Tag: Lesley Frenz

  • Review.

    Review.

    It’s that time of year for reflecting on the past twelve months.  2016 had it’s troubles for sure, but it was my most creatively productive year yet– a trend I plan to continue into the next! 

    2016-collage-1 2016-collage-2 2016-collage-3 2016-collage-4

    acrylic paintings completed 64

    I began the year working furiously toward completing work for LATITUDE, my first solo show at Art & Light Gallery.  The show was a smashing success, which proved to be a huge blessing and a bit of a stumbling block– I had to get over a bit of the “sophomore slump” after LATITUDE.  I dove nearly straight away into a new series, VENTERS, a quiet, coastal inspired series.  Looking back over VENTERS, I can see myself searching for where I wanted to go with that group of work and the shift that took place over those months.  We spent the summer in Edmonds, WA, just a mile from Puget Sound, which took the initial inspiration of the Oregon & California coast and morphed it into the more quiet peace of the Salish Sea.

    While working on VENTERS, I began a series of tiny, monochromatic paintings, SCINTILLA.  These baby paintings began as a creative exercise to fill the minutes while waiting for paint to dry.  But I’ve grown addicted to making them!  I was thrilled when they were accepted by Elliott Fouts Gallery for their Small Gems show, which is still up through January 5th!

    We spent the Fall living on a small lake in Western Washington, which added fuel to my newest series, ECHOES.  Before we left Edmonds, I’d already had the idea of exploring water reflections in my next body of work and it seemed like fate that we ended up living on a lake!  We’ve since moved on to Tacoma, but I’m ending 2016 very focused on pouring out all the inspiration I found at the lake during those months.  

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    2016-wc-collage-1

    2016-wc-collage-3

    2016-wc-collage-4

    watercolor paintings completed 110+

    A big surprise for me in 2016 was the result of a 100 day painting project.  I participated in the #the100dayproject on Instagram and it led to discovering a love for watercolor painting.  I began the project with a few small acrylic paintings, but as we were moving the next week, I decided to move to watercolors for their easy accessibility and clean up.  And a love affair was born!  A goal for 2017 will be to create larger watercolors on paper and experiment with different substrates.  I’m not sure I’ll ever give up acrylics but I do love the softness and gracefulness I’ve found with this new medium.

    As an artist, I often find myself taking my work too seriously, so I made strides this year toward making time for creative play.  #the100dayproject kicked this off, but after I finished the 100 days, I found myself searching for other avenues, specifically ways to combine painting and natural elements, resulting in #foragescapes and #encirclings.

    foragescapes-collage

    #foragescapes

    2016-encircling-collage

    #encirclings

    I couldn’t write a review of my year as an artist without mentioning time spent in the wild.  Mr. F and I spent a lot of time hiking and camping the North Cascades  over the summer, as well as walking down to the Puget Sound countless times while we were in Edmonds.  We hiked in the Olympics, Mount Rainier, the Columbia River Gorge, and Goat Rocks Wilderness among so many others.  Each place we go enters my subconsciousness and I see them emerging from my brush, uncontrollably.

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    While 2016 ended with a feeling of uncertainty of the future for so many of us, we forge ahead.  I’m excited to be back in the studio post-Christmas holiday working on a commission for a Florida designer and finishing four ECHOES paintings on panel, planning for the next and ordering supplies.  

    I have my goals for the next year and after seeing such growth last year, I’m beyond excited for what 2017 has in store.  I wish the same for you!  

    One goal will be getting back to sharing in this space more often!  Hope to see you more frequently in the new year!

     

  • Update. New Work!

    Update. New Work!

    I’m trying really hard not to be one of those artists who never has their latest work on the website.  So, new work has been added to my artist site!

    Above Us Only Sky I & II ( diptych ) by Lesley Frenz | artsy forager #art #artists #paintings #abstractart

    above us only sky I & II ( diptych ), 2015, acrylic on masonite panel, 12×24 overall

    As I prepare for my solo show, LATITUDE, at Art & Light Gallery in March and waiting for my Ashland studio to be ready for me to use, I’ve been working on small works on panel at the kitchen table.  Not ideal, but creating these smaller pieces helps me work out composition ideas and palettes.  Some I love, some I don’t.  OK, there’s only one I don’t love.  I’ll leave you to guess which one.

    You can see my latest work in the Recent Work section of lesleyfrenz.com. More to come soon!

    Artwork by Lesley Frenz.

  • Finding My Own Artsy: A New Series

    Finding My Own Artsy: A New Series

    If you follow me over on Instagram, you’ve probably noticed that I’ve been a bit obsessed with  flowers this spring.  Growing up in Florida, we really only had two seasons, summer and not summer.  Until we started traveling out West, I’d never really experienced a true Fall, Winter, or Spring.  Spring in the Northwest is especially lovely given all the amazingly beautiful blooming trees, shrubs and wildflowers!  Ever since my first glimpse of cherry blossom petals littering the Seattle sidewalks, I’ve been smitten by Spring here.

    FMO_RandR_Seattle sidewalks collage

    left| cherry blossoms, right| Seattle Sidewalks, acrylic on paper, 18×24

    The juxtapositions of colors and textures inspired me to begin a new series on paper, Rain and Rhododendrons.  I’m still continuing with the Feminine Wiles series, but was itching to get back to painting in a larger format and thanks to a nice big pad of Canson Mixed Media Paper, a portable drawing board, and a sturdy travel portfolio gifted to me by Mr. F for my birthday last month, I was ready to dive in.

