Tag: installations

  • Artsy Spot: Palm Springs Art Museum

    Artsy Spot: Palm Springs Art Museum

    While Mr. Forager and I had originally made plans to trek to Big Bear over the weekend, a thick blanket of snow and us sans the CA law required snow chains, along with a sick-with-a-cold Mr. Forager led to a change in plans.  So following our Saturday ritual of breakfast in Joshua Tree ( at Crossroads Cafe— their “piggy pancakes” are my favorite indulgent breakfast ) and stocking up on victuals at the little JT Farmers’ Market, we drove through the wind farms to Palm Springs.

    We wandered around the shops and a few galleries in downtown PS ( note: Stark + Kent Gallery— best contemporary selection in PS, including a few artists featured here on Artsy Forager! ).  After doing the requisite touristy photo-op under Anish Kapoor’s Marilyn statue, currently installed in downtown Palm Springs, we decided to make our way over to the Palm Springs Art Museum. Now I normally have pretty low expectations for small town art museums, knowing they don’t usually have the financial support of big city institutions, so we were pleasantly surprised by what we found there.

    Jim Isermann installation
    Jim Isermann installation

    Palm Springs being a hot bed of modern architecture and design, it was no surprise that one of the current special exhibitions featured the design-art hybrid work of Fernando and Humberto Campana in the exhibition, Antibodies.  Their functional yet incredibly artistic designs take inspired living to an entirely different level.

    Antibodies_Fernando and Humberto Campana_photo by David A. Lee
    Antibodies, Fernando and Humberto Campana ( photo by David A. Lee )

    source

    But it was the museum’s contemporary collection that delighted us most.  As we walked up the stairs past the giant yellow Isermann installation ( see above pic ), so the magic began.  Marina Abramovic’s The Kitchen V, Carrying the Milk, held us spellbound, as we watched the artist as she stood, she the very subject of the Vermeer-esque vignette, holding a bowl of milk, at times struggling to hold her pose.

    The Kitchen V, Carrying the Milk by Marina Abramovic
    The Kitchen V, Carrying the Milk by Marina Abramovic

    source

    Moving away from the Abramovic video installation, our eyes were caught by what from a side angle looked to be an interesting light sculpture installation, but then I stood in front of it and that’s when something bewitching and delightful happened.. see the video!

    Exploded View ( Birds ) by Jim Campbell
    Exploded View ( Birds ) by Jim Campbell

    Here are a few more of our favorite highlights from the contemporary collection–

    Casualty in the Art Realm by Robert Arneson
    Casualty in the Art Realm by Robert Arneson
    Exploded Crystal Chandelier Headache by Ed Ruscha
    Exploded Crystal Chandelier Headache by Ed Ruscha
    Rainbow Picket by Judy Chicago
    Rainbow Picket by Judy Chicago
    Corona 2003 by Anish Kapoor
    Mr. Forager, contemplating Corona 2003 by Anish Kapoor

    Corona 2003 by Anish Kapoor ( above ) with its beautifully disorienting reflective surface and its acoustic properties ( when standing in front of it, as Mr. F is above, someone a few yards behind can hear what is being said into it ), we found it much more interesting than his giant Marilyn Monroe sculpture getting so much attention outside.  I’m glad we took the time to escape the masses huddled around her upended skirt to experience something much more satisfying.

    Unless otherwise identified, all images are by Artsy Forager.  Other image sources are linked above.

     

     

     

  • Environmental Ephemera: Tim Pugh

    Environmental Ephemera: Tim Pugh

    Nature has a way of littering her surfaces with remnants of her past lives.  Whether sea shells scattered on a beach or leaves dispersed across the forest floor, she leaves us with reminders of what was.  UK installation artist Tim Pugh arranges nature’s discarded offerings like precious memories in a shadowbox.

    Woodland Floor Rearrangement, leaves, sticks, woodland debris, Biltberry Woods, Flintshire, UK

    Using what is found the enviroment around him, Pugh draws inspiration from natural patterns and textures as well as archaeology and geography.

