue Door artist, Casey Matthews was there to encourage, offer suggestions and be a source of support.

    Theresa’s work has gone from mostly representational to more intuitive , abstracted landscapes.  But a consistent style and palette keeps the work coherent and instantly recognizable as hers.

    The studio’s gallery space

    Art for sale!!

    Thank you for joining me on a little visit to the creative space of this local artist.  Stop by Blue Door anytime Monday- Saturday, 11ish to 5ish ( island hours! ) and you may be lucky enough to see Theresa Daily in action and enjoy a chat.

    She may even share her potato chips.

    Check out  Theresa’s website to see more of her work and be sure to fan Theresa and Blue Door Artists on Facebook.