    Frenz_Forest Blossoms_acrylic on paper_18x24

     

    Forest Blossoms, acrylic on paper, 18×24

    Like the Feminine Wiles series, these too are color studies, but I’m enjoying experimenting with a looser style, being able to work much more quickly and freely on larger paper than I’ve been able to ( so far! ) on small panels.

    FMO_RandR_arcata marsh collage

    top| Arcata Marsh Wildflowers, acrylic on paper, 18×24, bottom| Allen Pond with wildflowers

    I haven’t had dedicated painting time in a few weeks and I am itching to get back in, especially after Mr. F and I took a camping trip this weekend up to the Trinity Alps.  I am so full of inspiration for this series, I am about to burst!  So there will undoubtedly be more to come, soon.. In the meantime, you can see full shots of each of the pieces I’ve already completed in the Rain and Rhododendrons gallery page.  And in case you missed it, there is also a Feminine Wiles gallery page, both under the My Work heading in the top navigation bar.  I’ve also added an artist statement and bio on the My Work page– so much harder to write those things for yourself than it is to help others!

  • Finding My Own Artsy: Feminine Wiles, Painting Six

    Finding My Own Artsy: Feminine Wiles, Painting Six

    Like many women of my generation, I somehow missed An Affair to Remember until Meg Ryan brought it to my attention.  It was beautiful, witty, romantic and sappy, just like a great chick flick is supposed to be.  And Deborah Kerr’s Terry McKay was completely captivating and one of the first iconic female characters I thought of when beginning the Feminine Wiles series.

    Finding My Own Artsy: Feminine Wiles, Painting Six | artsy forager #art #artists #painting #abstractart

    found here 

    With her warm auburn locks and creamy complexion, the film’s wardrobe designer Charles Le Maire wisely capitalized on her natural palette by using autumnal peaches and oranges in her costumes peppered throughout the movie.

    Finding My Own Artsy: Feminine Wiles, Painting Six | artsy forager #art #artists #painting #abstractart

    Deborah Kerr as Terry McKay in An Affair to Remember, acrylic on canvas panel, 6×6

    The character is smart and sassy, beautiful but down to earth and practical.  Characteristics perfectly portrayed with a warm, simmering palette.

    I have no idea how many of these I’ll do, but am thinking of broadening soon into more contemporary film characters– maybe even by decade?  Um, hello, Molly Ringwald anyone? To see more paintings in the Feminine Wiles series, check the archives here.

    Film image linked above, art by Lesley Frenz aka Artsy Forager.

  • Finding My Own Artsy: Feminine Wiles, Painting One

    Finding My Own Artsy: Feminine Wiles, Painting One

    If you’re following along on Instagram, you might have noticed a little sneak peek into something I’ve been working on lately.  Since starting my #colorforaging2014 project at the beginning of the year, I’ve had more creative energy than ever.  And I’ve begun taking full advantage of it.  I’ve always worked in a series format ( thanks, Prof. Ladnier for creating that habit! ) and have already completed 5(!) paintings in one series while my mind is pondering, researching, contemplating the beginnings of seven more different series of work.

    Early on, my above mentioned college painting prof labeled me a colorist.  It’s true, I’ve always been drawn to color and color theory.  I’m sure one of my first experiences with color was in admiring the fashion in my favorite curl-up-on-a-Sunday classic films.  As a little girl, I imagined myself in those beautiful clothes, becoming those charismatic leading ladies.  Then as a grown woman, I’ve found myself analyzing the use of color in the establishment of character– the reasoning why the film’s costume director chose that particular gown in that particular shade for that particular scene.  There was a method to all that beautiful madness.

    Each series of paintings I have in mind will deal with the psychology and effect of color in some way.  For this first series, which I’ve tentatively titled Feminine WilesI’m focusing on the fashion of iconic female film characters, especially those used in scenes in which the character is capitalizing on her feminity in some way.

    Feminine Wiles graphic

    Each piece is a small abstract portrait of that character at the moment and how the character is defined by that particular costume choice.  All that intellectual stuff plus I just love pretty dresses and pretty paint..

    The first painting in the series is a study of Audrey Hepburn’s Holly Golightly from Breakfast at Tiffany’s.  While the character’s series of elegant little black dresses is synonymous with the character, I’ve always been drawn to the pink Givenchy cocktail dress.  The character wears this confection while in the midst of wooing her Brazilian millionaire would-be fiancé.  She is no longer fashioned as cool and elegant, her style for Jose is warm and feminine and festive.  It is such an interesting contrast to the devastation that happens later in the scene.

    FW_Hepburn_collage

    images found here here and here

    Through a sequence of layers in shades of grey, red, purple, pink and white in acrylic on a 6×6 inch canvas panel, I finally came to a point where I felt like I had a representation of my own interpretation of the character in that dress, in that scene.

    Frenz_Feminine Wiles_Hepburn_Breakfast at Tiffanys

    Audrey Hepburn as Holly Golightly, The Pink Dress by Lesley Frenz

    acrylic on canvas panel, 6×6

    I’ve always worked on larger canvases in the past but our current vagabond lifestyle doesn’t include much room for storage of bulky canvases.  I would love to translate these BIG, but for now, these little studies are proving satisfying.  I can’t wait to share more of the Feminine Wiles series with you!  Do you have any iconic female film characters to suggest?  I have a list of possibilities, but am completely open to suggestion.  I’ve been focusing on classic films, but may eventually move into contemporary characters, too.  Can you tell I’m having a ball and completely obsessed with this?  I hope so, because I totally am!

    Art and logo by Lesley Frenz/Artsy Forager, other image sources linked above.