    Winter Clusters, Hawarden Woods Deeside, Flintshire, UK
    Snowball Composition, snow, Hawarden Woods, Flintshire, UK
    Beech Burst, beech nuts and snow, Hawarden Woods, Flintshire, UK

    His installations blend so seemlessly into their environment that it would seem as if they were arranged by mother nature’s own hand.

    Beech Weave, beech leaves, Bilberry Woods, Flintshire, UK

    To see more of Tim Pugh’s work, please visit his website.  Have you ever happened upon an artistic installation in the woods?

    All images are via the artist’s website.

  • Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    Droppin’ Y-Bombs: Suzanne Tidwell at Occidental Park

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on July 18, 2011.  Enjoy!

    This being my first summer in the Pacific Northwest, I knew the climate would be much cooler than summers in Florida.  But no one told me that even the trees would be wearing scarves!

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA

    G and I were in Seattle on Saturday and our first stop was Occidental Park.. I was dying to see large scale yarn bombing in person.  Suzanne Tidwell’s bright warm colors juxtaposed against the dark trees under a cloudy sky would melt the heart of the Grinch himself.

    Yarn Bombing by Suzanne Tidwell, Occidental Park, Seattle, WA
    Yarn Bombed Lamp Post, Occidental Park, Seattle, WA

    I mean, let’s face it, here in the PNW, we have a lot of gray days.  So why not help nature along a little by adding some color and whimsy?  I think the trees approve.  They just look so much happier, don’t they?  ( Wait, did I just inadvertently quote Bob Ross?! )  And of course, those bony lamp posts HAD to have been cold, being steel and all.  Now they’re super cozy.

    Yarn bombing is a type of street art, which instead of using chalk or paint, utilizes colorful installations of knitted or crocheted yarn.  Begun as an attempt to enliven and beautify cold, urban environments, it has grown into a full-on art movement.  These aren’t just grandmas and bored housewives looking for a creative outlet and a bit of mischief.  Many yarn bombers are fiber artists who connected with the whimsical style and slightly rebellious nature of yarn bombing.

    In many cases, the yarn bombing is done illegally, just like traditional graffiti and often under the cover of night.  However, bombers are rarely prosecuted, if caught.  Perhaps due to the playful, non-threatening nature of the “tagging”.  It would be like arresting Tinkerbell.

    Fiber artists have tagged iconic public sculpture such as the Rocky Balboa statue in Philadelphia, a traditional red London telephone booth and Wall Street’s famous Charging Bull sculpture ( But don’t call that one yarn-bombing to the responsible artist, Olek.  She takes offense and considers her own work art, while the work of others to be trite.  Not sure I see the difference, but that is her prerogative, I suppose. )  What began as a clandestine art movement is now moving into mainstream favor, with artists, like Seattle’s Suzanne Tidwell, being commissioned to produce large scale public installations and corporate projects.

    Totems and Yarn Bombs, Occidental Park, Seattle, WA

    There is so much darkness and despair in our world today.  I say thank you, yarn bombers, for seeking to bring a little sunshine and fanciful wonderment to our world.  Long may you knit.

    If you’d like to learn more about Suzanne Tidwell, whose work is featured in Occidental Park in Seattle as part of the summer ArtSPARKS program, check out her website and Facebook page.  To learn more about yarn bombing, check out this website, run by two knitters living in Vancouver, BC who also wrote a book about the phenomenon, Yarn Bombing: The Art of Crochet and Knit Graffiti.  

  • Melting Messages: Nicole Dextras

    Melting Messages: Nicole Dextras

    While Mr. Forager & I are on the road, making our way to California, we’re rerunning Artsy Forager’s most popular posts.  This post originally published on December 21, 2011 and an Etsy Facebook post feature made it go just a little viral.  Enjoy!

    This Florida girl is pretty new to the powdery white stuff.   If you live anywhere with snow, you know, as I am now finding out, that the fluffy white sugar transforms and quiets all around it.  But it is a fleeting beauty, only lasting a few months before turning to slush and ushering in the newness of spring.  And with the environmental changes taking place and urban sprawl snowballing ( pun intended ), the time and places to enjoy unspoiled beauty is diminishing quickly.  The vulnerability of the landscape under the threat of commerce is the underlying theme of Vancouver, BC artist Nicole Dextras’ Ice Typography installations.

    View, 6 foot ice letters on the shore of Lake Ontario on Toronto Island during an art residency at the Gibraltar Art Center in 2007.

    Her installations of words against backdrops of natural and urban landscapes begin with wood forms which are filled with water and left to freeze.  Once frozen, the forms are removed, leaving behind only the ice, which as we all know from Frosty’s story, only lasts for a little while.

    Resource, Ice text installed on Lake Nipissing during the Ice Follies exhibition hosted by the WKP Kennedy Gallery in North Bay, Ontario in 2008.

    These installations are indeed powerful when whole, but it is once the ice begins to melt, or is blown over by wintery winds that their real potency comes through..

    Resource ( melting ), Ice installation lasted 4 weeks. ( photo by http://www.lizlott.com/ )

    Equally compelling is the juxtaposition of words and phrases against their natural or urban backdrops..

    In Flux, created during an Art Residency at the Banff Art Center in Alberta in the winter of 2005.
    Desire, Night shot with the city lights glowing in the background.
    Consume, Ice text in the front of the ever expanding Coal Harbor real-estate boom.

    To see more of Nicole Dextras’ poignant installations, please visit her website.  During this season of incredible beauty and rampant consumerism, perhaps take a walk in the woods instead of heading to the mall.  It will be good for your soul.

    Featured image is Legacy, a shot of the plywood forms installed on the frozen Yukon River.  All images are via the artist’s website.

  • Bubbaliciously Artsy Installation

    Bubbaliciously Artsy Installation

    Today seems to be the day for posting childhood memory-inspired works of art!  I am a firm believer in public art that serves to delight and inspire any viewer.  Public art should appeal to the public, you shouldn’t need to be versed in art history or elements of design to appreciate and admire it.  The Bubblegum installation of artists Merijn Hos and Renée Reijnders perfectly demonstrates the ability of public art to enchant and amuse.

    Bubblegum, day
    Bubblegum, night
    Bubblegum, night with people enjoying the scene

    The installation could be seen floating above Weerwater Lake in the Netherlands in 2010.  Check out the websites of Merijn Hos and Renee Reijnders to see more images and what they’ve been up to lately.

    All images are via Renee Reijnders’ website.

  • Stringing Me Along: Anne Lindberg

    Stringing Me Along: Anne Lindberg

    Following our “stringy” theme today, check out the installation work of Anne Lindberg.  Amazingly delicate, gorgeous, saturated color.

    Drawn Pink, Egyptian cotton thread, staples, 35x6x10 ft
    Canto Yellow, Egyptian cotton thread, staples, 18x6x6 ft
    Adante Green, Egyptian cotton thread, staples, 24x18x6

    To see more of Anne Lindberg’s work, check out her website!

  • And One, No Make That a Bunch, to Grow On

    OK, maybe we’re not taking a total break from color today.  Spotted this installation by Marilee Salvato and just had to share it with you!

    Growth Patterns, etching, digital prints mounted on wood, this installation 7’x34′

    Be sure to check out her website for more images of the incredible installation!

  • Friday Faves: Street Cred

    Friday Faves: Street Cred

    Henry David Thoreau said, “This world is but a canvas to our imagination.”  Street artists take that idea quite literally, by taking art out of the isolating artistic environments of galleries and museums, bringing the art to a public that might not otherwise be exposed to it.  Check out these examples of art full of street cred!

    Alice Pasquini
    NeSpoon
    Ben Wilson
    Juliana Santacruz Herrera
    Snyder

    Keep your eyes peeled for street art while you’re out and about this weekend!  Would love to see some examples from your community!

    Featured image by Alice Pasquini.  Click on each image to view the source.

  • Hello?  This is Art calling.

    Hello? This is Art calling.

    Do you remember the days when we didn’t carry our phones around with us, but had to actually seek out that communication tool known as a phone booth?  That small, 37″x37″ box where you could look up a number, dial and have a conversation all for just a 25 cents?  OK, a dime if you’re really old experienced.

    Seattle photographer Todd Jannausch saw in an old phone booth, not a relic of the past, but the blank walls of a would-be gallery.

    Gallery ( 206 ), Occidental Park, Seattle, WA 

    Gallery ( 206 ) in Seattle’s Occidental Park, contains artwork by over 206 Seattle area artists, 18 artists are represented on the “walls” of the booth by original works on plexiglass.  This littlest gallery is part public art installation, part exposure vehicle for artists not represented in area galleries.  ( 206  is the area code for the Greater Seattle area ).  It provides not just an artwork display but an entire experience for anyone willing to step inside for a more private conversation.

    Inside Gallery ( 206 )

    Inside, lighting is provided by a solar-powered installation overhead and yes, there is still a telephone inside. If you pick up the receiver, you won’t be able to make a call, but you will be rewarded by the music of Dave Abramson.

    When is the last time you actually used a phonebook?

    Taking a peek inside the Gallery ( 206 ) “phonebook” and you’ll find more 206-area artists, showing examples of their work and contact information.  Not since the days of Superman has entering & exiting a phone booth been so much fun.

    Addendum to the original post!  Thank you to artist Troy Gua for sending me a photo of his ceiling installation in Gallery ( 206 ).  The overcast weather that day ( in Seattle, imagine that! ) didn’t allow me to get a decent shot myself.  So here it be!  Truly cool.  Check out Troy’s website and Facebook page for more of his work.

    Troy Gua installation

    To find out more information, visit the Gallery ( 206 ) website.  If you’re in the Seattle area, stop by Occidental Park and see it for yourself!

  • My Husband GETS Abstract Art.. finally

    My Husband GETS Abstract Art.. finally

    My hubby is a very intelligent and creative person in his own way– the stories he concocts and “sketches” he comes up with are Saturday Night Live-worthy and he reads books like A People’s History of the United States for fun.  But when we started dating, he was definitely an art-world novice.  Questions like, “But what exactly is wrong with Thomas Kinkade?” made my head want to explode.  But maybe the biggest struggle was trying to explain what I loved so much about abstract painting and why no, honey, a 3rd grader could NOT have done that.

    George checking out Rauschenberg

    Part of what I love about George is how much he appreciates my creative side and artsiness.  Makes me more interesting than the average-gal, I suppose.  And, like all lovey-dovey types, I wanted to be able to share that part of myself with him.  We went to art festivals, galleries and openings, all in pursuit of awakening his mind to a world of art he may have never experienced before.  He became a fan of Christina Foard, following the opening of her Williams-Cornelius show, admiring her use of color and texture.

    Moonlight Solitude by Christina Foard

    We also discovered that he doesn’t always care for abstract expressionist-type work, i.e., seemingly random slashes of paint across a canvas, which will more than likely elicit a shoulder-shrug and a “eh” from him.  He does, however, appreciate light and texture, as he surprised me by totally digging these pieces we saw recently in a gallery in Hood River, Oregon.

    Artist: Barry Mack
    Artist: Barry Mack

    Surprisingly, his tastes have emerged as running a bit more deep & avant-garde than mine.. where I get drawn in by beautiful color, texture and form, what may draw him to a particular work is the narrative of the story it is telling.  For instance, he was very interested in investigating the details of the Rauschenberg prints we saw in Tulsa.  He also tends to lean more toward multi-media work, such as this kind of creepy haunted-house-like part sculpture-part installation at the Denver Art Museum held his interest far longer than it held mine.

    Installation at the Denver Art Museum

    But what really keeps me on my toes is how inquisitive he is about what he is seeing– the process, the motivation, background story, etc.  He asks questions that I don’t always have the answers to, which results in us making discoveries together.  ( Who could ask for better? )  It is that inquisitive & curious nature that I think finally led him to the realization of just what it is about abstract art that makes it so interesting and provocative.

    Admiring the work of Hilary Williams

    As we were leaving the art gallery at The Pines in Hood River, George said to me, “I think I understand why you like abstract art so much.  When you see another realistic painting of a tree or landscape, it’s usually just another painting of a tree.  But abstract art draws you in, makes you think.”  YES!  Here’s to more discoveries with you, my love.